Nearly a year after the original announcement in April 2019, FUJINON is starting to ship the new FUJINON Premista 80-250mm T/2.9-3.5. This relatively lightweight and compact lens covers full-frame sensors. Let’s take a look at it! FUJINON Premista 80-250mm T/2.9-3.5 Features During BSC Expo 2020, we met with Marc Cattrall to talk about their new FUJINON Premista 80-250mm T/2.9-3.5 cinema zoom lens. This lens isn’t really “new,” as we already reported about it during NAB 2019. The FUJINON Premista lenses, which consist of the 28-100mm T/2.9 and 80-250mm T/2.9-3.5, supports up-to a 46.3mm image circle (diagonal) without vignetting. Indeed, they are compatible with Full-Frame sensors and cameras like the RED Monstro 8K VV, ARRI Alexa Mini LF, Sony FX9, Canon C500 Mark II, and so on. At the moment, the only camera that is not covered by the Premista lenses is the ARRI Alexa 65. The FUJINON Premista 80-250mm T/2.9-3.5 features the same shape, design, and 3.8kg weight as the 28-100mm T/2.9. It makes hot-swapping lenses on set a breeze. The focus ring features a full 280 degrees rotation for precise focus pulls. Also, both lenses are available in PL and LPL lens mount. For rental houses, you can change swap the mounts by yourself, which is handy. The Premista series of lenses are compatible with the ZEISS eXtended Data system. In short, this technology enables recording of lens metadata, including focus/zoom/iris. Also, there is a built-in correction profile inside the lens that corrects shading and lens distortion. It is beneficial for VFX work and the post-production process. Price and Availability The FUJINON Premista 80-250mm T/2.9-3.5 is available now for $39.800. The FUJINON Premista 28-100mm T/2.9 is already available since August 2019 for $38.800. Indeed, these lenses are aimed at rental houses. What do you think of these FUJINON Premista lenses? Do you think about renting these for your next project? Let us know in the comments below!

Philip Bloom talks about his nearly three years of experience working with FUJINON MK cinema zoom lenses. He used them with many different cameras and also changed the lens mount from E-mount to Micro four thirds. Working with FUJINON MK cinema zoom lens. Image source: Philip Bloom During November’s Photo & Adventure trade show in Vienna, Austria, the cinema5D team was in charge of the “Film & Video stage” program at this show. We invited many interesting guests to talk about various topics. You can see the initial post here. We decided to publish the most interesting topics again in separate articles. This article is covering Philip Bloom’s presentation about shooting with FUJINON MK cinema zoom lenses on Blackmagic pocket cinema camera 4K and other cameras. This content was originally streamed live from the Photo+Adventure – Film+Video Stage –  in November. We are re-publishing and highlighting some of the best content from the stage. Shooting With FUJINON MK Cinema Zoom Lenses FUJINON MK cinema zoom lenses come in two focal lengths – MK18-55mm T2.9 (roughly 24-70mm full frame equivalent) and MK50-135mm T2.9 lens (roughly 70-200mm full frame equivalent). Both lenses are available for Sony E-mount, FUJIFILM X-mount, and for Micro Four Thirds (M4/3) mount.  They have an image circle diameter of 28.5 mm which means they cover image sensors till Super 35 (up to 24.84 x 13.97 mm sensors size). Philip Bloom has been using these lenses since December 2016. The lens mount with these lenses is user interchangeable. Philip owns an E-mount version of FUJINON MK zooms and he changed the mount to M4/3 by himself to test them with M4/3 cameras. He used the lenses already on his Sony FS5, Kinefinity TERRA 4K and MAVO, FUJIFILM X-T3, Z CAM E2, and BMPCC4K. The interesting fact is, that the X-mount versions of the lenses have electronics in them so they can tell which focal length they are at for IBIS to work properly (for instance on the FUJIFILM X-H1). FUJINON MK Cinema Zoom Lenses – Mechanics Both lenses have the same physical specs – same length and same weight (990g). They have the same 82mm filter thread. The 200° focus rotation is just the right amount – it is possible for a single operator to go from close focus to infinity with one movement, but it is long enough to be precise even for focus puller. FUJINON MK cinema zoom lenses. The lenses offer back focus adjustment, which helps to align the real focus distance with the right distance marks. The lenses have three standard 0.8 MOD gears – focus, aperture, and zoom. Philips recommends using lens support with these lenses. They are not so heavy, but they are quite long. Sometimes the lens mount can be a bit wobbly. FUJINON MK Cinema Zoom Lenses – Optics FUJINON MK zooms have parfocal design so the focus distance does not change while zooming. They have a constant aperture with a maximum at T2.9 (f/2.8). Great thing is, that there is virtually no focus breathing with these lenses. According to Philip, both lenses are very sharp even wide open. Filmed with FUJINON MK lenses. Source: Philip Bloom Do you have experience working with FUJINON MK cinema zoom lenses? How do you like the image they produce? Let us know in the comments underneath the article.  

