FUJIFILM has just announced two new lenses: the FUJINON XF 16-80mm F/4 R OIS WR for their X line of cameras, with APS-C sensors, and the FUJINON GF 50mm F/3.5 R LM WR for their GFX series with large-format sensors. The FUJINON XF 16-80mm F/4 R OIS WR Lens. Image credit: FUJIFILM FUJINON XF 16-80mm F/4 R OIS WR In the FUJIFILM X line of lenses for APS-C cameras, there are quite a few quality zoom lenses to choose from. To name some, we can list the XF 18-55 mm f/2,8-4 R LM OIS which is a decent entry-level zoom lens, and the XF 18-135 mm f/3,5-5,6 R LM OIS WR which is a bit more versatile. Also, there is the excellent XF 16-55 mm f/2,8 R WR, but this zoom lens doesn’t feature image stabilization. First announced back in July 2018, the FUJINON XF 16-80mm F/4 R OIS WR is finally here. This wide-angle to medium-telephoto zoom lens, equivalent to a 24-120mm (35mm equivalent) looks perfect for everyday and travel shooting. It’s the sweet spot compromise between focal range, brightness, and image stabilization while keeping a small (at just 88.9mm long) and lightweight (only 440g) form factor. FUJIFILM XF 16-80mm. Image credit: FUJIFILM While we are still waiting for a new FUJIFILM camera featuring IBIS, the Optical Image Stabilization of this lens is claimed to compensate up to a full six-stop image shake-correction. If you often forget to disable the lens’ OIS (we all do) while using your camera on a tripod, here is a cool thing. The lens can detect that you are not shooting hand-held. It will modify/decrease the intensity of the OIS accordingly to your shooting scenario. The constant F/4 aperture features a nine-blade rounded diaphragm for creamy bokeh renders. In terms of lens design, there are 16 elements in 12 groups, including three aspherical elements to reduce lens distortion and spherical aberrations, and one extra-low dispersion aspherical element to minimize chromatic aberrations. Finally, a “Super EBC (Electron Beam Coating)” is applied to each piece of glass to reduce flare/ghosting and improve contrast and color accuracy. If you are shooting under challenging conditions, the FUJINON XF 16-80mm F/4 R OIS WR is weather-sealed against dust and moisture. You can also use it up-to 14°F/-10°C while keeping the ability to focus super close at 35cm at every focal length. The front diameter is 72mm, and the lens comes with a sun hood. Image credit: FUJIFILM FUJINON GF 50mm F/3.5 R LM WR The FUJINON GF 50mm F/3.5 R LM WR is a tiny pancake lens with dimensions of just 84 x 48mm. At the moment, it’s the smallest and lightest GF lens available at just 335g. Otherwise, there is still a physical aperture ring on the back of the lens for immediate and tactile adjustment of your aperture. If you don’t want to mess with your aperture settings by hand, put the ring in the A position and let your camera do the job for you. This lens is equivalent to 40mm (35mm equivalent) when paired to a GFX camera. It is a perfect compact lens to be attached on your camera at all time without noticing it. The FUJINON GF 50mm F/3.5 R LM WR lens with the FUJIFILM GFX 50R. Image credit: FUJIFILM The lens design consists of nine elements in six groups, with one aspherical element to reduce spherical aberrations. There is a linear AF motor for quick and quiet focusing in both photo/video modes. The diaphragm is a nine-blade rounded design. The FUJINON GF 50mm F/3.5 R LM WR features the same dust/weather sealing and low-temperature capabilities (up to 14°F/-10°C) as the FUJINON XF 16-80mm F/4 R OIS WR. Finally, the minimum focusing distance is 55cm, the front diameter is 62mm, and the sun hood comes with the lens. Image credit: FUJIFILM Pricing and Availability The FUJINON GF 50mm F/3.5 R LM WR retails for $999.95, while the FUJINON XF 16-80mm F/4 R OIS WR is $799.95. The lenses can already be pre-ordered, with an expected shipping date around the end of September. What do you think of these new FUJINON lenses? Do you consider replacing your XF 16-55 mm f/2,8 R WR with this new FUJINON XF 16-80mm F/4 R OIS WR? Let us know in the comments down below!

