With this delayed firmware update, Atomos and Panasonic have pushed back the expected release date for a much-anticipated feature. However, fear not – many other features are still running on schedule. Read on for more! Panasonic S1H and Atomos Ninja V. Image source: Panasonic What Caused the Delay? Last month, Panasonic announced that one long-teased feature – 5.9k RAW video over HDMI – would be coming on May 25th. The feature was to be paired with the Atomos Ninja V, a mid-sized monitor/recorder retailing for $500. Today, they have jointly announced that this project has been delayed. Panasonic had initially intended for this feature to headline the release of firmware version 2.0 for the the flagship S1H, and when it was announced it certainly created a lot of buzz. You can read our previous coverage for more information if you already are an owner, plan to purchase or rent, or just like to drool. However, “due to technical issues yet to be resolved” that were discovered during beta testing, RAW recording is on hold, temporarily. A new release date has not been set, but the rest of the non-delayed firmware version 2.0 will still be released on schedule. Atomos has said that it will follow Panasonic’s lead and honor their development timeline. Panasonic S1H (Image  credit: cinema5D) What’s Still In Firmware V2.0 As a reminder, here are a few other features you can still expect if you update on the 25th: Downconverted output over HDMI during [6K]/[5.9K]/[5.4K] video recording is available. In Creative Video mode, it is possible to disable the operation of starting/stopping video recording by pressing a shutter button. In Creative Video mode, it is possible to set [Rec Quality(My List)] from the control panel. The value of noise reduction in [V-Log] in Photo Style has been expanded to [-1]. It suppress afterimages previously occurred in some situations. It is possible to prevent the enlarged view window of MF Assist to be output over HDMI. There were cases where color banding appeared in 4:2:0/10-bit video recording in some situations. This bug has been minimized. There were cases where the REC RUN time code did not count up when the video was not recorded on an SD Memory Card but was recorded on an external device over HDMI. This bug has been fixed. Conclusion: That’s What Beta Testing Is For While this might be disappointing, I find it reassuring that Panasonic and Atomos are paying attention to the results of their beta tests and working actively to patch them. I would personally rather have a working, polished implementation next month than run the risk of bricking my camera or losing footage over a bug that could have been fixed. Delayed firmware updates aren’t good news on their own, but bugs happen and this shows that Panasonic and Atomos are willing to act responsibly and respectfully. Good move, Panasonic and Atomos! Has the delay put a kink in your plans to record some 6K RAW? What other features do you still want to see in the future? Let us know in the comments!

Panasonic is moving full steam ahead with enhancing the video capabilities of its full frame sensor flagship camera, the LUMIX S1H. What was already announced during August 2019 has been finally materialised into a firmware update version 2.0. This update is promising to bring RAW Video Data Output over HDMI, but not only…Interested? Please continue reading for more details.  Panasonic S1H and Atomos Ninja V. Image source: Panasonic If you search the term “Panasonic S1H” on our  site, you will find quite A LOT of information about that camera. From the product announcement, to test footage and all the way to our “Bored @ Home 1 minute filming competition” (YES, this Panasonic camera is the 1st prize in our competition!). But articles aside, our hat off to Panasonic’s engineers who seem to be committed to bringing the most out of this “Netflix approved” full frame sensor mirrorless camera. Yet sometimes, it takes two for tango, and although I’m yet to see Jeromy Young of Atomos dancing, his products gain a name of being the perfect fit for manufacturers who are seeking higher recording specifications by enabling RAW recording output via HDMI. Panasonic S1H – Resolution and Aspect