FUJINON Premista 80-250mm T2.9-3.5 PL announced: FUJIFILM Corporation just recently introduced their newest Premista series lens to complement the 28-100mm T2.9 PL zoom lens released in August this year. Together they’re covering a wide range of nearly 10x zoom ratio from 28mm – 250mm to fully support large image sensors. They are intended to present some of the highest grade quality, rich gradation and suitability for HDR for cinematic purposes. Let’s take a closer look at its features. FUJINON Premista 80-250mm – Full View. Image credit: FUJINON The FUJINON Premista 80-250mm T2.9-3.5 was explicitly designed to cover large sensors that measure 43.2-46.3mm diagonally. The lens incorporates large-diameter aspherical lens parts and a sizeable 13-blade design that almost reaches a perfectly circular aperture shape. The intention is to create the highest possible image reproduction on the large image sensor, accompanied by a natural bokeh and a shallow depth-of-field to create a profound cinematic look. The latter is unique to large format in combination with high-resolution image sensors. Main Characteristics, Look and Line-up Consistency FUJINON usually implements patented or exclusively created technologies, techniques and systems in their lenses, just like their main competitors. In this case, they are working with their design of a zoom/focusing system to reduce chromatic aberration in long-range cinematic zoom lenses. This characteristic usually needs precise and individual attention in a complicated lens system for the highest purposes, like here. Additionally, FUJINON has applied its necessary procedures to minimize flares and ghosts responding to and abiding by cinematic standards. A lot of cinematic lenses are alleged by their manufacturers to have a particular level of sharpness or a certain degree in the spectrum of “vintage soft sharpness” and a somehow distinctive mellow look to them. On the contrary, in this specific case, Fujifilm claims to have reached stunning levels of sharpness and clarity with this cinematic lens. Thereby they are also highlighting that this lens is instead intended to produce film footage in naturalistic colours. This detail includes a representation of colour tones that properly fits in with other popular FUJINON series like the XK, HK, MK and ZK, instead of standing out from the host of available lenses. The latter is especially vital when working with multiple lenses on a single camera or shooting complex scenes with multiple cameras and thus requiring different angles. Therefore finally, FUJINON offers consistency amongst lenses across the board. It also simplifies processes in the colour grading suite and contributes to the value of their whole lineup that ultimately serves as easily interchangeable. FUJINON Premista 80-250mm T2.95 – 3.5 PL – Side View. Image credit: FUJINON Premista 80-250mm – Operability Features Since the Premista 80-250mm is a top-range product, it especially gives credit to aspects of operability, among others, that many directors of photography around the world fully expect from lenses in that price category. These include a Flange Focal Distance correction function with a ring, attached to the lens barrel that effortlessly adjusts the flange focal distance. The lens also sports a long rotation of the focus ring with 280 degrees, end to end. The latter is particularly crucial for precise focusing required by the shallow-depth-of-field characteristic of large-format lenses and within cinematic environments and exigencies to focus pulling in the film industry. To supplement that, the Premista 28-100mm and 80-250 share their essential measurements such as front diameter and iris, zoom and focus control gear/ring positions. Thereby the same configuration of follow-focus and matte box among other accessories is trouble-free interchangeable. FUJINON Premista 80-250mm – Focus, Zoom and Iris. Image credit: FUJINON The FUJINON Premista 80-250mm T2.9-3.5 comes with the “ZEISS eXtended Data” (firmware update required) conforming with the Cooke “/i® Technology” standard for lens communication and will be available this December. What do you think about the new lens? Would you like to see a version of it in the MK category of lenses? Please share with us your thoughts in the comment section below. 

