Just 6 weeks ago, Blackmagic Design’s CEO Grant Petty introduced a bunch of updates to their lineup including a new generation of the popular URSA Mini Pro camera, called G2 (read: generation 2). As you can tell from its name this is not a completely new camera but an update to the existing URSA Mini Pro, which will be replaced by the URSA Mini Pro G2. Watch our interview with Blackmagic’s Craig Heffernan for all the details. Blackmagic URSA Mini Pro G2 This camera is labeled G2, so what’s new here? Well, sometimes when it’s about updating software features, the hardware needs to be upgraded as well to do justice to these improvements and that’s exactly the case with the URSA Mini Pro G2. In order to enable higher fps recording Blackmagic engineers have deployed an updated 4.6K sensor (a different build of the same sensor, as Craig Heffernan puts it). It comes with advanced processing and a streamlined image pipeline throughout the camera. This enables for higher frame rates and faster sensor read-out (less rolling shutter). Furthermore the camera now supports Blackmagic Color Science 4 and it also can handle 3D LUTs now. All the accessories of the original URSA Mini Pro will fit the G2 model, it simply replaces the original model in that respect. Same goes for pricing, the G2 comes in at exactly the same price as the original URSA Mini Pro. Improved High-Speed Recording The new high frame rates include the following modes, depending on which format you’re recording to: Frame rates in Blackmagic RAW: 120 fps in 4.6K in Blackmagic RAW 150 fps in 4K DCI in Blackmagic RAW (windowed) 150 fps in UHD 4K in Blackmagic RAW (windowed) 300 fps in HD in Blackmagic RAW (windowed) Frame rates in ProRes: 80 fps in 4.6K in ProRes 120 fps in UHD in ProRes (windowed) 240fps in HD in ProRes (windowed) There’s already some sample footage to see for yourself, hop over to our article here. Audio Enhancements Blackmagic also worked on the audio section of the camera. The URSA Mini Pro G2 now offers an enhanced audio processing and hopefully the dreaded (and audible) delay when monitoring the audio through the camera is now a thing of the past. Blackmagic RAW vs ProRes RAW Yes, the URSA Mini Pro can record straight to ProRes. But no, it can’t do ProRes RAW. That’s the way things stand at the moment. Blackmagic are quite happy with their own RAW format since it integrates seamlessly with their cameras and their post production tools, namely DaVinci Resolve 16. So there are no current plans to implement ProRes RAW but of course that could change any minute, who knows what the future holds. If you’re in the market for a new camera, this might be worth a ver close look. The URSA Mini Pro G2 is a significant update to the original camera and establishes a base for further firmware updates in the future. Link: Blackmagic Design What do you think about the URSA Mini Pro G2? Share your thoughts in the comment section below!

The Blackmagic URSA Mini Pro 4.6K G2 is the new version of the popular URSA Mini Pro. The camera was announced earlier this month, and the first footage was recently released. Let’s take a quick look at it! Wildlife Footage The Blackmagic URSA Mini Pro 4.6K G2 is a brand new camera and is still in the preorder stage. However, it looks like Blackmagic already sent some early units to a bunch of select filmmakers. Wildlife cinematographer Garth De Bruno Austin is one of them, and he just posted a video showing the camera’s slow-motion capabilities. The video is entirely shot using Blackmagic RAW 4.6K/2K, using Sigma 18-35mm and 70-200mm lenses. The footage was shot in 120 (4.6K) and 300 (2K cropped sensor) frames per second. The first footage looks very promising. Of course, Garth is a very talented filmmaker, plus the locations and animals are gorgeous. Indeed, there is a lot of details in the footage, and the image doesn’t look “soft” in the slow-motion mode like other cinema cameras. To me, there is no moiré or other artifacts visible, even though the scenes featuring the elephant and the fine grass detail are usually really complex to render for a camera sensor. Also, Blackmagic Color Science 4 looks like a significant step-up in color rendition; the skin tones look very appealing. I can’t wait to see more footage from the URSA Mini Pro 4.6K G2 to appear. Image courtesy of Blackmagic Design URSA Mini Pro 4.6K G2 Specs The original URSA Mini Pro was already a powerful camera with built-in ND-filters, XLR audio, and plenty of recording formats available. The URSA Mini Pro 4.6K G2 brings some new features like: Super 35mm 4.6K sensor with Blackmagic Design Generation 4 Color Science. Project frame rates up to 60 fps and off-speed slow motion recording up to 120 fps in 4.6K, 150 fps in 4K DCI and 300 fps in HD Blackmagic RAW. Support for Blackmagic RAW files in Constant Bitrate 3:1, 5:1, 8:1 and 12:1 or Constant Quality Q0 and Q5 as well as ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, ProRes 422 LT, ProRes 422 Proxy recording at 4.6K, 4K, Ultra HD and HD resolutions. Fifteen stops of dynamic range. 2, 4 and 6 stop neutral density (ND) filters with IR compensation. Interchangeable lens mount with EF mount included as standard. Optional PL, B4 and F lens mounts available separately. Built-in dual C-Fast 2.0 recorders and dual SD/UHS-II card recorders allow unlimited duration recording in high quality. High-speed USB-C expansion port for recording directly to an external SSD or flash disk. Standard connections, including dual XLR mic/line audio inputs with phantom power, 12G-SDI output for monitoring with camera status graphic overlay and separate XLR 4 pin power output for viewfinder power, headphone jack, LANC remote control, and standard four pins 12V DC power connection. 4-inch foldout touchscreen for on-set monitoring and menu settings. Includes a full copy of DaVinci Resolve software color grading and editing software. What do you think of the first footage from the Blackmagic URSA Mini Pro 4.6K G2? Do you consider buying the camera? Let us know in the comments below!