Ratio of RAW out Firmware version 2.0 – What is new? (Taken from Panasonic’s press release)   1. RAW video data output over HDMI ・[5.9K] / [4K] / [Anamorphic (4:3) 3.5K] 12-bit RAW video data can be output over HDMI. The Apple ProRes RAW can be recorded on Atomos Ninja V. ・V-Log or Rec.709 is selectable on Live View monitor during RAW output. ・Shooting assist functions including WFM (Wave Form Monitor), Vector Scope, Luminance Spot Meter, Zebra Pattern can be used during RAW output. Panasonic S1H – HDMI Output Functionality 2. Enhanced video functions / improved performance ・Downconverted output over HDMI during [6K]/[5.9K]/[5.4K] video recording is available. ・In Creative Video mode, it is possible to disable the operation of starting/stopping video recording by pressing a shutter button. ・In Creative Video mode, it is possible to set [Rec Quality(My List)] from the control panel. ・The value of noise reduction in [V-Log] in Photo Style has been expanded to [-1]. It suppress afterimages previously occurred in some situations. (?) ・It is possible to prevent the enlarged view window of MF Assist to be output over HDMI. ・There were cases where color banding appeared in 4:2:0/10-bit video recording in some situations. This bug has been minimized. ・There were cases where the REC RUN time code did not count up when the video was not recorded on an SD Memory Card but was recorded on an external device over HDMI. This bug has been fixed. 3. Other added functions / improvements ・It is possible to set [AF+MF] in AFC mode. ・It is possible to assign functions to the lens’ Fn buttons when the Panasonic LUMIX S PRO 70-200mm F2.8 O.I.S. (S-E70200) is mounted. ・It is possible to assign function to the Fn buttons of Sigma L-Mount interchangeable lenses. ・When attaching a lens using the Sigma MC-21 mount converter and [Image Stabilizer] > [Lens] is set to ON , Body I.S.(Image Stabilizer) suppresses roll movement. ・[Backlight Illumination Period] has been added to the menu of Status LCD. [ON1] prevents the LCD backlight to be turned off. ・It is possible to select the card slot to save the JPEG images developed by in-camera RAW processing. ・[0.5 SEC] has been added for an option of [Duration Time (photo)] in [Auto Review]. ・[Off (Disable Press and Hold)] can be assigned to the Fn button. It disables operation when the button is long-pressed. ・Fn button can be used for checking aperture effect while the button is pressed. ・To prevent improper operation, touch-control is disabled for [Delete All] operation in playback mode. Only cursor buttons can be used for [Delete All] operation. ・There were rare cases where the camera froze during [Segmented File Recording] or during recording at 400 Mbps under a particular set of conditions including the type of SD Card used. This phenomenon has been improved. ・Aperture and shutter speed can be controlled using front/rear dials when the rear monitor is set to OFF. ・There were cases where F value control failed depending on the maximum F value when non-Panasonic L-Mount lens is mounted. This bug has been fixed. S1H users will receive this firmware free of charge. The program will be available at LUMIX Global Customer Support website on 25 May, 2020. Final thought It is truly nice to see how the Panasonic S1H is evolving into a better and more capable camera. This is also the place to write that the Nikon equivalent offerings (RAW recording over HDMI to the Ninja V out of the Z 6 and Z 7), will require you to send the cameras for the update. On top, you will have to say goodbye to $199 for the pleasure of updating it. On the other hand, the Panasonic firmware update is free of charge and very easy to implement. Just download and install FW version 2.0, and voilà, you have a camera that can send a signal via HDMI to an external recorder for RAW recording. Now, all of this would have been extremely attractive, but now with Canon exposing some additional information about their upcoming 8K camera, the EOS R5, I’m really curious to see where the competition is headed to. What are your thoughts about recording RAW on an external device. Do you have the Panasonic S1H? If yes, Please share your thoughts on how it is to work with this camera. 