FUJIFILM has just announced two new lenses: the FUJINON XF 16-80mm F/4 R OIS WR for their X line of cameras, with APS-C sensors, and the FUJINON GF 50mm F/3.5 R LM WR for their GFX series with large-format sensors. The FUJINON XF 16-80mm F/4 R OIS WR Lens. Image credit: FUJIFILM FUJINON XF 16-80mm F/4 R OIS WR In the FUJIFILM X line of lenses for APS-C cameras, there are quite a few quality zoom lenses to choose from. To name some, we can list the XF 18-55 mm f/2,8-4 R LM OIS which is a decent entry-level zoom lens, and the XF 18-135 mm f/3,5-5,6 R LM OIS WR which is a bit more versatile. Also, there is the excellent XF 16-55 mm f/2,8 R WR, but this zoom lens doesn’t feature image stabilization. First announced back in July 2018, the FUJINON XF 16-80mm F/4 R OIS WR is finally here. This wide-angle to medium-telephoto zoom lens, equivalent to a 24-120mm (35mm equivalent) looks perfect for everyday and travel shooting. It’s the sweet spot compromise between focal range, brightness, and image stabilization while keeping a small (at just 88.9mm long) and lightweight (only 440g) form factor. FUJIFILM XF 16-80mm. Image credit: FUJIFILM While we are still waiting for a new FUJIFILM camera featuring IBIS, the Optical Image Stabilization of this lens is claimed to compensate up to a full six-stop image shake-correction. If you often forget to disable the lens’ OIS (we all do) while using your camera on a tripod, here is a cool thing. The lens can detect that you are not shooting hand-held. It will modify/decrease the intensity of the OIS accordingly to your shooting scenario. The constant F/4 aperture features a nine-blade rounded diaphragm for creamy bokeh renders. In terms of lens design, there are 16 elements in 12 groups, including three aspherical elements to reduce lens distortion and spherical aberrations, and one extra-low dispersion aspherical element to minimize chromatic aberrations. Finally, a “Super EBC (Electron Beam Coating)” is applied to each piece of glass to reduce flare/ghosting and improve contrast and color accuracy. If you are shooting under challenging conditions, the FUJINON XF 16-80mm F/4 R OIS WR is weather-sealed against dust and moisture. You can also use it up-to 14°F/-10°C while keeping the ability to focus super close at 35cm at every focal length. The front diameter is 72mm, and the lens comes with a sun hood. Image credit: FUJIFILM FUJINON GF 50mm F/3.5 R LM WR The FUJINON GF 50mm F/3.5 R LM WR is a tiny pancake lens with dimensions of just 84 x 48mm. At the moment, it’s the smallest and lightest GF lens available at just 335g. Otherwise, there is still a physical aperture ring on the back of the lens for immediate and tactile adjustment of your aperture. If you don’t want to mess with your aperture settings by hand, put the ring in the A position and let your camera do the job for you. This lens is equivalent to 40mm (35mm equivalent) when paired to a GFX camera. It is a perfect compact lens to be attached on your camera at all time without noticing it. The FUJINON GF 50mm F/3.5 R LM WR lens with the FUJIFILM GFX 50R. Image credit: FUJIFILM The lens design consists of nine elements in six groups, with one aspherical element to reduce spherical aberrations. There is a linear AF motor for quick and quiet focusing in both photo/video modes. The diaphragm is a nine-blade rounded design. The FUJINON GF 50mm F/3.5 R LM WR features the same dust/weather sealing and low-temperature capabilities (up to 14°F/-10°C) as the FUJINON XF 16-80mm F/4 R OIS WR. Finally, the minimum focusing distance is 55cm, the front diameter is 62mm, and the sun hood comes with the lens. Image credit: FUJIFILM Pricing and Availability The FUJINON GF 50mm F/3.5 R LM WR retails for $999.95, while the FUJINON XF 16-80mm F/4 R OIS WR is $799.95. The lenses can already be pre-ordered, with an expected shipping date around the end of September. What do you think of these new FUJINON lenses? Do you consider replacing your XF 16-55 mm f/2,8 R WR with this new FUJINON XF 16-80mm F/4 R OIS WR? Let us know in the comments down below!

