The DJI Inspire 1 is an incredible drone. In my tests and comparison of the X3, X5 and X5R cameras on the DJI Inspire 1 Pro I found that especially the Zenmuse X5R RAW camera delivers amazing images in 4K. But what about X5 ND filtration? On sunny days just closing the iris is not enough. So which is the best ND Filter for the DJI Zenmuse X5 and Zenmuse X5R cameras used on the DJI Inspire drone and DJI Osmo handheld gimbal? The Best DJI X5 ND Filter I found 5 6 different ND filters I could test both with the DJI Inspire 1 RAW and with the DJI Osmo RAW and compared them to each other that is both compatible withe the Zenmuse X5 and the Zenmuse X5R camera. First I compared the filters in the field under varying light conditions, then I did another comparison in our test lab. Check out the video to see the results. Here’s an overview of the different filters I tested and their properties explained. In the conclusion I will summarize my findings and recommendations. Polraoid VariND Weight: 15g ND filtration: 1-8 stops Weight balancing: filter, extension ring and 49mm fotasy lens hood (EU: Link) The Polaroid VariND is the most affordable of all the filters. It performed well, just had a slight orange tint. There are no hard stops, so it is not as convenient to use as the B+W. In order to be ok with gimbal weight you should use an extension ring and 49mm lens hood. The original DJI lens hood can not be used when this filter is on. The filter has no IR cut. US: BUY HERE EU: BUY HERE B+W XS-Pro MRC VariND Weight: 26g ND filtration: 1-5 stops Weight balancing: filter and 49mm fotasy lens hood (EU: Link) The B+W XS-Pro MRC VariND is a lot more expensive than the Polaroid, but build quality is excellent, it has hard stops and it looks quite neutral with a slight orange shift similar to the Polaroid. In order to be ok with gimbal weight you should use 49mm lens hood. The original DJI lens hood can not be used when this filter is on. The filter has no IR cut. US: BUY HERE EU: BUY HERE Heliopan VariND Weight: 49g ND filtration: 1-6 stops Weight balancing: Too heavy. Filter is not recommeneded. The Heliopan VariND feels like a solid product. It has hard stops and accurate markings and the image looks very neutral. Only at the far end I noticed an ND cross, so the ND filtration was not even. Unfortunately this filter is too heavy as an X5 ND or X5R ND. The filter has no IR cut. BUY HERE Tiffen XLE Series Intermediate 3.0 IRND Weight: 13g ND filtration: 10 stops Weight balancing: filter, DJI weight ring, and 46mm fotasy lens hood The Tiffen XLE Intermediate IRND filters 10 stops of light and has an IR cut built in. This was too much even for a sunny day and the IR cut turned my image green to counter magenta shift. The result was not neutral, so this option is not for me. BUY HERE Tiffen XLE Series Premiere IRND 3.0 Hot Mirror Weight: 13g ND filtration: 10 stops Also available in: Weight balancing: filter, DJI weight ring, and 46mm fotasy lens hood Just like the intermediate, this Tiffen XLE Hot Mirror IRND filters 10 stops of light. Too much exposure reduction for my tastes and the IR cut turned my image green. I was not happy with the result. If you need a good IR cut filter this Hot Mirror seems better suited than the intermediate option though. BUY HERE Formatt Hitech Firecrest IRND 1.5 Weight: 8g ND filtration: 5 stops Also available in: 1 stop, 2 stops, 3 stops, 4 stops, 6 stops, 7 stops, 8 stops, 9 stops, 10 stops Weight balancing: filter, DJI weight ring, and 46mm fotasy lens hood Just like the two Tiffen filters, this Formatt Hitech Firecrest filter has no variable ND functionality. It filters 5 stops of light and according to the manufacturer there is also an Infrared filtration built in. The image was very neutral and had a slight blue shift that I liked. It is the lightest of all the filters tested and not too expensive. US: BUY HERE EU: BUY HERE Conclusion For me the Formatt Hitech Firecrest IRND 1.5 was the ideal filter for sunny shoots. The neutral image looks clean, it is light and affordable and even has some IR reduction, though I did not seem to need that when testing the other filters. As a VariND the B+W seemed like the best option. Especially for the DJI Osmo as an X5 ND it would be ideal with hard stops and a clean image. As a budget option the Polraoid would also do the job, but another adapter ring is needed to balance it properly. I hope this review was helpful for you. If it was please consider buying your gear through our recommended retailer’s links. And if you worked with any of the filters or other X5 ND filters please let me know about your experience in the comments.Read more