FUJINON Premista are two new cine zoom lenses that cover large format sensors. Standard 28-100mm T2.9 zoom lens and telephoto 80-250 T2.9-3.5 zoom lens are both going to be available within this year. During NAB, we interviewed Toshihisa Lida-san from FUJIFILM about these new lenses. As you might already know from our initial news post, FUJINON announced two new large format cine zoom lenses called Premista. Those zoom lenses will support up to a 46.3mm image circle (diagonal) without vignetting. They both come with PL mounts. FUJINON Premista – large format cine zoom lenses The name Premista comes from a combination of the words “Premier” and “VistaVision”, which is a widescreen variant of 35mm film created by Paramount in the 50s. This name should imply high quality optics covering large format sensors. FUJINON’s reason to introduce these new lenses are the latest trends in cinematography technology: A number of camera manufacturers have introduced large format (full-frame or slightly larger than full-frame sensor) high-end cinema cameras (RED, Sony, Canon, ARRI …). FUJIFILM and FUJINON have been monitoring this trend in the cine market over the last two years and they decided to launch these large format zoom lenses. FUJINON Premista – large format cine zoom lenses have PL mount The standard 28-100mm zoom lens has a consistent speed of  T2.9 throughout the zoom range. As for the 80-250mm telephoto zoom lens, FUJINON says it stays at T2.9 until about 200mm and then slowly ramps the aperture to T3.5. I suppose it was optically not possible to offer such a long range with constant aperture without making the lens design even heavier and larger (and thereby also more expensive to build), so FUJINON decided to offer the long reach with a slightly slower aperture. FUJINON Premista Specifications The first lens with standard zoom range of 28-100mm will be launched in August 2019. The other telephoto zoom lens FUJINON 80-250 will be available within this year (no exact date yet). FUJINON Premista 80-250mm T2.9-3.5 The price of the 28-100mm will be $38,800 and the 80-250mm will be $39,800, so the main customers are most likely going to be rental houses. FUJINON claims to have already received huge response and demand from rental houses. You can, however, already pre-order these lenses now. Links are included below the article. What do you think about the FUJINON Premista lenses? Do you have experience with other FUJINON cine lenses? Let us know in the comments underneath the article.

The race is on. As sensor sizes continue to expand, especially in the case of the newly announced ARRI Mini LF, lens manufacturers are working hard to stay ahead of the curve and provide cine lenses that cover large format cameras. With NAB on the horizon, FUJIFILM and FUJINON just announced the Premista 28-100mm T2.9 and 80-250mm T2.9-3.5. Details below: The Premista 28-100mm (shown below) has a consistence speed of  T2.9 throughout the zoom range, but FUJINON says the 80-250mm stays at T2.9 until about 200mm and then slowly ramps to T3.5. While a constant aperture would certainly be preferred, the wide range of 80-250mm is a bonus. Consistent with past FUJINON zooms, both lenses will be available in PL mount. In the past, companies like Duclos Lenses have converted PL FUJINON zooms to an EF mount, so that may be possible again here in the future. FUJINON Premista 28-100mm FUJINON lists both lenses as supporting up-to a 46.3mm image circle (diagonal) without vignetting. This covers all current large format digital cameras such as the RED Monstro with the exception of the ARRI Alexa 65 (54.12 mm x 25.58). FUJINON Premista 80-250mm Specifications: FUJINON Premista Specifications Pricing and availability: The FUJINON Premista 28-100mm T2.9 is expected to ship over the summer with the 80-250mm T2.9-3.5 landing “before the end of 2019”. Pricing is currently set to $38,800 and $39,800 respectively. We are planning on going hands on with both lenses at NAB so stay tuned for updates. What do you think? As this is the beginning of a new era for FUJINON, would you like to see them enhancing the more affordable MK lenses line with lenses covering large format sensors too? Please share with us your thoughts in the comment section below.  