FUJINON Premista are two new cine zoom lenses that cover large format sensors. Standard 28-100mm T2.9 zoom lens and telephoto 80-250 T2.9-3.5 zoom lens are both going to be available within this year. During NAB, we interviewed Toshihisa Lida-san from FUJIFILM about these new lenses. As you might already know from our initial news post, FUJINON announced two new large format cine zoom lenses called Premista. Those zoom lenses will support up to a 46.3mm image circle (diagonal) without vignetting. They both come with PL mounts. FUJINON Premista – large format cine zoom lenses The name Premista comes from a combination of the words “Premier” and “VistaVision”, which is a widescreen variant of 35mm film created by Paramount in the 50s. This name should imply high quality optics covering large format sensors. FUJINON’s reason to introduce these new lenses are the latest trends in cinematography technology: A number of camera manufacturers have introduced large format (full-frame or slightly larger than full-frame sensor) high-end cinema cameras (RED, Sony, Canon, ARRI …). FUJIFILM and FUJINON have been monitoring this trend in the cine market over the last two years and they decided to launch these large format zoom lenses. FUJINON Premista – large format cine zoom lenses have PL mount The standard 28-100mm zoom lens has a consistent speed of  T2.9 throughout the zoom range. As for the 80-250mm telephoto zoom lens, FUJINON says it stays at T2.9 until about 200mm and then slowly ramps the aperture to T3.5. I suppose it was optically not possible to offer such a long range with constant aperture without making the lens design even heavier and larger (and thereby also more expensive to build), so FUJINON decided to offer the long reach with a slightly slower aperture. FUJINON Premista Specifications The first lens with standard zoom range of 28-100mm will be launched in August 2019. The other telephoto zoom lens FUJINON 80-250 will be available within this year (no exact date yet). FUJINON Premista 80-250mm T2.9-3.5 The price of the 28-100mm will be $38,800 and the 80-250mm will be $39,800, so the main customers are most likely going to be rental houses. FUJINON claims to have already received huge response and demand from rental houses. You can, however, already pre-order these lenses now. Links are included below the article. What do you think about the FUJINON Premista lenses? Do you have experience with other FUJINON cine lenses? Let us know in the comments underneath the article.