Ready to take your big boy camera to the skies? The DJI M600 is DJI’s latest flying platform and a heavy lifter that can even carry the Blackmagic URSA Mini 4.6K. Check out this M600 review and see which things you should consider if you’ve got your eye on the latest toy in affordable drone and camera technology. The DJI M600 was first introduced to us during NAB 2016 in Las Vegas. It is a large hexacopter camera drone for serious professional aerial cinematography. What makes the DJI M600 so interesting for us is that it competes with other large camera drones and can lift heavy payloads, but is comparably easy to use (more on that later), affordable and integrates with DJI’s ergonomic flying solutions compatible with many camera types. DJI M600 Review – The Boss of the Skies Compared to DJI’s earlier large drones, the DJI Spreadwings S900 and S1000, the new DJI M600 can lift heavier weight, integrates the Ronin MX gimbal stabilizer for large camera compatibility and is easier to set up. It also uses DJI’s next generation A3 flight controller and Lightbridge 2, and can be upgraded with the D-RTK GNSS system for centimeter-accurate flight positioning. The A3 flight controller has a failsafe system and Lightbridge 2 delivers 1080 over a 5km distance. The M600’s wings can be collapsed downward The DJI M600 flies 65 km/h and up to an altitude of 2500. In this review I will not compare other large flying platforms, but rather focus on the differences, benefits and downsides in comparison to the much smaller DJI Inspire 1 RAW drone. I believe this will be helpful for those struggling to decide whether to upgrade their small flying platforms to a bigger form factor and use larger cameras like the Blackmagic URSA Mini 4.6K. There are other reviews out there that discuss how the M600 stacks up against other large drones. Preparation When the DJI M600 and Ronin MX packages arrived at our office in Vienna, there was no doubt that there was a long process of preparation ahead of us before undertaking our DJI M600 review in Switzerland later that month. We had to assemble and test many parts because, as in any other production, you want to be ready for any eventualities when shooting begins. The M600 when the wings are folded away. This is as small as it gets unfortunately. That preparation time took longer than expected. I estimate it takes about 3-4 hours to assemble a DJI M600 with a Ronin MX for the first time. There are well made instruction videos on the internet, and if everything goes according to plan you’ll have a drone ready to fly by the end of it. In my case, the HDMI cable inside the drone was DOA, so it had to be replaced. Other than that, the software for the M600 and Ronin MX needed to be updated with a Windows computer, because software wasn’t yet available for Mac. I will not hold this against DJI, as I applaud them for bringing out new technology to the market so quickly, and I heard from other professional flyers that setup time is much quicker and easier in comparison to previous or competing platforms as everything comes readily integrated and setup with the M600. My ultra-light and flexible replacement HDMI cable. One thing is clear for me after setting up the DJI M600, though. This is not a product that’s anywhere near ready to be used out of the box. It needs time, care and a basic set of technical skills. It cannot be compared to a DJI Inspire 1 RAW, which you can just pull out of the box, switch on and fly. Looking at the charging process below is a good visual representation of the complexity between using an Inspire 1 RAW, and M600 with Ronin MX and URSA Mini 4.6K camera. Both can fly for about 15 minutes with these batteries: Charging the DJI Inspire 1 RAW battery and remote Charging the DJI M600, Ronin MX, URSA Mini batteries and remote Even though preparing to fly with a DJI M600 is a lot more time-consuming and difficult than with a DJI inspire 1 RAW, there are several reasons why you could decide to go with an M600 anyway. The simplest argument is that you can fly any camera, while the DJI Inspire 1 RAW restricts you to always fly the Zenmuse X5R, but more on that topic later. If you’re interested to find out how the DJI Inspire 1 RAW performs, you should check out these extensive reviews I did: How Does the Osmo RAW Compare to Professional Cinema Cameras? DJI Inspire 1 vs. Inspire 1 PRO vs. Inspire 1 RAW – See the Difference Shoot Aerial Video Like a Pro – Mastering Drone Footage – PART 1 Let’s fly that M600 beast with an URSA Mini 4.6K now, shall we? :) Working with the DJI M600 & URSA Mini 4.6K Getting the Blackmagic URSA Mini 4.6K airborne on a DJI M600 turned out to be harder than expected. Installing the DJI Ronin MX on the M600 is a straight forward process, and the gimbal works just like it would on the ground. You don’t have to tune anything, if you did it all right, it should just all work together. In addition, you can easily control and manipulate settings on the Ronin MX via the DJI Go App and the remote that controls the M600 