Atomos just released the free AtomOS 10.3 update for the Ninja V. It adds new frame guides for social media, improved false color, new anamorphic de-squeeze options, and few more improvements. The update is available for download now. AtomOS 10.3 Update for the Ninja V. Source: Atomos Atomos Ninja V Atomos Ninja V is a 5″ touchscreen HDR monitor-recorder with a Full HD 1000nit screen. It can record video with high-quality codecs at up to 4K 60fps. The Ninja V became fairly popular with mirrorless cameras and it offers many useful features. It only has HDMI input and output, but there is an optional AtomX SDI Module which adds the SDI connectivity as well. With some new cameras, like the Nikon Z 6 or the Panasonic S1H, the Ninja V is (or will be) able to capture RAW video signal via HDMI and save it as ProRes RAW. The Ninja V runs on Atomos’ own AtomOS operating system with an intuitive user interface. The Australian company now released a new free firmware update AtomOS 10.3 for the Ninja V. Let’s take a short look at its new features. Ninja V recorder – internals. Source: Atomos AtomOS 10.3 Firmware Update for the Ninja V The free update brings some useful new features to the Ninja V: Frame Guides for Social Media – for Facebook, Twitter, and Instagram videos there are guides for 1:1 and 1.91:1.1. Portrait Instagram mode offers a 4:5 ratio guide and there is also 9:16 for Instagram stories/IGTV, Snapchat, and YouTube. 9 Grid overlay – helpful function for applying the rule of thirds theory to the image composition. Legalize HDMI input – users can manually apply a Full-to-Legal range conversion on the recorded input. The setting provides the option to legalize REC.709 inputs that are using Full range (8bit 0-255 / 10bit 0-1023) to accurately map these to Legal range (16-235 or 64-940) for increased flexibility with NLE systems. IRE Scale for False Color (False color is an essential tool to get the correct exposure) – An IRE % scale with values has been added to False Color mode view to help enable accurate exposure of skin tones when exposing. Anamorphic De-squeeze – Atomos added 1.25x and 1.8x de-squeeze to allow compatibility with a wider range of anamorphic glass. Rolling File Naming – Scene, Shot and Take filenames allow users to accurately name planned shots as if using a conventional slate. This firmware update adds the ability to maintain continuous rolling file naming and take counts after reformatting a drive. This function can be turned on or off in the file naming menu. The free AtomOS 10.3 firmware update can be downloaded directly from the Atomos Ninja V product page. It is worth mentioning, that the Atomos Ninja V recorder is also currently available with a $50 discount. The links are below. Do you use the Atomos Ninja V for your work? Did you miss some of the new AtomOS 10.3 features before? Let us know in the comment section below.

Now that the new Atomos Ninja V Monitor/Recorder is available for just over a month, the company pushed hard to deliver a huge upgrade for their devices underlying operating system: AtomOS 10 offers some very handy improvements for the new 5″ Ninja V. Let’s have a quick look, shall we? newly designed Atom OS 10 If you’re new to the Atomos Ninja V monitor/recorder, catch up here and here. AtomOS 10 (10.01 to be exact) comes as a free-to-download piece of software. Once you’ve installed it, you’ll be rewarded with a familiar, yet very different user interface. Since the Ninja V is all about HDR recording and monitoring, Atomos chose to make the different UI elements less distracting and therefore reduced their saturation quite a bit. It’s all about the actual image you’re monitoring, really. But there’s more, obviously. AtomOS 10 Apart from the less saturated UI elements (a nice touch, much more pleasing to the eye I think), Atomos also changed the arrangement of these elements and even reworked the whole menu system in order to make it easier and more accessible. If you’re updating from an earlier version of AtomOS, it’s pretty clear that this new version is really about cleaning up the user interface. It’s also about keeping the actual image in view at all times, without having many overlaying pages and menus. The entire user interface has been carefully reworked to cater for the smaller 5″ screen of the Atomos Ninja V. Improved Features Once you’re done setting up the unit for your given shot you can easily get rid of all the overlays by just tapping the screen. That’s fine but this will also disable all the crucial information you probably want to keep an eye on, such as audio meters or a HDR waveform. That’s where the newly designed shooting page comes in. Once you’re done with your monitor settings and tap “MON” again, a discrete status bar is the only thing that appears beneath your current image. That status bar includes useful information such as battery status, recording status, an HDR waveform, audio meters and access to all the well-known REC, PLAY, MON and EDIT settings. One of the major changes AtomOS 10 addresses is the way you select the type of input signal coming from your