The race is on. As sensor sizes continue to expand, especially in the case of the newly announced ARRI Mini LF, lens manufacturers are working hard to stay ahead of the curve and provide cine lenses that cover large format cameras. With NAB on the horizon, FUJIFILM and FUJINON just announced the Premista 28-100mm T2.9 and 80-250mm T2.9-3.5. Details below: The Premista 28-100mm (shown below) has a consistence speed of  T2.9 throughout the zoom range, but FUJINON says the 80-250mm stays at T2.9 until about 200mm and then slowly ramps to T3.5. While a constant aperture would certainly be preferred, the wide range of 80-250mm is a bonus. Consistent with past FUJINON zooms, both lenses will be available in PL mount. In the past, companies like Duclos Lenses have converted PL FUJINON zooms to an EF mount, so that may be possible again here in the future. FUJINON Premista 28-100mm FUJINON lists both lenses as supporting up-to a 46.3mm image circle (diagonal) without vignetting. This covers all current large format digital cameras such as the RED Monstro with the exception of the ARRI Alexa 65 (54.12 mm x 25.58). FUJINON Premista 80-250mm Specifications: FUJINON Premista Specifications Pricing and availability: The FUJINON Premista 28-100mm T2.9 is expected to ship over the summer with the 80-250mm T2.9-3.5 landing “before the end of 2019”. Pricing is currently set to $38,800 and $39,800 respectively. We are planning on going hands on with both lenses at NAB so stay tuned for updates. What do you think? As this is the beginning of a new era for FUJINON, would you like to see them enhancing the more affordable MK lenses line with lenses covering large format sensors too? Please share with us your thoughts in the comment section below.  

Our partners have some very appealing deals this week. We have picked the 10 most promising deals for our readers, including two mirrorless cameras, an iPad Pro that could be used for on-the-go editing, LED lights from Dracast and Datavision and a lens by FUJINON for their X Mount cameras. Our favorite deal is still the FUJIFILM X-T3. This week’s offers are from our partners at B&H (for our readership in North and South America), and CVP (for our European readers). By using our buy links you support cinema5D, as we get a small commission fee for every purchase made through those links. Now, let’s get into it. B&H: FUJINON MKX18-55mm T2.9 Lens with Hoya 82mm NXT Plus UV Filter Kit & FUJINON MKX50-135mm T2.9 Lens – $1,000 Discount, Each The FUJINON MK lenses have received great praise in the filmmaking community. Made for Super 35 sensors in E-Mount and FUJIFILM’s own X-Mount, they are the professional, parfocal, constant T2.9 aperture zoom lenses the run and gun mirrorless shooter might dream about. Not per se cheap, the lenses offer an incredible price to performance ratio, 200° gear focus rotation, smooth apertures, tripod mounts and a close focussing distance of 2.8′ / 0.85 m and 3.9′ / 1.19 m respectively. Buy link: FUJINON MKX18-55mm T2.9 Lens & Hoya 82mm NXT Plus UV Filter Kit   Was: $3,999.00  Now: $2,999.00 (Savings: $1000) Buy link: FUJINON MKX50-135mm T2.9 Lens  Was: $4,299.00  Now: $3,299.00 (Savings: $1000) B&H: Sony Alpha a7 II Mirrorless Digital Camera with Accessory Kit – $400.00 Discount Think the Canon RP is a good deal for a mirrorless full frame camera? Try the Sony a7 II. You can record 1080p at up to 60p with no crop, in either APS-C or full frame mode using Sony’s XAVC-S codec with S-log 2 and – get this – the sensor is even stabilized. Sony’s Hybrid AF utilises both, phase detection and contrast detection in tandem, to provide very capable autofocus performance in both, video and photography. Speaking of photography, this deal is also a professional grade hybrid camera, with its 24.3 MP sensor and 5fps with continuous AF. The kit contains a Sandisk memory card, a battery charger and spare battery, as well as a camera bag. Buy link: Sony Alpha a7 II Mirrorless Digital Camera with Accessory Kit  Was: $1,398.00  Now: $998.00 (Savings: $400.00) B&H: Benro A373T Series 3 AL Video Tripod & S6 Head Kit – $150.00 Discount This deal is a steal and will keep you going for a long time. The 3 section twist-lock legs will support loads of up to 55 lbs / 25 kg, making it capable of supporting even larger rigs at a maximum height of 58.3″ / 148.1 cm and a minimum of 6″ / 15.2 cm. The S6 fluid head comes with a flathead adapter for the legs’ 75mm bowl, and will balance and support loads of 13.2 lbs / 6 kg. The S6 of course can also be