Our partners have some very appealing deals this week. We have picked the 10 most promising deals for our readers, including two mirrorless cameras, an iPad Pro that could be used for on-the-go editing, LED lights from Dracast and Datavision and a lens by FUJINON for their X Mount cameras. Our favorite deal is still the FUJIFILM X-T3. This week’s offers are from our partners at B&H (for our readership in North and South America), and CVP (for our European readers). By using our buy links you support cinema5D, as we get a small commission fee for every purchase made through those links. Now, let’s get into it. B&H: FUJINON MKX18-55mm T2.9 Lens with Hoya 82mm NXT Plus UV Filter Kit & FUJINON MKX50-135mm T2.9 Lens – $1,000 Discount, Each The FUJINON MK lenses have received great praise in the filmmaking community. Made for Super 35 sensors in E-Mount and FUJIFILM’s own X-Mount, they are the professional, parfocal, constant T2.9 aperture zoom lenses the run and gun mirrorless shooter might dream about. Not per se cheap, the lenses offer an incredible price to performance ratio, 200° gear focus rotation, smooth apertures, tripod mounts and a close focussing distance of 2.8′ / 0.85 m and 3.9′ / 1.19 m respectively. Buy link: FUJINON MKX18-55mm T2.9 Lens & Hoya 82mm NXT Plus UV Filter Kit   Was: $3,999.00  Now: $2,999.00 (Savings: $1000) Buy link: FUJINON MKX50-135mm T2.9 Lens  Was: $4,299.00  Now: $3,299.00 (Savings: $1000) B&H: Sony Alpha a7 II Mirrorless Digital Camera with Accessory Kit – $400.00 Discount Think the Canon RP is a good deal for a mirrorless full frame camera? Try the Sony a7 II. You can record 1080p at up to 60p with no crop, in either APS-C or full frame mode using Sony’s XAVC-S codec with S-log 2 and – get this – the sensor is even stabilized. Sony’s Hybrid AF utilises both, phase detection and contrast detection in tandem, to provide very capable autofocus performance in both, video and photography. Speaking of photography, this deal is also a professional grade hybrid camera, with its 24.3 MP sensor and 5fps with continuous AF. The kit contains a Sandisk memory card, a battery charger and spare battery, as well as a camera bag. Buy link: Sony Alpha a7 II Mirrorless Digital Camera with Accessory Kit  Was: $1,398.00  Now: $998.00 (Savings: $400.00) B&H: Benro A373T Series 3 AL Video Tripod & S6 Head Kit – $150.00 Discount This deal is a steal and will keep you going for a long time. The 3 section twist-lock legs will support loads of up to 55 lbs / 25 kg, making it capable of supporting even larger rigs at a maximum height of 58.3″ / 148.1 cm and a minimum of 6″ / 15.2 cm. The S6 fluid head comes with a flathead adapter for the legs’ 75mm bowl, and will balance and support loads of 13.2 lbs / 6 kg. The S6 of course can also be used on sliders and the like due to its flathead construction. Buy link: Benro A373T Series 3 AL Video Tripod & S6 Head Kit  Was: $329.00  Now: $179.00 (Savings: $150.00) B&H:Pelican 1510 Carry-On Case with Foam Set (Black) – 20% Discount The Pelican case doesn’t need an introduction. Its watertight, dust-proof construction is a benchmark for quality. This set comes with a free combination lock and a three-piece foam set that can be torn out to suit your camera’s dimensions. There are side and front handles, as well as a retractable extension handle to be used when wheeling the case to your next shoot. Buy link: Pelican 1510 Carry-On Case with Foam Set (Black)  Was: $189.95  Now: $151.96 (Savings: $150.00) B&H: Zoom H1n Digital Handy Recorder (Black) – $20.00 Discount The original H1 is still ubiquitous, due to its low price and robust functionality in a myriad of