The time has come! For the last month since NAB started, we have run a give-away to win $5000 worth of gear from our sponsors Syrp and Joby. On March 30, the competition ended, and the winners were drawn – read below if you are one of the lucky ones!!   First of all, let us thank you – also on behalf of Syrp and Joby who are providing these great prizes for the competition: We had 6375 people from really all over the world enter this competition! This is amazing and we can’t thank you enough to be part of our loyal filmmaking audience. cinema5D wouldn’t be anything without all of you, and your contiuous feedback helps us to become better! And now, without further ado, here are the three winners, who were chosen in the gleam.io backend randomly: 1st Prize Winner: Max Morais Dos Santos from Rio de Janeiro, Brazil Congratulations Max!! You won a Syrp Genie 3-Axis PRO Slider – Epic Kit, valued at $3,597. You have already been contacted by Syrp about your prize. 2nd Prize Winner: Josse Ford from La Palma, CA, USA Congratulations Josse! You won a Syrp Magic Carpet Carbon Fibre (medium 2-3.9ft), valued at $648. You, too, have been contacted by Syrp about your prize. 3rd Prize Winner: Philippe Emessoukou from Douala, LT, Cameroon Congratulations also to you, Philippe! Your prize is one of the new Joby Gorillapods 3K, combined with a Syrp Genie Mini, a really cool combo for timelapse. Syrp/Joby has already emailed you too about your prize. Thanks everyone for taking part! Don’t be too sad about not winning if you weren’t lucky this time, we plan on doing many more such give-aways in various forms in the near future. Simply stay tuned to our website and subscribe to our YouTube channel to be updated about new competitions!

There are lots of interesting deals for filmmakers available. We selected the best 10 offers of filmmaking gear from our partners’ online shops for this week, including the Sony a7R III, 13” MacBook Pro, Canon EOS M6 and a few different lens options! I went through the current deals on our partners’ websites and selected the top 10 offers currently available, which I think could be interesting for you. First, there are B&H offers listed for our readers based in North and South America and then a couple of deals from our European partner CVP. By shopping at our affiliate partners’ stores you are supporting cinema5D through our buy links, as we get a small affiliate commission when a purchase is completed. Now, let’s take a look at this week’s top 10 deals for filmmakers: B&H: Sony a7R III with Tripod, Backpack, and Neckstrap – $300 Discount Sony’s high-resolution, full frame a7R III was a wild success when it was released last year, and it can now be yours at a discount. This combo pack comes with a sturdy ball-head tripod, a camera bag, and a much more comfortable neckstrap than the stock Sony strap. Buy link: Sony a7R III Pro Combo Was: $3,298 Now: $2,998 (Savings: $300.00) B&H: Interfit F5 Three-Head Fluorescent Lighting Kit with Boom Arm – $100 Discount For any filmmakers lacking a lighting kit, this could be a fantastic opportunity to remedy that situation. The Interfit F5 kit accepts standard-issue light bulbs, allowing for huge flexibility in lamp selection. Cheap CLFs, color-balanced LEDs, and high-power photofloods are all viable – and affordable – options that can be found at most stores. With softboxes, stands, and a boom arm, this kit is a steal for anyone in the market for a first light kit. Buy link: Interfit F5 Three-Head Fluorescent Lighting Kit with Boom Arm Was: $299.99 Now: $199.99 (Savings: $100) B&H: Lexar 64GB Professional 1000x UHS-II SDXC Memory Card – $15 Discount Lexar’s unexpected death certainly left a hole in the market for flash media, but that doesn’t mean that all of their cards disappeared overnight. In fact, B&H seem to be sitting on a stockpile of 64gb UHS-II SD cards. For brand loyalists, this may be one of the last times to grab one. For the rest of us, its’s just a steal of a deal. Buy Link: Lexar 64GB Professional 1000x UHS-II SDXC Memory Card Was: $48.99 Now: $33.99 (Savings: $15) B&H: Apple 13.3″ MacBook Pro with Touch Bar (Mid 2017, Space Gray) – $400 Discount Apple’s 13” MacBook Pro is a classic editing platform for the editor on the go. With 2018 models hitting the shelves, B&H is offering discounts on last years’ MacBook Pro. With a blazing-fast 256gb SSD and 8gb of RAM, it won’t be the most powerful machine in the world. But for those working with 1080p footage, this base model will be more than enough to keep you editing smoothly on the road. Buy Link: Apple 13.3″ MacBook Pro Was: $1,799 Now: $1,399 (Savings: $400) B&H: Sunpak 423PX2 Tripod Kit with 620-CPG Pistol Grip Ball Head – $100 Discount Sunpak is a consistent, reliable name in the lower-end tripod market. This tripod is no exception – on B&H it has 70 reviews and 4.5 stars. As long as you don’t expect it to support huge lenses or be the sturdiest tripod in the world, you won’t be disappointed. And