used on sliders and the like due to its flathead construction. Buy link: Benro A373T Series 3 AL Video Tripod & S6 Head Kit  Was: $329.00  Now: $179.00 (Savings: $150.00) B&H:Pelican 1510 Carry-On Case with Foam Set (Black) – 20% Discount The Pelican case doesn’t need an introduction. Its watertight, dust-proof construction is a benchmark for quality. This set comes with a free combination lock and a three-piece foam set that can be torn out to suit your camera’s dimensions. There are side and front handles, as well as a retractable extension handle to be used when wheeling the case to your next shoot. Buy link: Pelican 1510 Carry-On Case with Foam Set (Black)  Was: $189.95  Now: $151.96 (Savings: $150.00) B&H: Zoom H1n Digital Handy Recorder (Black) – $20.00 Discount The original H1 is still ubiquitous, due to its low price and robust functionality in a myriad of scenarios. The newer H1n improves the durability and usability of the original design – basically the only flaws the original version ever had. The H1n has a pair of X/Y stereo mics, records WAVs & MP3s up to 24-Bit / 96 kHz to microSD cards, features 3.5mm input/output jacks, built-in limiter and low-cut filter and works as a USB audio interface. It runs on AAA batteries. Buy link: Zoom H1n Digital Handy Recorder (Black)  Was: $119.00  Now: $99.00 (Savings: $20.00) B&H: FUJINON XF 56mm f/1.2 R Lens – $250.00 Discount Combine the FUJIFILM X-T3 and this lens and what you get is pure gold. This 85mm equivalent lens is considered one of the best lenses of the celebrated FUJINON XF lineup. With its fast f1.2 aperture and premium construction it is sharp and will give you the opportunity to blur your background easily, when needed. The minimum focussing distance is  2.30′ / 70 cm and the front diameter is 62 mm. Buy link: FUJINON XF 56mm f/1.2 R Lens Was: $999.00  Now: $749.00 (Savings: $250.00) B&H: Apple 12.9″ iPad Pro (Mid 2017, 512GB, Wi-Fi + 4G LTE, Silver)  – $380.00 Discount Our own Nino just recently wrote an article and conducted an interview with Viennese filmmaker Pedro Hofmann about conducting a whole video editing workflow – start to finish – using just LumaFusion on an iPad Pro, like this one. If you’re in the market for a new editing machine and are willing to consider a more modern workflow, maybe try this for a change. Buy link: Apple 12.9″ iPad Pro (Mid 2017, 512GB, Wi-Fi + 4G LTE, Silver)  Was: $1,279.00  Now: $899.00 (Savings: $380.00) B&H: Dracast LED500 Pro Bi-Color LED Light with V-Mount Battery Plate – $450.00 Discount LEDs are all the rage in lighting, have been and probably will be for a while. This deal offers 3200-5600K variable color temperature, works with V-mount batteries and the12 x 6 x 2″ Panel, weighs in at 4lb. It can be dimmed from 100-0%, has a CRI of 95, an included power adapter and comes with a handy carry case. Buy link: Dracast LED500 Pro Bi-Color LED Light with V-Mount Battery Plate Was: $699.95  Now: $249.00 (Savings: $450.00) B&H: FUJIFILM X-T3 Mirrorless Digital Camera (Body Only, Black) – $100.00 Discount A lot has been written about the FUJIFILM X-T3, and a lot of it here, on cinema5D. We’ve reviewed the camera (twice), crowned it our best mirrorless camera of the year 2018 and just recently reported about a major firmware upgrade. Granted, a discount of $100.00 is not earth-shattering, however 4K 60p in 10bit internal in a sub-$1,500 camera is, so here it is again, with our warmest recommendations. Buy link: FUJIFILM X-T3 Mirrorless Digital Camera (Body Only, Black) Was: $1,499.00  Now: $1,399.00 (Savings: $100.00) CVP: DATAVISION 120W LED FRESNEL LIGHT – €500.00 Discount This deal comes with an almost 50% discount. The LG-D1200M is a 120W LED, with dimmer, focusable fresnel, and built-in barndoors. For around 500€ you get full DMX control and passthrough, and a solid build quality that promises prolonged and stable service times. Buy link: DATAVISION 120W LED FRESNEL LIGHT –  Was: €1,002.91  Now: €505.16 (Savings: €497.75) CVP: LITEPANELS CALIBER 3-LIGHT KIT – €130.00 Discount More lights? The Litepanels Caliber 3-Light kit comes prepared to aid in your 3 point-lighting needs. 3 Caliber fresnel fixtures, multi-joined flexible tripods, gel sets, colour frames, 4-way barndoors and even one full-size lighting stand. The whole kit comes in a handy, padded bag for easy transport. Buy link: LITEPANELS CALIBER 3-LIGHT KIT – Was: €777.20  Now: €642.71 (Savings: €134.49) What do you think of this week’s selection? Share with us if you know and like any of these products.