itself. Perfect! But then, I quickly found out that the Blackmagic URSA Mini 4.6K with a small V-Mount battery is already on the brink of the weight limit of the M600, and only fits on the Ronin MX with some creative techniques. The biggest problem is the camera’s LCD is on a side of the camera body that can’t be accessed while it’s mounted on the Ronin MX. The second problem is that the camera’s power button is behind said LCD, meaning I needed to switch the camera on and then quickly assemble the gimbal before flight. Not ideal, but this is a problem specific to the combination of the URSA Mini and Ronin gimbal. The SDI signal was run through an HDMI converter into the drone, and the length of the camera was on the Ronin MX size limit by a few milimeters with the Canon EF-S 24mm pancake lens that I used. Ideally you would get the DJI wireless link to transfer the camera preview to the drone. I simply used the HDMI cable straight into the camera. Not ideal, but it works. It is probably easier to fit an Arri ALEXA Mini or a RED Epic on a Ronin MX gimbal, but none of them will deliver quality at the same price as the Blackmagic URSA Mini 4.6K. This is why we tested with the latter. That said, if you plan to use an URSA Mini on this drone, be advised to use DJI’s Ronin MX camera battery solution, as you would not be able to fit any lens on it other than a pancake when using a heavy V-Mount battery, like I was. Also we hope Blackmagic Design will soon fix the magenta corner issue that was also apparent with the camera we tested (see video). Maxing out the weight (15kg takeoff weight) of the M600 proved to affect the flying behaviour to a certain degree. On the one hand, this powerful drone had no troubles to take off the ground easily, but I noticed that the heavy camera would make the whole gimbal construction swing on fast movements, which was sometimes visible in the footage. This is of course to be expected and nothing the drone can’t handle. Quite the contrary, the DJI M600 is a beast that flies with an understated warm sound and follows your input accurately, just like a DJI Inspire 1 would. The M600 is a little quicker and the Inspire is more agile. One thing that affected my test is that DJI could only provide 1 set of batteries at the time, so I had 15 minutes of flying time in the Swiss alps and I was not able to make that 10 hour travel a second time just for a reshoot. Unfortunately it started to rain in mid flight, so the flying time was reduced to just 8 minutes in total on two occasions. Ideally you would also make sure that not only the video feed, but also camera controls are connected to the flight controller, by getting the right remote controller suited to your camera. The Benefits of Working with the DJI M600 What is great about working with the M600 is that you have a very powerful drone that fully integrates with DJI’s Go App system and is upgradable with the D-RTK GNSS for centimeter accurate flying, added redundancy, etc. Basically you can mount whatever other accessories you like, not only to the drone, but also to the camera. And this is the most important argument for this drone. Besides incorporating the A3 failsafe functions and latest DJI technology, it can be used with any camera, lens and accessories you choose. You can use a camera as small as the Inspire 1 RAW’s very own Zenmuse X5R or a camera as large as the Blackmagic URSA Mini 4.6K, and anything in between. If the Ronin MX is too large, you can use other mounting brackets for the Zenmuse cameras or the Zenmuse Z15 brackets for smaller cameras like the Sony a7 series. For me this is the kind of drone I would use to complement a project like a commercial or fiction film, where the highest quality and consistency is needed and where I have a safe and controlled environment to prepare and fly. I have not used a drone like the Freefly Cine Alta yet, and I’m sure it’s a great product if you have the money, but for $4,600 the DJI M600 is hard to beat: a heavy lifter that offers a lot of drone for little investment, and one that should certainly be considered by professionals. The Downsides of Working with the DJI M600 Having had the direct comparison to the DJI Inspire 1 RAW while testing the DJI M600, I noticed a few things you might want to consider before upgrading to a drone as large as this one. First and foremost, size makes a huge difference here… and not in a good way. After going through several days of reviewing the DJI M600, I can now fully appreciate the benefits of a small drone, and I can say with confidence that smaller is better when it comes to flying them. I have tested and used the DJI Inspire 1 RAW on several occasions now, and I’m still blown away by the quality of the Zenmuse X5R camera. Few other cameras reach this standard, and with an easy DaVinci Resolve workflow, this camera is, in my