by Nino Leitner | 23rd November 2016
Indie-pop band OK Go probably spend as much time coming up with their music videos as they do with writing and recording their songs, and they have proven before several times, be it in zero gravity or high up from the air looking down. Now, they have done it again with their new video “The One Moment”, but spending only 4.2 seconds in the process – and it’s another fireworks of colours splashing and things going boom, people flying through the air and things getting thrown at them. Although it certainly took a long time in preparation and planning, the actual recording was done in just 4.2 seconds. How? Simple (yet not simple) – super slow motion, likely shot with a PhantomFlex camera (the same one we used on my documentary Through The Thick earlier this year). Watch for yourself and see the behind-the-scenes reel at the bottom! OK Go – The One Moment – Official VideoLadies and gentlemen, please enjoy our new video for “The One Moment.” A million thanks to our partners at Morton Salt #WalkHerWalk. Posted by OK Go on Wednesday, November 23, 2016 The total length of the video is 4:02 minutes, which means roughly that every second in realtime ended up being a minute in the music video. If our math is correct (and I hope OK Go will release more details about it soon), they shot the video at around 1,500 frames per second. (The PhantomFlex4K is capable of 1,000 frames per second in 4K, but more if you drop the resolution lower.) Despite looking like a one-shot, they did actually do different takes because, as the lead singer says, “there are no robots currently fast enough to shoot the entire action in one go”. If you look at how fast that Bolt motion control arm moves across in the behind-the-scenes, you will understand that he is most certainly right. OK Go – The One Moment BTSWatch the making of our new video for “The One Moment.” Posted by OK Go on Wednesday, November 23, 2016Read more
by Graham Sheldon | 26th October 2016
The Chronos 1.4 camera is the result of the efforts of a single engineer, David Kronstein, who is working diligently to bring slow motion to a wider group of filmmakers. The device – now “production ready” and headed to Kickstarter in the “next few months” for funding – is capable of 1050fps at a resolution of 1280×1024. Read on for all the details, including footage samples: Shooting great-looking slow motion is really, really expensive and usually requires renting a Phantom high-speed camera for the best shots at 300 fps+, or an equally pricey RED Epic Dragon or Weapon for anything below 300 fps. Slow motion, however, is almost always worth it. Don’t take my word for it – just look at the trailer for Planet Earth II here, which includes some epic slow motion moments. The YouTubers over at the “TAOFLEDERMAUS” channel have gotten their hands on a prototype production model of the Chronos 1.4 and have in-camera footage to show as well: As you can see from the video, there are still a few kinks to work out: there is a 30 second boot up time from the moment the power button is pressed, and saving to SD card takes a considerable amount of time as well, but hopefully we’ll see improvements as the project progresses. This is very much a speciality tool, especially given the lack of full 1080p resolution, but it is cheap and shows promise at being a no-fuss slow motion solution in the future. Once fully funded through Kickstarter, the 8GB base model of the Chronos 1.4 is expected to cost a (comparatively speaking) very affordable $2,500. Chronos 1.4 Tech Highlights: 1280×1024 at 1050fps 21,650fps at its lowest resolution of 640×96 Aluminium Frame C-Mount Lens Compatible Weight: 3.3lbs Media Type: SD Cards, or save footage to USB or eSATA drive File Type: MPEG-4 Shoots RAW Touchscreen Pre-Record Mode Available with 8GB or 16GB of RAM Power: AC Adapter, Nikon EN-EL4A Battery, or internal chargeable battery. The below video was created by the engineer behind the design, who shows off some in-camera video while going into more detail on external ports, internal mechanics, as well as a ring near the sensor that adjusts back focus. Skip ahead to 9:27 for in-camera footage: The Chronos 1.4 project is ambitious, and though I’m hopeful this camera will one day be available for the mass market, we shouldn’t lose sight of the fact that crowd funding has a dubious history and caution is recommended with products like this. Still, we’ll keep an eye on the project and update as more information comes our way.Read more
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