Blackmagic Design just announced the URSA Mini Pro G2, the second generation of its flagship shoulder camera, plus the long sought-after Blackmagic RAW update to the Blackmagic Pocket Cinema Camera 4K. To get an extensive run-down of all the new products and features that Blackmagic Design introduced today, watch CEO Grant Petty in this 35 minute video below: But if you want to save some time, you can also read my summary here: Blackmagic URSA Mini Pro G2 This is the new second generation of the popular URSA Mini Pro. It replaces the previous model and while it looks similar, Blackmagic have redesigned all the electronics inside the camera and it includes a new generation 4.6K sensor. Blackmagic claims that this camera has 15 stops of dynamic range. (Here’s our dynamic range test of Blackmagic RAW on the original URSA Mini Pro in case you missed it.) The new electronics allowed them to ramp up the camera frame rates. They have doubled the frame rate in Blackmagic RAW and in ProRes. Frame rates in Blackmagic RAW: 120 fps in 4.6K in Blackmagic RAW 150 fps in 4K DCI in Blackmagic RAW (windowed) 150 fps in UHD 4K in Blackmagic RAW (windowed) 300 fps in HD in Blackmagic RAW (windowed) For the higher frame rates, you will need 12:1 compression. Frame rates in ProRes: 80 fps in 4.6K in ProRes 120 fps in UHD in ProRes (windowed) 240fps in HD in ProRes (windowed) The read-out from the sensor is faster which results in less rolling shutter. Image calibration on the camera was upgraded: new black calibration, improvement to the Version 4 Color Science and 3D LUTs are now integrated. The camera already runs Blackmagic RAW 1.3. This version integrated 3D LUTs into the Blackmagic RAW footage itself, which can be read out by the latest version of DaVinci Resolve. It’s in the file, but it’s not burned in, it can be switched on and off. This feature can be accessed by any software that uses the Blackmagic RAW SDK 1.3. Blackmagic have also improved the audio circuitry for quad-XLR audio inputs. I really hope that means that also audio monitoring will be improved with this new camera because I think one of the biggest downsides of the original URSA Mini Pro was the noticeable lag in audio monitoring through the mini jack, which made monitoring audio on this camera (while recording) a quite jarring experience. The URSA Mini Pro G2 can also do USB-C recoding to flash disks now, just like the Pocket Cinema Camera 4K. With regards to lenses, the EF Mount is interchangeable to PL (optional purchase mount) and even B4 broadcast lenses. In addition to the improvements above, Blackmagic has enhanced the displayed information on heads-up display (like for example ND status), and it’s now also easier to format media. Here’s my review of the original Blackmagic URSA Mini Pro, in case you missed it: Blackmagic Pocket Cinema Camera 4K goes Blackmagic RAW When first introduced in September last year, Blackmagic RAW was only made available for the URSA Mini Pro. It’s a compressed 12-bit RAW format that’s easier to use than traditional RAW formats – footage comes in a single file and it uses about as much (constant) data as a ProRes 422 HQ file (which is only 10-bit and a much older format). Of course, everyone wanted to see Blackmagic RAW on the long-anticipated Pocket Cinema Camera 4K as well, and now is the time that Blackmagic is introducing it to that camera. The Blackmagic RAW update for the Pocket 4K comes as part of the Blackmagic Camera 6.2 update which is freely available from their website. The new format means that you can record the highest available quality and resolution on that camera at a lower data rate – for example, you can fit 2 hours of Blackmagic RAW footage in 4K on one 256GB SD UHS-II card. Blackmagic RAW 12:1 makes it even possible to record 4K DCI images to an SD card, which wasn’t possible before. The RAW compression rates that are available in the camera are 3:1, 5:1, 8:1 and 12:1 in constant bit rates, or alternatively you chose constant quality between “Q0” and “Q5” settings. That means that you can prioritize either image quality or file size by choosing one of the two options to set your quality – essentially toggling between a constant and a variable bitrate mode, while still remaining in the (supposedly) superior Blackmagic RAW codec. Here’s our initial video about Blackmagic RAW from IBC 2018: Blackmagic Design Generation 4 Color Science The update also introduces Blackmagic Design Generation 4 Color Science into the camera, which, according to the company, “is used for superior imaging that results in extremely accurate skin tones and gorgeous, lifelike colors”. We’ll take a look at how it compares to prior versions, but I personally was pretty happy about Blackmagic skin tones all along. If you haven’t seen our full extensive Blackmagic Pocket Cinema Camera 4K video review before, please watch it below! No More DNG RAW on URSA Mini Pro G2 and Pocket 4K What comes as a bit of a surprise is that Blackmagic will no longer offer cinema DNG recording on the new URSA Mini Pro G2, the Pocket 4K or the original URSA Mini Pro, with the new camera update. Grant Petty mentions some patent issues in the video above, but quickly moves on to say that cDNG is an obsolete format anyway, considering the file size of the individual DNG files that are generated. While he might be right (DNG is eating up storage in no time which makes it really hard to shoot even for a lot of professional productions), there certainly will be a considerable disappointment by many users who have had to rely on this feature in the past. After all, the USP of Blackmagic cameras has been their ability to record RAW footage at a very low hardware cost … and while it’s true that now we have Blackmagic RAW as the new codec, some people might still prefer the individual still photo file structure of DNG files for their workflow, especially when we are talking about CGI intense post-production workflows. We’ll see how the market and the communities react to this announcement. Are you a Blackmagic camera user? Do you have or plan to own a Pocket 4K or URSA Mini Pro G2 in the future? What do you think about their discontinuation of DNG in their cameras? Let us know in the comments below!