by Tim Fok | 15th August 2016
Upgraded from your mirrorless camera to a RED Raven, but still frustrated with up front ND filtration? KipperTie may have the answer with their 6 piece drop in rear ND filters. KipperTie first entered the filtration scene with their Infrared and Soft Diffusion OPLFs (optical low pass filter) for the RED Epic. They’ve continued their venture into ND filtration, this time specifically for the RED Raven. Unlike conventional Neutral Density filtration, the KipperTie Raven Internal NDs are drop in filters that sit between the cameras sensor and back of the lens. A simple grip tool is supplied that holds the filter tight until you release upon insertion of the camera. A neoprene edge ensures a snug fit around the sensor housing without damaging any part of the camera. Of course, adding any amount of glass between the sensor and lens is going to affect your focal distance. KipperTie therefore supply a set of self adhesive shims that sit around the contact point of the lens to ensure focus markings remain accurate. Rear filtration can be great for alleviating the need to add ND on the front by means of a mattebox or screw on filter. This is great if you are running about and changing lenses often, or need to save weight and could do without a cumbersome mattebox, making it perfect for drone use. If you do want to change the amount of ND, this kit comes in a set of 6: ND 0.6, 0.9, 1.2, 1.5, 1.8 2.1 are all included, meaning you have a range of 2 to 7 stops neutral density. I can see this workflow working well in addition to up front filtration. Proper filters are expensive: a set of 5.65″ Firecrest 1-3 stop filters are over $1200 for example. On a bright sunny day, you’d need a 4-6 stop kit too, therefore doubling your investment. Throw a KipperTie drop filter in the back instead, and you’ll be able to moderate fine exposure with your 1-3 stop front filters once again. The 6 set of KipperTie drop in ND filters comes with 6 shims, insertion tool and custom foam hard case, retailing for £460+VAT.Read more
by Richard Lackey | 31st May 2016
PHFX’s new REDCamAssist is a powerful free online tool for all users of RED Digital Cinema cameras and R3D REDCODE RAW workflow. For anyone unfamiliar with RED cameras, the myriad possible combinations of resolution, associated crops, aspect ratios and R3D REDCODE data rates can be overwhelming to say the least. Phil Holland of PHFX has created a simple online tool called REDCamAssist that generates a comprehensive data sheet for any and all possible combinations of settings on all RED camera bodies. REDCamAssist is accessible from the PHFX website. With six simple input criteria, REDCamAssist generates a full blown datasheet that will prove more than useful to DIT’s and post production teams when planning post workflow especially. All you need to know to generate a full datasheet are: RED Camera Model Resolution Format Anamorphic Modeely Frame Rate Enable HDRx (Yes/No) The datasheet includes: REDCODE RAW Resolution and Format Details Film Format Relative Crop Factors Selected Camera Body Specifications Supported Recording Codecs REDCODE RAW Data Rates It’s very easy to use and makes it look like you’ve done all the hard work while in actual fact PHFX’s Phil Holland has done your homework for you. I can also see the tool being useful for anyone wanting to see what functionality they will get from various RED camera bodies before making a purchase decision. Phil has hinted that more amazing functionality is in the pipeline so REDCamAssist is definitely a page worth bookmarking.Read more
by Richard Lackey | 22nd September 2015
Red Digital Cinema recently dropped an unexpected bombshell that radiated waves of excited expectation among filmmakers everywhere. This bombshell has a name. The Red Raven, a new $6K RED camera. Word of RED Raven spread fast, attached to the simple hashtag #4K4ALL. Yes, the original disruptor, innovator and “freedom fighter” leading the independent film world into its biggest technological and creative revolution is at it again. Details have remained vague and a full announcement has been promised for Friday 25th September but just today a few new details emerged. #4K4ALL carries with it very high expectations in terms of an affordable price point for RED’s latest new camera, and today we have a much better idea of where the RED Raven will be positioned. Here’s what we know from Jarred Land himself: “The Raven doesn’t replace Scarlet, It’s a new category in our line up. Raven is a younger, hungrier, more “spirited” member of the RED family with a bit of a chip on his shoulder ready to take on the entire sub-$10k market with images that you will be incredibly proud of.” Jarred revealed that the brain only will be $5950. “It is a real Dragon sensor with real Dragon Pixels. So 20.48mm wide, a bit shy of Academy 35mm and APS-C”. Raven is smaller than Scarlet Dragon but the same size as Weapon, so it will be compatible with Weapon modules. It is also the lightest camera yet. For now that’s all we’ve got, but here’s some new images to keep you going until Friday:Read more
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