scenarios. The newer H1n improves the durability and usability of the original design – basically the only flaws the original version ever had. The H1n has a pair of X/Y stereo mics, records WAVs & MP3s up to 24-Bit / 96 kHz to microSD cards, features 3.5mm input/output jacks, built-in limiter and low-cut filter and works as a USB audio interface. It runs on AAA batteries. Buy link: Zoom H1n Digital Handy Recorder (Black)  Was: $119.00  Now: $99.00 (Savings: $20.00) B&H: FUJINON XF 56mm f/1.2 R Lens – $250.00 Discount Combine the FUJIFILM X-T3 and this lens and what you get is pure gold. This 85mm equivalent lens is considered one of the best lenses of the celebrated FUJINON XF lineup. With its fast f1.2 aperture and premium construction it is sharp and will give you the opportunity to blur your background easily, when needed. The minimum focussing distance is  2.30′ / 70 cm and the front diameter is 62 mm. Buy link: FUJINON XF 56mm f/1.2 R Lens Was: $999.00  Now: $749.00 (Savings: $250.00) B&H: Apple 12.9″ iPad Pro (Mid 2017, 512GB, Wi-Fi + 4G LTE, Silver)  – $380.00 Discount Our own Nino just recently wrote an article and conducted an interview with Viennese filmmaker Pedro Hofmann about conducting a whole video editing workflow – start to finish – using just LumaFusion on an iPad Pro, like this one. If you’re in the market for a new editing machine and are willing to consider a more modern workflow, maybe try this for a change. Buy link: Apple 12.9″ iPad Pro (Mid 2017, 512GB, Wi-Fi + 4G LTE, Silver)  Was: $1,279.00  Now: $899.00 (Savings: $380.00) B&H: Dracast LED500 Pro Bi-Color LED Light with V-Mount Battery Plate – $450.00 Discount LEDs are all the rage in lighting, have been and probably will be for a while. This deal offers 3200-5600K variable color temperature, works with V-mount batteries and the12 x 6 x 2″ Panel, weighs in at 4lb. It can be dimmed from 100-0%, has a CRI of 95, an included power adapter and comes with a handy carry case. Buy link: Dracast LED500 Pro Bi-Color LED Light with V-Mount Battery Plate Was: $699.95  Now: $249.00 (Savings: $450.00) B&H: FUJIFILM X-T3 Mirrorless Digital Camera (Body Only, Black) – $100.00 Discount A lot has been written about the FUJIFILM X-T3, and a lot of it here, on cinema5D. We’ve reviewed the camera (twice), crowned it our best mirrorless camera of the year 2018 and just recently reported about a major firmware upgrade. Granted, a discount of $100.00 is not earth-shattering, however 4K 60p in 10bit internal in a sub-$1,500 camera is, so here it is again, with our warmest recommendations. Buy link: FUJIFILM X-T3 Mirrorless Digital Camera (Body Only, Black) Was: $1,499.00  Now: $1,399.00 (Savings: $100.00) CVP: DATAVISION 120W LED FRESNEL LIGHT – €500.00 Discount This deal comes with an almost 50% discount. The LG-D1200M is a 120W LED, with dimmer, focusable fresnel, and built-in barndoors. For around 500€ you get full DMX control and passthrough, and a solid build quality that promises prolonged and stable service times. Buy link: DATAVISION 120W LED FRESNEL LIGHT –  Was: €1,002.91  Now: €505.16 (Savings: €497.75) CVP: LITEPANELS CALIBER 3-LIGHT KIT – €130.00 Discount More lights? The Litepanels Caliber 3-Light kit comes prepared to aid in your 3 point-lighting needs. 3 Caliber fresnel fixtures, multi-joined flexible tripods, gel sets, colour frames, 4-way barndoors and even one full-size lighting stand. The whole kit comes in a handy, padded bag for easy transport. Buy link: LITEPANELS CALIBER 3-LIGHT KIT – Was: €777.20  Now: €642.71 (Savings: €134.49) What do you think of this week’s selection? Share with us if you know and like any of these products.