book at least, very hard to beat for aerial cinematography. There are many factors about a drone that can contribute towards getting the desired shots. The ergonomics and small size of the DJI Inspire 1, for example, allow me to have everything with me in a single box and be ready and flying within roughly 2 minutes after getting out of my car. Four batteries will last me an hour. I could climb a mountain with it and get those precious shots. The DJI M600 is much more limiting in this regard. I had the M600 and URSA Mini packed across six cases. You need an extra case for the M600. It was a lot of heavy luggage that took about 20-30 minutes to set up. Not to say that a large drone is not worth the extra effort, but the setup speed of smaller drones is an invaluable asset to getting great shots, especially when you’re a small crew or even on your own and out and about shooting special places. After all, it is all about content! Another lesson I learned is that a large drone greatly limits your flying possibilities in the public. Setting up and flying a DJI M600 is a lot scarier for passerby’s than a small drone and people get more and more sensitive to them too. Conclusion Making this DJI M600 review was a great experience for me. On the one hand, I was very impressed with how the DJI M600 and Ronin MX combo give me the freedom to use any kind of camera and accessories in order to achieve the shots I need at a relatively affordable price. This drone would be a great help on commercial shoots where we need to fly a certain camera or lens with a reliable and familiar system while still keeping costs to a minimum. On the other hand, I can now fully appreciate the ergonomics of smaller drones like the DJI Inspire 1, and especially that the possibilities that the DJI Inspire 1 RAW offers with the Zenmuse X5R camera and lenses will be more than sufficient for my creative vision on most projects. In future versions of the DJI Matrice series I hope DJI will work on making the large form factor easier to use. I certainly see room for improvement when it comes to foldaway size and use of less batteries. All in all, other user reports seem to suggest that DJI is once again ahead of the pack when it comes to the latest in drone flying technology. The price and eco system they have built continues to be probably their most compelling argument. My advice: only go for a larger drone if you know what you’re getting yourself into. If you do, the DJI M600 is an affordable tool that can get the job done and is worth considering. Music by: Art-List.io (Garden of Things – Two Third)Read more
Leading drone and gimbal manufacturer, DJI, announced a new camera addition to their popular Osmo handheld gimbal line today: the DJI Osmo+. The DJI Osmo+ integrates the Zenmuse Z3 camera, until now only available for DJI Drones, to the Osmo line and brings with it optical zoom and adds the ability to shoot motion timelapse, all controllable through the DJI Go app (on both iOS & Android). DJI’s Osmo holds an interesting place in the gimbal market with a relatively low price point, when compared to DJI’s own Ronin and Freefly’s Movi system, and its integrated camera is tailored more to a prosumer crowd of shooters in my opinion. It seems clear that DJI is working to move its lowest cost gimbal into the professional arena with both the DJI Osmo+ and the Osmo RAW. Ideally as a professional filmmaker you would probably want the Zoom functionality of the new DJI Osmo+ with the image quality of the Zenmuse X5 and X5R cameras (See our in-depth quality comparison between the different Osmo cameras HERE). Key Features of the DJI Osmo+ Include: Video – 4K/30fps video and 1080p/120fps with improved sound capture. Stills – 12 megapixel stills in Adobe DNG RAW. Motion Timelapse – Osmo+ has a motion timelapse function. From DJI: “Mark where you want the camera movement to start and end, and tap ‘Start’ to create moving timelapses without additional specialist equipment.” Note: The DJI Osmo + camera is not designed to be mounted on current DJI Drones. For that, you’ll need the Zenmuse Z3.Read more
DJI just announced the introduction of a drone zoom camera called the DJI Zenmuse Z3. It is an upgrade to the popular Zenmuse X3, which is their entry level integrated drone camera used on the DJI Inspire 1 and DJI Osmo. The Zenmuse Z3 will offer a zoom of up to 7x. That is a 3.5x optical zoom with a digital scaler doing the rest. Although the press release indicates this zoom camera is aimed mainly at industrial applications such as inspection and surveying, it certainly also gives filmmakers interesting new possibilities. A different focal length can come in handy in many filming situations. The Zenmuse Z3 is compatible with the Inspire 1, Matrice 100 and Matrice 600 drones. Unfortunately it will not be compatible with the DJI Osmo, though