by Johnnie Behiri | 18th July 2019
The Sony a7R IV was just announced and it might bring many enhancements for dedicated photographers, but for us filmmakers, it brings very little in comparison to previous Sony models. In fact, some of the video specifications found in this new camera – like color sampling, bit depth, resolution, frame rates, data rate and such – are exactly the same as those found in the ageing Sony a7S II, which was released almost 4 years ago! Sony a7R IV – still from the 4K timeline I know this is a bit of a harsh opening for an article, but I do have to express my frustration. Please don’t be mistaken, I have A LOT of respect for the people who are behind the new camera, and I can assume that many photographers will find what they were looking for in this new Sony offering – but, let me take one step forward and say that when it comes to the filmmaking crowd, Sony is risking to become less relevant, not taking action like other manufacturers do. When attending the press event in Ireland, I kept hearing that “the new a7R IV is a photo camera primarily, and that is why the video side of it is not enhanced”, but in all honesty, in my opinion this argument is not so relevant anymore. Look at what FUJIFILM and Panasonic (for example) are doing with their new cameras: By offering the best they can for photo and video performance in one shooting device, they are able to attract many. Now, I’m not saying that Sony should do the same, but at least the argument should be different or, better yet, a bit more clear about their future camera roadmap. Sony a7R IV Sony a7R IV – Video Highlights in a Nutshell Real-time Eye AF for movie recording and advanced Real-time Tracking APS-C crop mode (1.6x crop) 5.76 million dot UXGA (Ultra-XGA) OLED electronic viewfinder Full pixel readout with no pixel binning in Super 35mm mode Multi Interface Shoe with digital audio interface for high-quality sound recording with Sony’s new ECM-B1M Shotgun Microphone and XLR-K3M microphone adaptor Kit HDR recording (Hybrid Log-Gamma, HLG) S-Log 2 and S-Log 3 The 29 minutes recording limitation has been removed Sony new ECM-B1M Microphone Sony’s New Accessories Actually, what keeps me optimistic are the 2 new audio accessories. If those are anything like a commitment to the filming community, then the future is bright. What really captured my attention is the new ECM-B1M Shotgun Microphone. This new device is like having 3 different microphones (pattern-wise) in a single product. I must say that the demonstration I had was very convincing (it will be interesting to see how this microphone performs in the filed). In addition, the new Sony XLR-K3M now supports an additional 3.5mm stereo mini jack for microphone and line input. Both of the new audio accessories are designed to work best with the new a7R IV, as they support digital audio interface, meaning audio is directly transferred to the camera in digital form without noise or degradation. Sony XLR-K3M – Additional 3.5 input Conclusion I guess this is one of the shortest hands-on articles I’ve ever written, simply because there is not much to highlight about the video capabilities of the new Sony a7R IV. The video output is nice, but video specifications-wise, this camera leaves a lot to be desired. On the positive side, I managed to write a short article and not mention the much anticipated Sony a7S III. Bravo Johnnie… Music is courtesy of MusicVine. Get 25% off your next music license with code C5D25 (valid for one use per customer). What do you think about Sony kind of neglecting us filmmakers? Are you still hoping for a better-spec mirrorless camera to arrive from Sony or have you moved on to use other manufacturers’ equipment? Please share with us your thoughts in the comment section below. Full disclosure: Johnnie and other media representatives were guests at Sony Europe’s a7R IV launch event in Dublin, Ireland. Sony paid the transport and accommodation for this two-day trip, but there was no other payment involved whatsoever.
Read moreby Tim Fok | 10th January 2019
Power Grip is a universal rig handle for filmmakers looking to consolidate accessories. Using the Kickstarter platform an Italian trio has designed a top handle with built in battery and start/stop record for your compact camera. I love a good old-fashioned, labour of love Kickstarter. The Power Grip looks like something straight out of a designer’s basement. Its core feature is offering an external power solution for compact cameras, whilst attempting to solve the often-subsequent dilemma of rigs becoming a little bulky and unbalanced. Whether it currently fulfills both is up for debate, but entrepreneur Marcello Mazzilli is “confident” a 20% reduction in size and weight on the final model, fingers crossed. The Power Grip has an array of 1/4 and 3/8” threads on the sides and top for adding accessories. The battery in the grip is a removable 50W, 6A lithium battery that’s said to have more capacity than 3 Canon LP-E6s. It connects via a pole tap DC Out 7.4V/12v port. There’s a screen on top which provides information such as battery voltage, as well as an integrated 10W front LED lamp, bubble level on the top and (get this) a telemeter on the front for calculating subject distance for focusing. The Power Grip has a removable bracket for mounting to your camera, Nato rail, 3 hole and single hole brackets will all be available. The start/stop button is located on the top of the Power Grip and is controlled via LANC and compatible Bluetooth cameras. My two cents would be to drop the light and telemeter, the former is too small to offer much use and the latter I can never see being used; operators will pull their own focus and focus pullers have their own tried & tested techniques. Efforts would be best spent reducing the size and weight of the Power Grip, as well as adding a second DC Out for powering accessories. The Kickstarter campaign is currently live, a €149 pledge will get you the Power Grip (predicted €50 saving from retail price). Please bear in mind that this is a Kickstarter campaign, not an online shop. Once the campaign is over, production will be ramped up and if everything goes smoothly, shipping should start. We would love to hear your thoughts about this innovative product. Please share your opinion in the comment section below.
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