There are a couple of new exciting deals for filmmakers available. We selected the best ten offers of filmmaking gear from our partners’ online shops for this week. Including Fujinon and Canon lenses, Zylight’s lights, Zhiyun-Tech Crane V2, Apple Macbook and more. I went through the current deals on our partners’ websites and selected the top 10 offers currently available, which I think could be interesting for you. First, there are B&H offers listed for our readers based in North and South America and then a couple of deals from our European partner CVP. By shopping at our affiliate partners’ stores, you are supporting cinema5D through our buy links, as we get a small affiliate commission when a purchase is completed. Now, let’s take a look at this week’s top 10 deals for filmmakers: B&H: Canon EF 50mm f/1.4 USM Lens – $100 Discount You can’t go wrong with the Canon EF 50mm f/1.4 USM. This little and lightweight lens won’t take much space in your bag and is, to date, one of my favorite autofocus lenses from Canon. The fast f/1.4 aperture is perfect for low light situations, or when you want to isolate your subject with that creamy background. Buy Link: Canon EF 50mm f/1.4 USM Lens Was $399 Now $299 (Savings: $100) B&H: Zhiyun-Tech Crane v2 – $250 Discount If you are looking for a small handheld gimbal to use with your DSLR, the Zhiyun-Tech Crane V2 is still a solid competitor. With a maximum payload of 3.2Kg, you can nearly fly every mirrorless and DSLR in the market with the Crane V2. The Crane runs on and comes with two 26500 batteries which feature a 12- to 18-hour runtime. Everything comes in a nice carry case, ready for your next shoot. Buy Link: Zhiyun-Tech Crane v2 Was $649 Now $399 (Savings: $250) B&H: Fujifilm X-T2 with Free Accessory Kit – $500 Discount The Fujifilm X-T2 is a nice little camera with a 24.3MP APS-C sensor. It offers internal UHD 4K video as well as an 8-bit 4:2:2 HDMI output. The internal recording offers 100 Mbps bitrate along with an F-Log Gamma setting. The camera comes in a kit with everything you need to start shooting (except a lens). It includes a 32Gb Sandisk Extreme Pro memory card, an extra battery, and a holster-style camera bag to protect and store your equipment. Buy Link: Fujifilm X-T2 Mirrorless Digital Camera Body with Free Accessory Kit  Was $1599 Now $1099 (Savings: $500) B&H: Apple 15.4″ MacBook Pro with Touch Bar (Mid 2017) – $500 Discount The 15.4″ MacBook Pro is a powerful laptop fully loaded with a 2.8 GHz Intel Core i7 Quad-Core, 16GB of RAM, a 256GB SSD and an AMD Radeon Pro 555 graphics card (with 2GB of GGDR5). The screen is just one of the best in the laptop market, with an impressive 2880 x 1800 Retina Display. This model will be more than enough to keep you editing smoothly on the road. Buy Link: Apple 15.4″ MacBook Pro with Touch Bar (Mid 2017) Was $2399 Now $1899 (Savings: $500) B&H: Canon EOS Rebel T7i DSLR Camera with 18-135mm Lens and Inkjet Printer Kit – $300 Discount Indeed, the T7i is not Canon’s most potent DSLR camera out there. If you are starting out or in need for a camera to shoot for fun, it’s a competent camera (I miss the T2i’s days sometimes). It features a 24.2MP sensor, a flip-out screen, and one of the best autofocus you can get: Canon’s Dual Pixel AF. The T7i can record in 1080P up to 60 frames per second, and Movie Electronic IS is also featured to stabilize your footages across five axes for smoother, steadier recording when shooting handheld. This kit includes an 18-135mm f/3.5-5.6 IS STM Lens and a Canon PIXMA PRO-100 printer to print your best shots wirelessly. Buy Link: Canon EOS Rebel T7i DSLR Camera with 18-135mm Lens and Inkjet Printer Kit Was $1708.99 Now $1408.99 (Savings: $300) CVP: Canon 70-200MM F2.8L IS II EF – €280 Discount The ultra-classic 70-200 f2.8L IS II is on sale! This is the standard telephoto lens that every self-respecting wedding, headshot, and portrait photographer is packing. If that sounds like you, jump on over to CVP while this deal lasts. Buy Link: Canon 70-200mm f2.8L IS II EF Was: €1869.80 + VAT Now: €1586.52 + VAT (Savings: €280) CVP: Fujinon MK 18-55 + MK 50-135 + CDM-MK-Z Motor – Bundle Discount If you are on the market for some of the best compact zoom lenses, take a look at this deal on the E-Mount Fujinon MK 18-55mm T2.9 + MK 50-135mm T2.9 and Chrosziel CDM-MK-Z Lens Motorization including Case. It will cover 90% of your shooting needs, from 18mm all the way up to 135mm, with a constant T2.9 aperture. These lenses are compatible with Super 35mm/APS-C sensor. Thanks to the Chrosziel lens motorization kit, you’ll be able to transform those two amazing zooms into more broadcast-friendly lenses in seconds. Buy Link: Fujinon MK 18-55 + MK 50-135 + CDM-MK-Z Motor Now: €7626.60 + VAT (Bundle discount) CVP: Zylight IS3/C LED Light Kit – €920 Discount The Zylight IS3/C is an extraordinarily bright and wide soft source of light. The light is fully dimmable with minimal color shift, and you can adjust the color temperature and color correction. If you want to be creative, it also features unlimited color controls. Also, you can control the light wirelessly or via DMX. The Zylight IS3/c can be powered by either AC or rechargeable