camera. This setting used to be part of the Monitor page of the menu. Now it can be found on the Input page and that is -at least to me- a much more appropriate place for this particular setting. Jeromy Young, CEO of Atomos, has put together a in-depth walk-through of all the new Atom OS 10 features, make sure to sit back and watch it here: HDR – Slider vs. Buttons Another major change addresses the HDR slider of previous versions of Atom OS. Actually, as Jeromy Young states in the video, at the time they developed their first HDR capable monitors/recorders, there simply was no industry standard which determined how to deal with different HDR modes for different delivery scenarios. But now there are and that’s the reason the company decided to replace the HDR slider with 4 different buttons, each reflecting a dedicated standard: Native -> just the plain, unprocessed Log image from your given camera is being displayed Rec.709 -> a basic LOG to Rec.709 curve is being applied to the image (a.k.a. SDR – Standard Dynamic Range) HLG (Hybrid Log Gamma) -> a HDR standard which is also compatible SDR displays, a good compromise so to say PQ (Perceptual Quantizer) -> a higher HDR standard which allows for HDR video with a very high luminance level (up to 10,000 cd/m2). It also supports Rec. 2020 color space. The introduction of these fixed standards allow for a much more precise preview of the actual result once the recorded Log footage went through post-production. Remember: Everything which is displayed on the Atomos Ninja V’s screen is just a representation of the actual Log footage which is being recorded. Think of it as a kind of preview. Nothing is being baked into the actual recording, so even if you’re switching from beautiful looking HLG to awfully blown-out Rec.709 while you’re recording, nothing is lost! It’s just a preview which helps you (and your client, of course) getting the most out of your given camera and Log profile. Conclusion All in all the features and improvements found in AtomOS 10 really make the new Atomos Ninja V shine. The new layout of the menus improve the usability and are way less distracting. The less saturated buttons are a nice touch, too. Even if the old HDR slider seemed cool, the new standardized buttons are much more accurate in order to nail your exposure for a certain delivery format. So I think this new firmware is really a no-brainer and you definitely should give it a try! Atomos Ninja V with some (but not all) of the most popular recent mirrorless cameras. Links: Atomos.com Do you already use the new firmware? What do you think of these changes? Share your thoughts and experiences in the comments below!

Atomos have just revealed the newest addition to their lineup of monitors/recorders. The Atomos Ninja V, as in 5, is a 5-inch HDR monitor which is capable of recording almost everything you throw at it. But only via HDMI. The customers demanded for a more portable version of the bigger devices in Atomos’ lineup, such as the Shogun Inferno, but with the same set of features in terms of HDR and high frame rates. The company listened and here it is: The Atomos Ninja V. Atomos Ninja V This is a monitor/recorder which really deserves the marketing term “portable”. For most users, a 5-inch screen is a good compromise between a reasonably large screen, while the overall size and weight are kept as low as possible. The weight is 320g (11 oz). The Ninja V packs a lot of features for its small form factor. It’s a full HD 1920×1080 display, it supports recording up to 4K60p and with a standard NP570 battery (2600 mAh) it will run for up to one hour straight. The display is rated at 1000nits, which makes the unit usable even in bright sunlight. In terms of recording the Atomos Ninja V supports all the ProRes and DNxHR flavours you would expect it to support but there’s one more: ProRes RAW! The elephant in the room is this, though: There is no camera which outputs ProRes RAW over HDMI, yet. But once there is one, the Atomos Ninja V is ready for it. Also, the device is capable of HDR (PQ and HLG standards), just like the bigger Atomos devices. The capability of recording RAW is pretty impressive for such a small and lightweight device, all the other devices which can record such an amount of data are much bigger: The Shogun Inferno, the Ninja Inferno and the Sumo, of course. The engineers have managed to reduce the size of the SSD, called Master Caddy III, which made it possible to place the battery mount next to the SSD slot. This reduces overall bulk. The only downside is the lack of a SDI input on the Ninja V. But since it’s meant to be used with DSLRs and mirrorless cameras, it’s understandable why Atomos didn’t include those. Pricing and Availability The Atomos Ninja V is $695, which makes it a reasonable companion for DSLRs and mirrorless cameras. Shipping is scheduled for Q3 2018, which, according to Jeromy Young could be as soon as July. We’ll see if they can hold that deadline. Links: Atomos.com What do you think? Is this the kind of monitor/recorder you’ve been waiting for? let us know in the comments below!

