by Adam Plowden | 13th February 2017
Blackmagic Design have updated their range of broadcast products, overhauling the studio and live production line to a friendlier and more compatible setup, including the new Blackmagic Studio Cameras in HD and 4K. Blackmagic Design’s live-switching hardware is a staple in mid-range and broadcast standard applications, but the first generation Television Studio had a number of shortfalls including only 6 channels of switchable HDMI/SDI inputs, no analogue audio inputs, and limited program outputs. A number of years since the first product release, we now have a new, smaller and feature-packed vision switcher. The new ATEM Television Studio HD has 8 video inputs, with a physical button control interface. There are 4 HDMI and 4 3G-SDI inputs for connecting both consumer camcorders or DSLRs as well as video cameras or playback devices with an SDI output. It’s compatible with formats up to 1080i and 1080/60p, with re-sync. Analogue audio inputs via XLR have also been included, which is a great step forward from the previous EBU (SDI) audio input, which results in direct connection from audio mixers. Now, vision mixers and producers have more inputs and outputs, a hardware-based control interface and a bunch of other live production features built into a tiny device that is also low cost. It certainly overshadows the Netwek Tricaster Mini, both in features and specs. Here is a breakdown of the new Blackmagic ATEM Television Studio HD features: 8 video inputs (4 x 3G-SDI/4 x HDMI) Stereo XLR audio input Accepts formats up to 1080i and 1080/60p New button control interface and preview screen 1 multiview output 1 program output 1 AUX output 4 x clean feed SDI outputs Ethernet control via Blackmagic Design Studio software or hardware switcher. Internal DVE, 1 upstream keyer, 2 downstream keyers. The new ATEM Television Studio HD retails for $945 and is available for pre-order now: US: LINK EU: LINK Blackmagic Web Presenter With a surge in popularity for web streaming, Blackmagic has also introduced the Blackmagic Web Presenter, a video to USB interface that accepts formats up to 2160/60p via 12G-SDI or HDMI, downconverting to 720p ready to be streamed like any webcam onto platforms like YouTube, Facebook Live and Twitch through commonly-used streaming software like OBS or XSplit. It also features an HDMI loop output for monitoring or sending the program output to a recording device, as well as analogue audio inputs via stereo phono and balanced XLR, ideal for musicians, audio mixing desks or directly connecting microphones. Laptops and computers will recognize the Blackmagic Web Presenter as a standard webcam device, allowing content creators or streamers to use professional cameras without standards conversion, in a web-friendly way. What is interesting about Web Presenter is that it overlaps with other Blackmagic capture card/video interfaces like the Intensity Shuttle, but with a lean towards pro users. In the current Intensity Shuttle, no format or data rate conversion takes place meaning the input video signal has a very large bandwidth, and requires heavy encoding before streaming. The Web Presenter appears to handle this conversion and encoding in the device, meaning less powerful computers or laptops can handle the video data stream. The new Blackmagic Web Presenter retails for $470 and is available for pre-order now: US: LINK EU: LINK Updated Blackmagic Studio Cameras The updated Blackmagic Studio Camera HD and Blackmagic Studio Camera 4K have had the internal battery removed, which significantly reduces the retail price by up to $800 in the 4K model. The reason for this is that most customers were using the plug-in AC power (typical for longer shooting times), as well as the logistical problems faced when transporting the cameras in planes. Both the Studio Camera HD and 4K models have the same features including Micro 4/3 sensor with 13 stops of dynamic range, SDI input/output, tally, talkback, remote camera control, just with no internal battery. The updated Studio Camera’s are expected to be available in mid February, with their new retail prices in the links below. The updated Blackmagic Studio Cameras 4K retail for $1495 and is available for pre-order now: US: LINK EU: LINK Last but not least, Blackmagic HyperDeck Studio Mini The new HyperDeck Studio Mini moves away from SSD playback and recording to SD card-based media, making the device inherently cheaper. It’s also smaller, and can accept formats up to 2160/60p via 1 x 6G-SDI. Like previous models, the device can be connected to Blackmagic switchers to act as both a playback device for video files, as well as graphics playback in ProRes 4444 format with an alpha channel, or as a recording device either for ISO camera feeds or a program output in 10-bit YUV or 10-bit RGB ProRes and DNx formats. This is certainly a major overhaul of previously successful technologies, advancing on the first generation of studio and live production hardware, that new and existing users will be happy to see. Reduced pricing and thoroughly considered new features make the hardware more usable in existing setups, too. All of the new Blackmagic studio cameras and production hardware are expected to be available at the end of February, with pricing below. What do you think of the new Blackmagic products? Do they have the features you are looking for in studio or live production hardware?Read more
by Sebastian Wöber | 15th April 2011
By: Sebastian Wöber In this 10 minute video David Shapton, President of Atomos EMEA, gives us an in depth look at the new Atomos Ninja hdmi to ProRes (HQ) recorder that will retail at $995. If you want one you should order now as this product will most likely sell like hot bread! As I told you in my post yesterday a new camera solution for the low budget filmmaker is imminent and will replace the current line of hdslrs in professional productions. We’re talking about a setup that will cost around $5000-$8000 and provide an alternative to cameras like the RED and give you much better results and workflow than a 1Dmk4 or 5D2 can. Yesterday we saw the Blackmagic Hyperdeck Shuttle, a portable device for just $345 that will record video uncompressed via hdmi or sdi onto a solid state drive. This is gamechanging! I will go more into detail in part 3 of this series of posts. Now I would like to present to you the Atomos Ninja which basically does the same as the Blackmagic Hyperdeck Shuttle but will save the recorded feed as ProRes 422 instead of uncompressed. This is good because it will save harddisk space, recompression time and the amount of harddisks you’ll have to use/buy. That means you’ll also save manpower and money over the Blackmagic. The harddisks you’ll be able to use with the Ninja are standard 2.5 inch notebook drives you can already buy for around 60 bucks. Let me break it down for you: Blackmagic: 15 minutes uncompressed (1.6 GB/s) = 180GB = 180GB ssd drive = $480 Atomos: 6 hours ProRes 422 (HQ) (220 MB/s) = 2.5″ 640GB drive = $50 www.atomos.com Thanks to Ralph Merzbach for holding the mic ;)Read more
by Sebastian Wöber | 14th April 2011
By: Sebastian Wöber We didn’t think this would ever happen, but if you’re here at NAB 2011 and run around with open eyes and ears you’ll realize there’s a new low budget filmmaking tool right around the corner that will definitely kill the dominance of hdslr in the higher segment (speaking RED alternative) by summer this year. Here’s the first one of several pieces to the puzzle. The Blackmagic HyperDeck Shuttle. Make sure you check back here as I’ll continue this story further on. Let me just get some more interviews with Canon and Phantom here on the last day at NAB.Read more
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