battery. The Chimera softbox is included in the kit. Buy Link: Zylight IS3/C LED Light Kit Was: €2588.03 + VAT Now: €1670.23 + VAT (Savings: €920) CVP: Canon Eos 6D Mark II Body Only – €170 Discount The second generation entry-level full-frame DSLR from Canon is now on sale at CVP. The Canon EOS 6D MK II features a dual pixel CMOS sensor with 26.2 million effective pixels. It can record in 1080P at up to 60 frames per second. The fully articulating LCD touchscreen makes framing and low-angle shooting a breeze. Buy Link: Canon Eos 6D Mark II Body Only Was: €1718.52 + VAT Now: €1548.52 + VAT (Savings: €170) CVP: Anton Bauer Cine 90 GM – €95 Discount The Anton Bauer CINE battery series delivers 12 amps of continuous power and incorporates Fuse Link technology, which protects surrounding battery cells, preventing catastrophic failure. The battery also features multiple sensors to detect temperature and over-current, ensuring optimal battery performance during regular use. Please note: this deal is only for filmmakers in the UK and selects EU countries. Click the link to find out more. Buy Link: Anton Bauer Cine 90 GM Was: €348.66 + VAT Now: €253.99 + VAT (Savings: £84) What do you think of this week’s selection? Share with us if you know and like any of these products.

After popular demand, the FUJINON XK20-120mm PL lens is now available without the servo motor unit, resulting in a price reduction. 3rd Parties are now offering mount adapting too. Two years on from the FUJINON Cabrio 20-120mm PL release, FUJINON realised that lots of customers were removing the servo motor unit so the lens can be used as a full manual lens, or with electronic focus, zoom and iris control. Because of this, FUJINON will now be shipping the lens without the servo motor unit, resulting in a price reduction to below $10,000. This puts the very popular lens in the same price bracket as the ZEISS LWZ.3 21-100mm. The lens will still be available with the servo motor unit, at the original retail price, however this change of option means that users can now pair the lens with other motorized controls from manufacturers like Tilta or Chrosziel. The FUJINON XK20-120mm PL lens has a ‘universal mount’, and now third parties are offering to adapt the mount from PL to a range of others, a method that is also backwards compatible too. This enables the lens to be used with a native lens mount on the camera, rather than an adapter. Although the mount can be changed at home, DIY style, FUJINON recommend seeking a 3rd party company to undertake this process, as the warranty may void if something goes wrong. Does the FUJINON XK20-120mm price reduction tempt you into purchasing the lens? Do you own the lens, and are looking to adapt the mount? Let us know in the comments.

FUJIFILM is in the process of significantly expanding its range of interchangeable lenses for mirrorless cameras. Next up is the FUJINON XF 8-16mm f/2.8 zoom lens. It is due in November, but some specifications have already been published. Let’s take a quick look at it! The new FUJINON XF lens seems to be a pretty impressive ultra-wide zoom with a consistent f/2.8 aperture throughout its zoom range. Apart from this lens there’s another yet to be released lens: The FUJINON XF 200mm f/2 along with a new 1.4x teleconverter. FUJINON XF 8-16mm f/2.8 This  lens is not quite ready for shipping, yet. But, and that’s part of this post’s purpose: We have a prototype of the lens at the office and certainly will put it through its paces. Until then, let’s look at the specs of this upcoming ultra-wide zoom. First up, this lens sports a FUJIFILM X-mount, obviously. If we want to convert the focal length range to the “normal” 35mm equivalent, we have a zoom range of 12mm to 24mm. The FUJINON XF 8-16mm f/2.8 zoom consists of 20 elements in 13 groups and that includes 4 Aspherical elements, 3 ED (Extra-low Dispersion) elements and 3 super ED elements. The whole thing weights 805g and is 121.5mm long while the lens diameter measures 88mm. Lens elements and rubber weather sealings (shown in green). The iris is made out of 9 rounded blades which can be adjusted in 1/3 EV steps. Minimum focus distance is 25cm, measured from the film plane, so don’t expect a macro lens here. Auto focus is also available, of course and, according to FUJIFILM, it’s high-speed and quiet. Let’s hope it is! There’s also a decent amount of weather sealing going in in this lens, so it seems to be a perfect companion for some serious outdoor shooting. FUJIFILM claims it will be fully operational down to -10°C/+14°F. Pricing This lens is already listed on B&H and as we approach this years November you can get the FUJINON XF 8-16mm zoom for about $2.000. The other new lens, the FUJINON XF 200mm f/2.0, a 200mm prime with an impressive f/2 aperture will be available in November, too. The kit with the lens and the 1.4x teleconverter won’t be cheap: almost $6.000 need to be spend. If you are into video shooting, the perfect companion for these lenses, the FUJIFILM X-H1 mirrorless camera, sells for about $1,650. Links: FUJIFILM Blog | Lens Roadmap Are you a FUJIFILM shooter? Let us know what you think about the addition of this new wide angle lens in the comments below!