Atomos Firmware Update 7.1 has been announced for the Flame monitor/recorder line. The update brings support for JVC and Red log signals, as well as PQ in/out and improved HDR features.  The Flame line are the latest in-field monitor/recorders from Atomos. Check out our Atomos Shogun Flame review here. Atomos has improved the feature and support list for the flame recorders/monitors with firmware 7.1, with now the entire RED camera range covered as well as J-log from JVC cameras. PQ in/out is now supported meaning the Flame recorders can accept a ST2084 signal from compatible HDR camera or computer, and Color Mapping has been improved, increasing performance in the blacks. In terms of new features, the update mostly surrounds the AtomHDR mode of the Flame recorders. Previously AtomHDR was an on/off function with a slightly ambiguous ‘viewing environment’ slider. This has been replaced with a Scene Brightness Range which is meant to increase/decrease the dynamic range of the HDR view, starting from Rec709 up to full HDR mode (graphics display in percentage how much you are over Rec709). The new slider is accessible in the menu and on full screen view, with the addition of a clipping graticule (yellow line) on the waveform to signify where the additional dynamic range view is placed. You can also hit Auto HDR to set the clipping graticule to the maximum luminance level of your scene. Other additional features include slow motion playback. This is a nice feature and one I hope takes advantage of native higher speed recordings such as 50/60p from the Sony Alpha Cameras and plays them back in smooth slow motion (great when a client asks to watch that back and you have to explain that you can slow it down in post). There are 5 different speeds to this mode. Atomos has added back in a missing feature from their previous recorders; the ability to prioritise your power source (top/bottom battery or DC input). This is great for organising your power mode, specifically if one is powering an accessory like a wireless transmitter and you want to reserve as much juice from that particular battery as you can. Atomos Firmware Update 7.1 is available for download now from the Atomos website.

Atomos has announced its next generation of monitor recorders. The Atomos Shogun Flame and Ninja Flame arrive in a more robust, dual battery form sporting 1500 nits of brightness and new 10-bit processing. Slotting inline with the existing Atomos line up, the yellow branded Atomos Shogun Flame is the flagship model supporting SDI, HDMI & raw whilst the red branded Ninja Flame is the cheaper HDMI only version. So, what’s new with the Flame line? Daylight Viewable Display Atomos has jumped on the SunHoodsAreSoLastYear trend* and produced their first daylight viewable field monitor. We’ve seen this gain popularity with other monitor manufacturers; it’s nice to see this feature pop up in a field recorder also. Both Flame monitors will feature 1500 nits of brightness. Before you all grab your nit meters, for reference the SmallHD 702 is 1000 nits and the SmallHD DP7-PRO High Bright is 1500 nits. *A daylight viewable feature is not something that should replace the conventional sun hoods,, just another tool to add to the box, particularly where sun hoods are impractical (when using a gimbal for example) 10bit processing is also now supported. This is an upgrade from the previous 8 bit panels used on the Atomos Shogun/Ninja Assassin and will help with a more accurate display and less banding. Please note, this does not increase the bit depth of your 8-bit camera to a 10 bit one. AtomHDR for Log Recording Announcement of the Flame monitor/recorders brings a brand new feature from Atomos. AtomHDR offers a new a way of viewing log footage. “Activate AtomHDR to resolve the brightness detail of Log camera signals with the color accuracy of HDR images mastered in post production. This means that the usual complications of exposing Log signals on a washed out image (i.e. LUTs for LOOK management but compromise on detail or complicated calibration card and “rule of thumb” calculations) are eliminated – you simply frame, expose, focus and shoot.” This sounds like a new viewing platform for log recording that operates in a similar way to a conventional LUT, using the benefits of the high dynamic range capture of log and the 10 bit processing of the panel to produce polished looking images on-set, rather than simply converting the image to an existing standard like rec 709. Sounds like this could be a very handy feature for client viewing and, if you learn how this translates to the finished look in post would also be a very good tool for gauging exposure & focus. Nino had an exclusive presentation of the Atomos Shogun Flame and Ninja Flame at BVE and this does indeed look like an interesting feature: “The AtomHDR feature looks brilliant – it seems a perfect way of displaying the full latitude of LOG footage while actually recording, and this is something I haven’t seen before. It’s a very smart way of using the potential of a high brightness display other than simply being able to have a brighter image when shooting in bright sunshine. You basically see