by Tim Fok | 20th June 2014
Sony has extended its XDCAM line with release of the PXW-X160 and PXW-X180. Both cameras feature three 1/3″ sensors with a first in its kind built-in variable ND filter. I’ll start by stating the differences between the two cameras. The PXW-X180 features Wi-Fi/NFS (near field communication) and GPS. The Wi-Fi operates alongside a USB dongle, enabling wireless transfer of videos recorded in MP4 format. Which takes me onto another apparent difference between the two cameras; the PXW-X180 can record data rate selectable MP4 proxies. The inclusion of NFS also ensures communication with smartphone devices also. Download of the Content Browser Mobile app enables selection of recorded clips, with other controls such as set in/out points and record start/stop. With that said, all other features mentioned below seemingly apply to both the PXW-X160 and the PXW-X180. The cameras feature three 2-megapixel 1/3-inch type Full-HD Exmor™ CMOS sensors. They sport a fixed G series lens, a popular choice in more affordable handheld Sony camcorders. However unlike its predecessors, the Sony PXW-X cams feature a longer x25 lens (26mm-650mm 35mm equivalent) with independent hard stopped zoom focus and iris rings. This is great, not only do the separate rings offers faster operation but the hard stops means you have greater control. Sony has often been partial to the stop-less lens ring. From the old NX5 cameras to the stock lens of the Sony FS100/700 cameras, as a user I felt you lost control with these endless rings. Especially with the likes of the latter where the inclusion of a variable speed focus ring was concerned (faster you twist the ring, faster the focus moves), you never quite knew where you were. Bringing back the hard stops is a great move in my opinion. Both new PXW cameras feature a multitude of recording options. MPEG 422 50mbps is offered, as well as Sonys new XAVC codec in both intra and long GOP form. Selectable data rate for XAVC recording is 111 or 112 Mbps at 1080/59.94i or 50i and 89, or 112 Mbps at 1080/23.98P or 25p. Further more both cameras support DVCAM at 25 Mbps in MXF file format and AVCHD in MTS file format, to increase optimum workflow with NXCAM cameras. Sony has consolidated a lot of its previous line by offering a wide variety of codecs recording media and focal range in these cameras. Both cameras include two SXS card slots, which naturally support simultaneous recording and auto switch between both slots. Sony has made specific reference to compatibility with SD and XQD cards via an SXS adaptor. Both have been available previously for other SXS slotted cameras (SD has been around for years), but Sony is making it sure this feature is clear to further bolster the cameras wide compatibility potential. Both cameras feature an OLED viewfinder, LANC remote, 3G SDI, HDMI, genlock and timecode IN/OUT; these cameras really are well spec’d, we’re used to seeing multiple cameras released by Sony that share peripherals, codecs and features but the PXW-X160 and PXW-X180 seemingly claims nearly everything that’s in Sonys current arsenal. A new exciting feature is also included; a variable ND filter. Both cameras feature the standard 3-wheel ND filter (clear plus two grades) however an additional wheel enables more precise levels of ND ranging from 1/4ND to 1/128ND linearly. I hope to see this feature used much more in future camera releases. Whilst a small chip camera may not excite many of us filmmakers whom have embraced the large sensor revolution, it’s great to see Sony pushing so many assets into one camera. There’s a whole host of features included in the PXW-X160 and PXW-X180 that now make the FS700 look a little out of date. Cue a variable ND, XAVC and SDI enabled large sensor camera?Read more
by Sebastian Wöber | 2nd May 2013
Every large sensor & HDSLR shooter needs an ND filter for outdoor shoots and Variable ND’s have proven mighty useful if you’re a one-man band or on the clock. But it is also a known fact that some Vari ND’s dampen your shots quality to some extent. So which is the best Variable ND for the money? Tim Fok put together a very useful test in which he compared the most common brands in detail. This is a guest post written by Tim Fok So I’m on the look out for a new variable ND filter. I’ve used the LCW mark II for a couple of years now, and have never been particularly keen on the softness it’s always seemed to add. But whilst trying to complete my L series lens collection, the hunt for a new ND filter kind of took a back seat, until now.Read more
by Jared Abrams | 9th July 2010
Here is a little BTS from our second day of shooting “Someday Hero” Written and Directed by Darcy Fray. This day we only really used the 5D Mark II for most of our shots. The 7D played both BTS and “B” cam. I lived all day on the Canon 70-200mm f2.8 IS lens with the Light Craft Workshop variable ND filter. I went with the variable ND to be able to open up as the day progressed into night. We were able to take advantage of the location without hassle from anyone. In fact we got some tourists to work as extras for a few shots. The IS on the Canon 70-200 really saved my ass on this shoot. I was shooting “Tourist Style” as I like to call it. It’s just a still camera after all. Thanks to our new man Gwiz for hooking up this edit.Read more
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