Last month we reported about the new Anamorphot 65, an anamorphic lens adapter by SLR Magic that can mount to lenses with 82mm front thread like SLR Magic’s own micro cinema primes and FUJINON’s MK family of lenses. There is also a chance that by the time you read this review, this promising adapter will be available for preorder.  SLR Magic Anamorphot 65 anamorphic adapter on a Sony a7 III camera Nino, my colleague, caught up with Andrew from SLR Magic during this year’s CineGear to discuss the new product, yet it was time to actually test it and put it through its paces. The Anamorphic Lens Routine First thing first: Why should one actually consider “shooting anamorphic”?, well, the answer is clear. If you are looking to mimic the true aesthetic of cinematic looks, then shooting with an anamorphic lens is the way to go. As this is a product review I will not go deep into the subject anamorphic filming, but please consider heading to our cinema5D essentials episode where Li-Lian and I were aiming to explain what anamorphic filming is all about…. Ok, so if shooting with anamorphic lenses has the benefit of producing a unique look, why is it not too widely spread? In short: budget and training. TRUE high quality anamorphic lenses simply coast A LOT, far beyond the budget of most independent filmmakers. There are, of course, ways to track and purchase vintage anamorphic lenses, but this is not too easy. Speaking of anamorphic – I urge you to visit our friend and content contributor, Tito Fernandez’ YouTube channel, where he demonstrates a great deal of knowledge and shares valuable tips for anamorphic lens and adapter lovers. The question remains: If true anamorphic lenses are expensive, what is the next best option? The answer is, “adapters”. The idea of putting an anamorphic lens adapter in front of spherical lenses is nothing new and can actually make a lot of sense, as most of us already own many of those wide spread zooms or primes, so why not make use of those and attach an adapter to them? (I’ll leave this question open, hoping to hear answers from you guys in the comment section below). In the past, I’ve already tested SLR Magic’s entry level anamorphic adapter, the Anamorphot 40 compact adapter, but besides the fun I had exploring shooting in anamorphic, this specific adapter left me feeling that probably, there are no shortcuts when attempting to create a high quality device. SLR Magic Anamorphot 65  The SLR magic Anamorphot 65 The new Anamorphot 65 is a completely different story. First the specs: 1.33x adapter to be used with modern cameras having a 16×9 sensor image size Rear Mounting Thread 82mm, perfect to be attached to SLR Magic Micro Primes, some SIGMA lenses, and the FUJINON MK 18-55mm and 50-135mm Outer 112mm diameter thread for optional filters Outer 114mm diameter barrel for attaching a matte-box Weight: 1.7 lb / 0.78 kg SLR Magic Anamorphot 65 112mm filter thread The FUJINON MK 18-55mm and MK 50-135mm  The above two FUJINON MK lenses were introduced about 2 years ago and since then, managed to capture the heart of many filmmakers. The quality for their price is great and their size and weight is perfect for many shooting occasions. I’ve tested the adapter on the E-mount version of the lenses, but this is the place to remind everyone that FUJINON will soon start shipping their own X-mount version of the lenses, bearing some extra benefits for users, as the lens will be able to communicate with most FUJIFILM camera bodies. Speaking of which, there are modified FUJINON MK lenses to M4/3 mount, so practically speaking, those lenses will fit on Olympus or Panasonic cameras too. The SLR magic Anamorphot 65 was built with both mentioned lenses in mind and I have to admit that mechanically speaking, the fit is perfect. Set your full frame camera to APS-C/Super 35mm option Attaching the Anamorphic Adapter to the FUJINON MK Lens For best optical performance, please perform a lens back focus check prior to attaching the lens adapter to the FUJINON lens itself. Right after, the  procedure of putting the adapter on the lens is fairly easy, although, for whatever reason, it was a bit easier for me to attach the adapter to the FUJINON MK 50-135 than to the MK 18-55. After the attachment, make sure to place your camera and lens/adapter on a flat surface to ensure correct aligning of the adapter and lens. On the camera front – if working with a full