There are a couple of new exciting deals for filmmakers available. We selected the best ten offers of filmmaking gear from our partners’ online shops for this week. Including Fujinon and Canon lenses, Zylight’s lights, Zhiyun-Tech Crane V2, Apple Macbook and more. I went through the current deals on our partners’ websites and selected the top 10 offers currently available, which I think could be interesting for you. First, there are B&H offers listed for our readers based in North and South America and then a couple of deals from our European partner CVP. By shopping at our affiliate partners’ stores, you are supporting cinema5D through our buy links, as we get a small affiliate commission when a purchase is completed. Now, let’s take a look at this week’s top 10 deals for filmmakers: B&H: Canon EF 50mm f/1.4 USM Lens – $100 Discount You can’t go wrong with the Canon EF 50mm f/1.4 USM. This little and lightweight lens won’t take much space in your bag and is, to date, one of my favorite autofocus lenses from Canon. The fast f/1.4 aperture is perfect for low light situations, or when you want to isolate your subject with that creamy background. Buy Link: Canon EF 50mm f/1.4 USM Lens Was $399 Now $299 (Savings: $100) B&H: Zhiyun-Tech Crane v2 – $250 Discount If you are looking for a small handheld gimbal to use with your DSLR, the Zhiyun-Tech Crane V2 is still a solid competitor. With a maximum payload of 3.2Kg, you can nearly fly every mirrorless and DSLR in the market with the Crane V2. The Crane runs on and comes with two 26500 batteries which feature a 12- to 18-hour runtime. Everything comes in a nice carry case, ready for your next shoot. Buy Link: Zhiyun-Tech Crane v2 Was $649 Now $399 (Savings: $250) B&H: Fujifilm X-T2 with Free Accessory Kit – $500 Discount The Fujifilm X-T2 is a nice little camera with a 24.3MP APS-C sensor. It offers internal UHD 4K video as well as an 8-bit 4:2:2 HDMI output. The internal recording offers 100 Mbps bitrate along with an F-Log Gamma setting. The camera comes in a kit with everything you need to start shooting (except a lens). It includes a 32Gb Sandisk Extreme Pro memory card, an extra battery, and a holster-style camera bag to protect and store your equipment. Buy Link: Fujifilm X-T2 Mirrorless Digital Camera Body with Free Accessory Kit  Was $1599 Now $1099 (Savings: $500) B&H: Apple 15.4″ MacBook Pro with Touch Bar (Mid 2017) – $500 Discount The 15.4″ MacBook Pro is a powerful laptop fully loaded with a 2.8 GHz Intel Core i7 Quad-Core, 16GB of RAM, a 256GB SSD and an AMD Radeon Pro 555 graphics card (with 2GB of GGDR5). The screen is just one of the best in the laptop market, with an impressive 2880 x 1800 Retina Display. This model will be more than enough to keep you editing smoothly on the road. Buy Link: Apple 15.4″ MacBook Pro with Touch Bar (Mid 2017) Was $2399 Now $1899 (Savings: $500) B&H: Canon EOS Rebel T7i DSLR Camera with 18-135mm Lens and Inkjet Printer Kit – $300 Discount Indeed, the T7i is not Canon’s most potent DSLR camera out there. If you are starting out or in need for a camera to shoot for fun, it’s a competent camera (I miss the T2i’s days sometimes). It features a 24.2MP sensor, a flip-out screen, and one of the best autofocus you can