a separate version for the Osmo will apparently be launched in August. It can capture the same 30fps 4K video and 12mp dng stills as the Zenmuse X3, so we can assume the quality will be similar. The higher-priced Zenmuse X5 and X5R offer much better quality in comparison (see our test video here). The DJI Zenmuse Z3 is integrated into the DJI GO app and uses a swipe gesture to zoom in and out. The effective zoom range of the DJI Zenmuse Z3 is 22 mm to 77 mm on its Sony 1/2.3-inch sensor, and it has a maximum aperture of F/2.8 and F/5.2 at 22 millimeters and 77 millimeters respectively. While low quality is a concern, this is certainly a step in the right direction for DJI. I think we can assume that an upgraded lens for the Zenmuse X5 and X5R is on its way, which may offer the same kind of zooming functionality via their app. The only negative news about this announcement is that it might stir up people’s privacy concerns even more. The “I cannot zoom in anyway!” argument will certainly not hold water any longer.Read more
We’ve been testing the new DJI Zenmuse X5 and X5R RAW cameras recently and we were really curious to see how they compare to the standard Zenmuse X3. If you’re interested to see the quality difference between the DJI Inspire 1 vs. DJI Inspire 1 PRO vs. Inspire 1 RAW check out this video we shot. When we looked at the difference between the Zenmuse X5 and X5R cameras we found that the X5 can’t really compete with the fine RAW quality of the X5R. However it was unclear wether the upgrade to an X5 was worth it in terms of image quality. The X3 is the camera that sits on the normal DJI Inspire 1 drone as well as the DJI Osmo. Both devices can be upgraded with a Zenmuse X5 or Zenmuse X5R camera (The Osmo X5 adapter is needed for the Osmo upgrade) DJI Inspire 1 vs. DJI Inspire 1 PRO vs. Inspire 1 RAW – Verdict So how good is the Zenmuse X5? Looking at the footage we shot it is clear that the Zenmuse X5R resolve much more color gradations than both other cameras. Also, as previously analyzed in our lab test, we can see how the codec and processing of the Zenmuse X5 looses a lot of information with heavy compression. What surprised us was that clearly the Zenmuse X5 resolves more detail than the Zenmuse X3. This is mainly true in full 4K though. When watched on an HD screen the difference is neglectable. In terms of color both cameras seem to have very low color resolution and dynamic range, resulting in a very washed out image that is not easy to grade in post-production. Processing on the Zenmuse X5 seems to be much cleaner though. While we don’t like the magenta tint all over the image, the end result seems more like a flat “LOG” image than the one we get from the Zenmuse X3, even though both cameras were set to “D-LOG”. Testing Environment This test setup was not perfect and not scientific. The X3 and the X5 have very different focal lengths so it is hard to truly compare them side by side. We wanted to take the chance to get a rough feeling of how the 3 cameras perform and especially what the difference between the X3 and X5 truly is. We hope the video gives you some insights on this topic. All cameras were used on the same DJI Osmo, with similar (X3) or identical (x5 and X5R) exposure settings and under full sunlight within a 15 minute timeframe. The filming position was changed for the X3 due to the different focal length. What do you think? Now you’ve seen the 3 cameras side by side. What do you think about their quality, especially in terms of a DJI Inspire 1 vs. DJI Inspire 1 PRO vs. Inspire 1 RAW comparison. Is it worth the upgrade to the X5, or would you go all the way to the X5R?Read more
We’ve been busy testing DJI’s latest “toy”, the Zenmuse X5R RAW camera used on the DJI Osmo handheld gimbal and DJI Inspire 1 drone. In our lab test, we found that the Zenmuse X5R can achieve amazing image quality. But with a pricetag of $3200 it is less attractive than its almost identical, half-priced twin: the Zenmuse X5. In this test, we look at the differences between the X5 vs. X5R. The Differences Between the Zenmuse X5 vs. X5R The main difference between the two cameras is easy to spot. The Zenmuse X5R records RAW dng sequences to very expensive DJI SSD media while the Zenmuse X5 records to a low bitrate h.264 format. Everything else is the same. The same micro 4/3 sensor, the same lens (if you get the lens kit version), the same gimbal. So, in order to pick the right camera we really need to know how big the quality difference between the two cameras is. Let’s take a look in the lab: X5 vs. X5R in the Lab Here is where it gets interesting. In our X5R dynamic range test, we saw that the X5R can achieve about 12 stops of usable dynamic range. In comparison, the X5 gets only about 9 stops. Our software only measures noise and does not take the color changes in