frame camera like the Sony a7XX – don’t forget to change to APS-C/Super 35mm in the menu settings. As a side note, it is unfortunate that there is no “de-squeeze” function in those Sony a7XX cameras, as what you see in the LCD/VF is NOT what you get! On the positive side, since the adapter is lightweight, it is possible to work handheld and even without lens support, although if you do have the opportunity to add support, please do so. Photo exported from the timeline. Quality of the adapter glass “off-center” is good too! The SLR magic Anamorphot 65  – Lens Adapter Performance For the last few days I was running around equipped with the Sony a7 III, two FUJINON MK lenses and the adapter. I can report that I liked what I saw, but with some reservations. In terms of which lens to use, the FUJINON MK 50-135 looks to be the obvious choice, as its complete focal length can be used when the adapter is attached to it. The thing is that the starting point of 50mm is too narrow for my taste and in addition, sharp focusing was extremely challenging for me and as a result, much of the footage I took when using this lens, seemed to be a bit off. Now, switching to the FUJINON 18-55mm, it was as if the adapter just got a new life. Although focusing was not always easy, (more about that in a second), the images I was able to capture were simply wonderful. I really like the fact that the adapter is able to keep sharpness almost from edge to edge. So where’s the catch? As predicted, you can not use the complete offered lens focal length but rather a part of it, starting at 30mm – which is almost perfect for anamorphic work. On the narrow side, 55mm is a bit to short, but for planned projects, where you have the possibility to be closer to your subject of interest, it will certainly do. Dual focus necessity. Lens and Adapter. Distance markers are matching The SLR magic Anamorphot 65 – Main Concern So far so good, but as with many other products, there is this little (big) thing that makes the overall user experience, when using the lens adapter, far from being perfect. It’s the double focus procedure necessity, meaning, focusing must be preformed on both, the lens and the adapter itself. The good news are that the marking on both is very similar and as the anamorphic adapter was made with the FUJINON MK lenses in mind, the alignment is perfect, so if your focus mark on the lens is 10ft. just turn the adapter focus ring to the same number value in order to achieve perfect focusing. It’s not that we haven’t seen it before, but in this case it is simply a pity, as it does take time to focus both. Moreover, there is absolutely room for mistakes. I really wonder if it is possible to build a “custom handle” that can be attached to the lens focus ring on one side and the adapter focus ring on the other, in order to simplify the process of focusing. (Sorry, I can’t think of a solution to make the life of focus pullers any easier)… SLR Magic Anamorphot 65 on a FUJINON lens. My favourite is the MK 18-55mm Conclusion This time I’ll base my conclusion on three points: Price, usability and optical performance. Price is a subjective thing. I do think that for what you can get when working with this anamorphic lens adapter, the price is manageable. Usability is were this attachment scores the least. It is the double focus procedure that will slow you down when working and on top, might cause some hesitations when focusing during filming (and lets face it, as the resolution goes up, the days of soft images are numbered)… When it comes to optical performance, I really like what I saw (I especially salute SLR Magic for staying in-line with the FUJINON’s MK lenses’ performance and not choosing to go the “crazy flares” path). The combination of SLR Magic’s Anamorphot 65 together with the FUJINON MK 18-55mm is perfect to use when budget is a concern yet an anamorphic look is desired. Now I just need to invent something to focus both at the same time…. The above video was edited on Adobe Premiere CC latest edition. Shot on Sony a7 III, PP7 (S-Log 2), mostly on 800 ISO, and treated with Film Convert. Music used in the above review is taken from Art-list Music theme: Me and You by Oliver Michael  Do you like the quality of the footage shot with this anamorphic adapter? Would  you like me to upload the anamorphic file for you to download and observe at home? Let me know in the comment section below.