all the detail that is recorded in a LOG image while not having to look at a very grayish image any more, it looks like a properly finished image if you want it to, applying the LUT you want.” S-log 2, S-log 3, C-log and V-log are listed immediately as supported as well, expect a few more regulars to be added to that list too. Footnote: It looks like AtomHDR and 1500 nits of brightness will be available as separate features (e.g you won’t be able to view AtomHDR at full, daylight viewable brightness). Enhanced Powering Solutions The Atomos Shogun and Atomos Ninja Assassin both had a single Sony NP-F battery slot on the back. Speaking from experience of shooting with these monitors it was a little disconcerting to say the least (The Atomos Shogun is thirsty beast). The new Atomos Shogun Flame and Ninja Flame now support two battery slots and you’ll be able to hot-swap allowing continuous battery power. What’s more, included in monitor packages is a “coiled DC to D-Tap cable for connection to larger battery systems” as a self confessed cable nerd I love the sound of this. More Robust Form The Atomos Shogun Flame and Ninja Flame will feature a built in bumper design. This offers more protection over the previous naked 7″ panels. An add-on bumper kit was added to the Atomos Shogun and Ninja Assassin, but I felt these were a little clumsy in design; it’s great to see a more robust in-built clad that will no doubt increase the lifespan of the Flame duo in the field. DC in for both Flame models has been relocated to the rear in a much safer, recessed location. The Shogun Flame BNC ports (SDI in/out and sync) are arguable more recessed also. What’s Not New There are many key features that translate from the older Shogun and Ninja Assassin recorders that aren’t classified as new, but if you’re not familiar with Atomos products then may be of great interest to you. 10 bit Apple ProRes (422,LT,HQ) and Avid DNxHD (36,145,220,220x) 1920X1080 up to 50/60p 4K up to 30p Records to approved, universal SSD drives via cheap caddies. Customisable focus aids – Peaking, Focus Assist, False Color Customisable exposure aids – Waveform, Zebras, RGB Waveform Image Flip, Crop/Centre/Safe Margin Overlays, Anamorphic De-Squeeze Metadata tagging for editor notes (favorite/reject etc..) LUT support including custom load and send downstream SDI/HDMI cross conversion (Shogun Flame only) As an operator, I have vast experience in Atomos recorders having owned the Atomos Shogun and Ninja Blade for years and tried out all others within the line up. I think the new Flame line looks great. One of the big drawbacks for me with the original Atomos Shogun was the power solution – it was far too thirsty, the charger was exceptionally slow and a single battery slot meant you couldn’t hot swap batteries. The dual battery slots was a much needed upgrade, you can now get continuous power even if they don’t improve the consumption, what’s more the new Flame recorders will ship with a x3 faster battery charger, nice. I’m not a huge fan of completely migrating to a 7″ panel across the line. My feelings were the same when the Ninja Assassin was announced. The Ninja Blade is a fantastic on-camera form factor with its 5″ display; it’s a shame to not see this with the Ninja Flame, especially as it’s marketed at DSLR and mirrorless systems. I can only assume the costs for designing two completely separate panels were not worth it. I’ll warmly welcome the daylight viewable display; this was a feature I’ve been looking for a while (particularly gimbal work where a hood is not practical) as well as AtomHDR, which I think will be fantastic for client viewing at the very least.

Atomos has released a list of videos showcasing new features that users can expect in coming firmware upgrades as well as information on BareBones packages and their Power Station. Updates for the Shogun include RAW, V210 and 4K DCI support. Pre-Roll, Timelapse and Anamorphic features as well as enabling Genlock and 3D LUT recording. New Codec and Resolution Support Since release of the Shogun we’ve been promised support of certain cameras. It seems we’re almost there now, with support for Arri Raw, Canon C300/500, and Sony FS7/FS700 all set to feature in upcoming updates. In order to fulfil this list Atomos has also announced 4K DCI support. This means the Shogun will receive resolutions of 4096X2160 as well as previously supported 3840X2160 UltraHD. For those seeking completely uncompressed information from a non-raw output can rejoice as V210 is now supported. V210 is a popular codec used throughout post production workflows, providing an uncompressed 10-bit 4:2:2 image. Of course you are limited with what the camera can physically provide, but for the rare cases where you require absolutely no compression (Atomos uses greenscreen work as a credible scenario) this will be a useful feature. Anamorphic Monitoring Support Those who’ve used anamorphic lenses before will know, when using them your image appears squashed on screen. This feature stretches the image out and displays the correct aspect ratio on screen, but does not affect the recorded file. Pre-Roll A pre-roll function will be included