the last steps into account, which would more fairly rate the X5 at 7 usable stops in my personal opinion. Note that the X5 records 2 stops less in the highlights, so the test was done at F/2.8 on the X5R and F/5.6 on the X5. When we look at the recording from the test chart we can immediately see a striking difference in image quality. There is a lot of banding and the codec washes out a lot of parts of the image. The lower strips of the dynamic range chart in particular are displayed soft and without any detail. What does this mean? This means that the X5 will have a much, much harder time in high contrast scenes, such as when you’re filming a landscape on a sunny day or in scenes where the sun is your backlight. This is especially common in drone filming. The X5 seems to have a dynamic range more comparable to the old X3 camera that comes with the normal DJI Inspire 1. Let’s look at image quality in detail now: Image Quality of the X5 vs. X5R There is a vast difference in image quality between the Zenmuse X5 and the X5R. We applauded the image quality of the RAW version of the X5R when we compared it to professional cinema cameras on the market. The Zenmuse X5, however, performs really poorly. The image reminds me of the Zenmuse X3. Color gradations are extremely poor. Each of the thread spools I filmed is made up of a few shades of color and that’s it. Any other 8 bit camera is better than this. In practice, this means virtually no room for color grading. Of course, you can always apply a LUT, like you could on the X3. In terms of detail, in the highlight areas the camera performs well, though the X5R can retain the image quality better. The X5 image is also sharpened, which makes it look less natural. The X5 performs better here than the X3. When we look at the shadow areas, we see that we quickly lose detail. Here’s how the lack of dynamic range looks in practice: the codec and processing seems to be so bad, that any image detail is lost in the shadow areas. Sharpened edges and a weird magenta tint kick the image to its doom. Other Differences X5 vs. X5R Battery Life On a fully charged Osmo battery, the Zenmuse X5 camera runs 59 minutes. The Zenmuse X5R on the other hand is very battery hungry and drains that same battery in 26 minutes (Test was conducted with continuous recording on both cameras). When used on a DJI Inspire, we also noticed that the battery life of the X5R makes your flying times much shorter. Noise People have reported about the noisy sound of the Zenmuse X5R’s tiny fans. Indeed, when running with an Omso X5R as we did in our field test, the X5R can be quite problematic for audio. Surprisingly the Zenmuse X5 is only a little less loud as it also emits a fan sound that can ruin quiet recordings. In a very simple test we measured room ambience at 35db, the X5 at 55db and the X5R at 60db. Both at a distance of 10cm. Note that the X5R noise is higher pitched and thus more unpleasant to the ears. Media The Zenmuse X5 is very practical as it only uses Micro SD cards. A decent MicroSD card including a reader, costs $15. In comparison the X5R requires DJI SSD media that costs $1000 per 512GB card. Unfortunately RAW needs much faster write speeds and more storage. This will be a huge problem for many. But for professionals, used to a RAW workflow it is manageable. Verdict The Zenmuse X5R impressed us when we compared it to other cinema cameras and in our field test earlier this month, so we were really curious how the the Zenmuse X5 would hold up. At the end of the day the only difference between the two cameras is a different recording functionality. During this test we quickly realized that the Zenmuse X5R’s RAW capabilities make a huge difference when it comes to image quality and dynamic range. Apparently the X5 processing and compression is very basic and a lot of information seems to get “lost in translation”. Dynamic range suffers so much that it degrades the final output to only 7 honest usable stops in comparison to the X5R’s 12 stops. The Zenmuse X5 strengths are its very low weight, the interchangeable lens design, autofocus functionality and 4K resolution. Even though the detail and colour resolution of the X5R is better, the X5 can still deliver some nice images when used in a semi-professional way. The only question that remains is wether the X5 makes any sense over the “old” Zenmuse X3 that comes with every basic Osmo and DJI Inspire 1. The simple answer to that question: With the autofocus functionality of the X5 the Osmo really makes sense. But on a drone the X5 might not be a huge step after the X3 and you should think twice about the upgrade. We have a comparison between the X3, X5 and X5R coming up later today. After spending a little more time with the Zenmuse X5R on the Osmo and on an Inspire drone, I can confidently say that it produces amazing results that still impress me and the Zenmuse X5 is certainly no match. At the end of the day your budget and workflow possibilities will probably impact your decision here. The X5R has a premium pricetag, especially with the expensive SSD media and a more complicated and storage intense workflow. With all the facts on the table now we’re interested in your verdict and how each of you can see these cameras in your own workflows. Let us know in the comments.Read more
