RED’s 8K Helium Sensor wows DxOMark with a whopping score of 108, which is the highest score the camera and lens image quality review site has ever awarded.
It is quite staggering when you dig in to the details of this review and you see just how good this sensor is according to them. In particular, its score of 4210 in the low light test was so good, that the authors of the review were stumped as to how RED had achieved it. To pack so many photosites (about 3.65 microns each) onto a 29.90mm x 15.77mm sized wafer (only 2/3 the size of a full frame sensor) is amazing. To do that and still produce clean images, with a dynamic range that is “higher than the best of the full-frame sensors in our database”, is just mind-boggling.
We can’t wait to put the Helium 8K sensor through our own lab test as soon as possible, and of course we will share all the results with you. Over the past few years, Sebastian Woeber’s lab tests at cinema5D HQ in Vienna have received a widespread reputation of being completely unbiased, and we do not shy away from putting ourselves in hot water when manufacturers’ claims don’t live up to our results.
You may wonder why a stills camera review like DxOMark would bother to test a digital film camera at all, particularly one that costs $49,500. Indeed, a quick look at the comments section of the review itself reveals several disgruntled readers who want to know why DxOMark have found the time to review a non-stills camera like the ‘Weapon’ and yet haven’t got around to scoring the behemoth that is the Pentax 645Z, which would surely be a shoe-in for a 100+ score.
Still Photography from 8K Video
I know several RED owners who use their cameras to capture high resolution stills, opening up incredible flexibility and new creative options to them. The very fact that a camera designed for film capture can churn out sixty 8192×4320 16-bit raw stills every single second is frankly a massive slap in the face for Canon, Nikon and Sony.
RED used to be perceived as a pixel pusher who considered image quality of lesser importance to raw power, but with the Helium sensor, even the most ardent ARRI fan must admit that RED have come a long way with their sensor technology.
Read the full review by clicking here.
Specifications for RED WEAPON 8K S35
35.4 Megapixel CMOS
29.90 mm x 15.77 mm (Diagonal: 33.80 mm)
60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456)
16-bit REDCODE RAW + Apple ProRes or Avid DNxHR/HD
16.5+ stops of dynamic range (DxOMark pegged it at 15.2 Evs in their tests)
300 MB/s data speeds
Yes, the source for the still above is a 1080p 14bit RAW shot with the 5D mark III with Magic Lantern!!! And here’s a test video showing you how that looks in motion with an article elaborating the work with the camera: LINK.
The developers working on the Magic Lantern hack for the Canon 5D mark III have enabled continuous 14bit RAW recording last year. We tested it and it works great. The resulting images are totally breathtaking for a DSLR. The installation procedure has now been strongly simplified.
Please follow our complete dummies guide to squeeze the RAW bits out of a Canon EOS 5D mark III.
NOTE: We take no responsibility for what happens when you follow our guide. Do it at your own risk and research on your own if you want to make sure.
NOTE: When installing Magic Lantern your camera will start up 2 seconds slower (this can now be undone by simply uninstalling Magic Lantern)
We’ve seen several Blackmagic Cinema Camera samples from Australian based filmmaker John Brawley who has been given the opportunity to be the first to play with the much anticipated new indie filmmaking tool, at times the BMCC is now even referred to as the “baby Alexa” (a hype can go too far at times, let’s see this camera on a set first).