the upcoming firmware update. With this feature enabled the Shogun will keep a constant cache of data allowing 2-3 seconds (when recording in 4K) or 8-10 seconds (when recording in FullHD) of extra footage prior to the point when you hit record. Playlists Atomos has advanced the ability to “edit in-camera” on the Shogun. Playlists can now be constructed by selecting clips or parts of clips and playing them back on screen or using as an edit guide when in post. Atomos highlights some interesting examples of where this can be used: Timelapse Last of the completely new features is video Timelapse. Firmare 6.2 will enable you to capture a video timelapse by assigning the amount of frames, interval and durations of the clip. The Shogun will then simple capture this timelapse using the sustained the output of the camera. It’s a great little feature to add to the recorder, but as a user of the device I can cast one caution – battery life; I’d recommend using AC power or a hot swappable system for heavy use like this to ensure you don’t run out of juice. 3D LUT recording and Genlock support Imminent updates for the Shogun will include revisiting a few existing features. First up is support for Genlock. The Shogun was initially released with the hardware for this function, with the software side promised in a future release. It looks as if it will come in the very next update, enabling users to sync multiple cameras to the frame quickly and simply. Firmware version 6.2 brought 3D LUT viewing support for the Shogun, the next firmware update will allow the user to record any selected LUT also. I can’t see myself using this, but some users may find it useful to record a pre-defined look as your recorded footage, particularly if you are working in a fast workflow with little or no time in post. Atomos has offered an overwhelming amount of free support and updates to the Shogun past the point of the initial release. It’s great to see this, in what has become a highly fast paced and almost disposable era of camera technology. Judging by previous Atomos announcements, I wouldn’t expect all of these features to roll out in the very next firmware update. This is more a teaser of what to expect over the next few months from them. As a keen user of the Atomos Shogun, one thing I’d love to see in an upcoming firmware is better power management for increased battery life. The Shogun supports notoriously slow charging Sony NP-Fs natively and the recorder currently goes through them faster than they can be charged! Atomos BareBones News of this surfaced just prior to NAB 2015, Atomos has clarified the BareBones line with the above video from Jeromy Young. If you’ve bought an Atomos recorder before, you’ll know it comes packed with a whole host of accessories (apart from the all important sun hood!). However there are regularly times (especially if you have multiple Atomos recorders already) where all you simply need is the recorder. Atomos has acknowledged this and will be releasing their recorders at a cheaper price with just a soft case, AC adaptor and single hard drive caddy.  The result is a $300 saving on the Atomos Shogun, and $200 saving on Ninja and Samurai Blade recorders.  Pre-order BareBones links of each recorder below. Atomos will release accessory-only packages also if you require the reverse. Atomos Shogun 4K Recorder BareBones Atomos Samurai Blade SDI Recorder BareBones Atomos Ninja Blade HDMI Recorder BareBones Atomos Power Station The Atomos PowerStation has been on the radar for some time and has been summed up here by Atomos CEO Jeromy Young. Providing dual DC outs as well as dual USB ports the power station is as comfortable operating as a power source as it is a charger. The Atomos PowerStation has two hot-swappable slots for Sony L-series batteries and is designed to not only power your recorder but your camera simultaneously. Here’s the spec list: Dual battery system Compatible with Sony L-series batteries; optional adapters available for Nikon EN-EL15 or Canon LP-6 batteries Batteries are hot-swappable 1/4″-20 Camera screw Dual DC power outputs provide 8.2 V, 5A power on DC input power, and 6.2 to 8.4 VDC on battery power Splitter cable to powering two devices from single DC output Optional DC adapter cables available for popular cameras Dual 5V DC USB power outputs; charge a single high-powered 2A device or two 1A device Independent 5-step battery level meters Includes two 2600 mAh batteries Works with Atomos monitor/recorders I can’t see this being of great use to Ninja and Samurai Blade users, both recorders offer dual battery slots and require little power consumption, the only advantage would be the ability to power your camera off the same device thus consolidating battery solutions. This does open up some options for the Shogun however. The flagship 4K recorder only has one battery slot and is very power hungry; adding another two battery slots makes a huge difference and although Atomos don’t recommend it for critical use, it does enable hot swapping. Two versions will be released the Atomos PowerStation – Photo and Video, the difference being the size of the two batteries supplied and $100 in price.