get: Canon’s Dual Pixel AF. The T7i can record in 1080P up to 60 frames per second, and Movie Electronic IS is also featured to stabilize your footages across five axes for smoother, steadier recording when shooting handheld. This kit includes an 18-135mm f/3.5-5.6 IS STM Lens and a Canon PIXMA PRO-100 printer to print your best shots wirelessly. Buy Link: Canon EOS Rebel T7i DSLR Camera with 18-135mm Lens and Inkjet Printer Kit Was $1708.99 Now $1408.99 (Savings: $300) CVP: Canon 70-200MM F2.8L IS II EF – €280 Discount The ultra-classic 70-200 f2.8L IS II is on sale! This is the standard telephoto lens that every self-respecting wedding, headshot, and portrait photographer is packing. If that sounds like you, jump on over to CVP while this deal lasts. Buy Link: Canon 70-200mm f2.8L IS II EF Was: €1869.80 + VAT Now: €1586.52 + VAT (Savings: €280) CVP: Fujinon MK 18-55 + MK 50-135 + CDM-MK-Z Motor – Bundle Discount If you are on the market for some of the best compact zoom lenses, take a look at this deal on the E-Mount Fujinon MK 18-55mm T2.9 + MK 50-135mm T2.9 and Chrosziel CDM-MK-Z Lens Motorization including Case. It will cover 90% of your shooting needs, from 18mm all the way up to 135mm, with a constant T2.9 aperture. These lenses are compatible with Super 35mm/APS-C sensor. Thanks to the Chrosziel lens motorization kit, you’ll be able to transform those two amazing zooms into more broadcast-friendly lenses in seconds. Buy Link: Fujinon MK 18-55 + MK 50-135 + CDM-MK-Z Motor Now: €7626.60 + VAT (Bundle discount) CVP: Zylight IS3/C LED Light Kit – €920 Discount The Zylight IS3/C is an extraordinarily bright and wide soft source of light. The light is fully dimmable with minimal color shift, and you can adjust the color temperature and color correction. If you want to be creative, it also features unlimited color controls. Also, you can control the light wirelessly or via DMX. The Zylight IS3/c can be powered by either AC or rechargeable battery. The Chimera softbox is included in the kit. Buy Link: Zylight IS3/C LED Light Kit Was: €2588.03 + VAT Now: €1670.23 + VAT (Savings: €920) CVP: Canon Eos 6D Mark II Body Only – €170 Discount The second generation entry-level full-frame DSLR from Canon is now on sale at CVP. The Canon EOS 6D MK II features a dual pixel CMOS sensor with 26.2 million effective pixels. It can record in 1080P at up to 60 frames per second. The fully articulating LCD touchscreen makes framing and low-angle shooting a breeze. Buy Link: Canon Eos 6D Mark II Body Only Was: €1718.52 + VAT Now: €1548.52 + VAT (Savings: €170) CVP: Anton Bauer Cine 90 GM – €95 Discount The Anton Bauer CINE battery series delivers 12 amps of continuous power and incorporates Fuse Link technology, which protects surrounding battery cells, preventing catastrophic failure. The battery also features multiple sensors to detect temperature and over-current, ensuring optimal battery performance during regular use. Please note: this deal is only for filmmakers in the UK and selects EU countries. Click the link to find out more. Buy Link: Anton Bauer Cine 90 GM Was: €348.66 + VAT Now: €253.99 + VAT (Savings: £84) What do you think of this week’s selection? Share with us if you know and like any of these products.