I recently had a chance to try the Osmo RAW (Zenmuse X5R) at a friend’s wedding. I shot the beginning at 1080p and the ending in UHD, but I shot the whole video in RAW. I used a standard picture setting as they are RAW files anyway, and transcoded into ProRes 4444 to edit. I didn’t change the color in the edit at all, so feel free to download the 4K/UHD file from Vimeo to play with. Screw-up Let me get this out of the way: having never used an Osmo before, I screwed up a number of shots right at the beginning without realizing. We couldn’t find the venue, so we just arrived at the same time as the bride, which meant I just had to grab the Osmo and go for it. I must have been in some kind of auto-exposure mode, and I couldn’t recognize how crappy these adjustments looked on the iPhone screen until I reviewed the footage after the first bit of shooting. So please excuse these terribly stuttery shots that occurred as a result of automatic shutter speed adjustments. This leads us to the first problem with the Osmo: it really needs an ND because shooting high shutter speeds means that movements look jumpy – you should adhere to the 180 degree shutter rule whenever possible when filming, no matter the camera, and you can only achieve this by taking light away from your sensor with filters, particularly in bright daylight. Impressive Technology But let me really start by saying what an amazing device the DJI Osmo is in general. It’s a lot of smart technology in a very small package that feels very well thought out. It has a great feel, with all its buttons just in the right place, and the DJI Go app to control the Osmo from your phone is absolutely mind-blowing. The Osmo doesn’t have a built-in preview screen. You connect your phone to a hotspot that the Osmo generates, and start the app. Tap on “camera” and you should immediately see the preview image. Surprisingly, the lag is so short that it’s barely noticeable, despite the Wifi connection. The interface controls of the DJI Go app are extremely comprehensive, although some things are not in the logical place. I found the autofocus quite poor and unfortunately it can’t seem to track the objects you tap on on the screen – it just focuses once but does not keep them in focus. Switch to manual focus and you get a virtual focus wheel on screen, which surprisingly works pretty well. Long focus ramps should be avoided though, because going from macro to infinity doesn’t work in one go. Further camera settings are buried in the menu but in general the entire app is way more intuitive than your average camera menu from any Japanese manufacturer. RAW recording The new RAW version of the Osmo differs from the former X5 version by its raw recorder – a fan-cooled unit that records onto custom DJI SSDs that come at a steep price ($1800 for 512 GB). The quality of the raw footage is exceptional, and you can record half an hour of 4K or UHD footage onto a 512 GB card, or 4 hours of HD. I recorded the first part of my review in HD because I didn’t know how long the ceremony was going to last – I later changed to UHD recording. Noise issues There is one huge issue with the raw recorder: it’s extremely noisy. So much so, that it is impossible to record any usable sound with the device, and noisy enough to annoy the people you are filming. During the ceremony, I shot a few shots walking past the audience, adjusting the angle of the Osmo camera through the brilliant joystick so that it pointed sideways. I was about 2 meters away from the guests, and many heads turned because of the noise the device was producing. This can be a real deal-breaker for many shooters out there. Smartphone interface & preview – smart or not? In theory, the idea of using your high-resolution smartphone as a preview touch screen for the Osmo is quite smart, but there are a bunch of problems: first of all, I would recommend that you get a dedicated phone / iPod touch for the Osmo, simply because if a phone call or notification comes in, it can ruin your shot. And there is no real way of preventing a phone call from coming in because you need the Wifi connection, which means you can’t switch to Airplane Mode. You might be able to use the Do Not Disturb mode on iPhones instead, but I did not test this. UPDATE: I was wrong here – it is possible to enable the Airplane mode and then re-enable Wifi only. I was not aware that that is possible. This is also possible on Android, similarly. Very neat! Secondly – and this might be an even bigger problem – is that of course your smartphone battery is drained quickly when using it as a preview and interface monitor. There is space to attach a charging cable, but you will have to connect it to an external battery pack, which you would have to somehow attach to Osmo in order to not be in the way. Power drain Despite this, I didn’t even run into this problem when reviewing the Osmo, simply because I was only supplied with one battery for the device. This meant that when it drained after 20-30 minutes of continuous use, I had to recharge it for 1-1.5 hours before I could use it again. DJI provided us with a larger Inspire battery which was supposed to last longer, as it can be connected running a cable from the battery in my pocket to the Osmo. This proved to be impractical as I also had to switch cameras because I was filming the wedding with a Sony a7S as well, so I decided no to go for the external battery most of the time. Stabilisation The stabilisation of the Osmo is quite good, and unlike with other gimbals which use third-party cameras, balancing is of course a non-issue for the Osmo. The joystick button control makes it a breeze to adjust the angle to your liking. Holding down the pistol trigger button below the grip, the direction of the camera temporarily stays put, and doesn’t follow your movements like normally. Lenses I used the Osmo with the supplied standard lens, the 1.7/15, which provided great shallow depth of field due to its wide aperture. Focusing with the virtual wheel isn’t easy though, and the autofocus isn’t great (and not continuous). I found this lens to be a good compromise between wide angle shots while not distorting too much, although in tighter spaces I often found it could have been wider. It’s the same old problem with the Micro Four Thirds sensor: it’s hard to find wide lenses because of the 2x crop sensor . Footage The X5R still holds a micro SD card slot in addition to the RAW recorder, which means you have easily playable proxies recorded simultanously. Even the DJI Go app records a preview image, which makes it even easier. Reviewing RAW footage has never been easier with any other camera I know. Ingesting the DNG RAW sequences into your Mac works by using the included CineLight app, which also offers options to export those sequences. I then converted them into ProRes 4444 using Blackmagic DaVinci Resolve 12.5 to make them more edit-friendly. The look of the 4K RAW footage is nothing short of spectacular. As expected, the highlight retention is exceptional, as are the details in the shadows. A formal lab test and some aerial footage will follow in a separate post by Sebastian, and be warned that the aerials looks absolutely mind-blowing. DJI has managed to release a product whose image quality can compete with the highest-end multicopter setups with much heavier and expensive cameras, and you probably wouldn’t see the difference. Post production of RAW footage is obviously time and storage consuming, so I wouldn’t use the Osmo RAW on every production. However, when high quality is needed and you have the time for post production, then it can really shine. It would have been nice to find a compromise between the lossless RAW footage and the heavily compressed footage that ends up on the micro SD card. Hopefully DJI can license ProRes in the future and add this kind of recording to the X5R in order to accommodate for more everyday productions. Conclusion Using the Osmo RAW with the Zenmuse X5R makes you feel like you are using a gadget from the future. DJI seem to be far ahead of much of their competition in terms of interface and hardware. There are definitely interesting times ahead, and more and more established companies should brace themselves for DJI to disrupt their market. This time, I see the market mostly in the multicopter / drone areas, considering the RAW quality of the X5R footage. I don’t see this disruption threatening other one-handed-gimbals or even their own original Osmo too much, simply because the noise of the unit will make it unusable for many practical applications which require original sound. For example, I don’t see a way of actually doing a walk-and-talk with the Osmo RAW due to its noise level. Also, the amount of battery drain is troubling. About 20 minutes when shooting 4K or UHD RAW, maybe 30 or 35 when shooting 1080p. You will literally need 10-15 batteries to get through a day’s worth of shooting. Despite its shortcomings, the DJI Osmo RAW X5R is a sign of what’s yet to come in the gimbal and stabilizer market. It will find its audience, and certainly also on higher-end productions because of its sheer RAW power and ease of use.Read more
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