at more than half off, you really can’t go wrong. Buy Link: Sunpak 423PX2 Tripod Kit Was: $169.95 Now: $69.95 (Savings: $100 !!) CVP: Sony a9 with Free Battery Grip and Light – £360.44 Discount The Sony a9 is a technical masterpiece that delivers blazingly fast burst photos, high resolution, and fast, accurate autofocus that put the pressure on Canon and Nikon’s dominance in the field. If its high price was a turn-off for you, then this might be your chance to grab one. Not only does CVP have it on discount right now, but they will throw in a battery grip and a high-quality LED as well. Buy Link: Sony a9 package Was: £4059 Now: £3699 (Savings: £360.44) CVP: Sony 35mm F/1.8 – £41.67 Discount The deals continue to come in for the Sony shooters this week. Multiple Sony prime lenses are on sale this week, but we chose to highlight the 35mm f/1.8. Everybody and their grandmother knows to buy a “nifty 50” first, but then what? I would argue that 35mm should be the next focal length added to your collection. It’s a versatile lens that can open up your shots without being so wide as to be unwieldy. Buy Link: Sony 35mm F/1.8 Was: £289 +VAT Now: £247.33 +VAT (Savings: £41.67) CVP: Canon 70-200mm f2.8L IS II EF – £250 Discount Don’t feel left out, Canon shooters. The ultra-classic 70-200 f2.8L IS II is on sale as well. This is the standard telephoto lens that every self-respecting wedding, headshot, and portrait photographer is packing. If that sounds like you, jump on over to CVP while this deal lasts. Buy Link: Canon 70-200mm f2.8L IS II EF Was: £1649.00 + VAT Now: £1399.17 +VAT (Savings: £250) CVP: Anton Bauer Cine91 GM – £117.66 Discount The Anton Bauer CINE battery series delivers 12 amps of continuous power and incorporates Fuse Link technology, which provides protection to surrounding battery cells, preventing catastrophic failure. The battery also features multiple sensors to detect temperature and over-current, ensuring optimal battery performance during regular use. Please note: this deal is only for filmmakers in the UK and select EU countries. Click the link to find out more. Buy Link: Anton Bauer Cine91 GM Was: £341.66 + VAT Now:  £224+VAT (Savings: £117.66) CVP: Canon EOS M6 with 15-45mm Lens – £67 Discount And for our final deal of the week, we have something for those more interested in Canon’s mirrorless offerings. Its 24mp APS-C sensor fits inside a compact body with a flip-up screen that, combined with 5-axis IS, makes it just about perfect for vloggers and travelers looking to stay small. It of course comes with a 14-55mm lens as well. Buy Link: Canon EOS M6 with 15-45mm Was: £574.17 + VAT Now: £507.50 +VAT (Savings: £67) What do you think of this week’s selection? Share with us if you know and like any of these products.

We’ve written about the music-licensing start-up Music Vine before. They are another player in the steadily growing music licensing industry and one that you should keep an eye on. Now the UK based licensing platform has teamed up with cinema5D and give you 5 free songs and licenses for any commercial web project. The music licensing world is ripe with platforms, offering a variety of business models. We probably are all familiar with the big players like PremiumBeat.com or The Music Bed, with vast, established music libraries and streamlined search engines. Music Vine is among the newer sites and they share the space with fresh start-ups like Filmstro, Art-List or soundstripe. Whichever platform serves your project best, the variety of offerings and competing pricing models are definitely a win for us, the filmmakers, as long as the artists on the other end of the deal are rewarded adequately. After all, let’s not forget, that this is really what music licensing platforms are about: To help us find and make a fair deal with music artists that support our projects with those creations they put their heart and sweat into. To hear more about this topic, check out our On the Go episode on the matter. Music Vine Giveaway In an effort to get Music Vine’s name out, they have agreed to give something of value to our readers. We hope you enjoy the music and licenses they offer and we’d love to see what you create with it, so feel free to share your work in the comments. If you haven’t grabbed the free song license yet, make sure to do it soon, because the giveaway will only be available for a limited time as Music Vine is ramping up to release the new version of their website soon. You can download the tracks and song license via the form below. Make sure you enter a valid e-mail address in order to receive the links. Note that we will not forward your e-mails to third parties and you can unsubscribe from our newsletters at any time. Also make sure to click the download links immediately as they will expire within 24 hours. Last time we did a promo like that, hundreds of people ended up with expired links which had to be made available manually, so please do not wait with the process. [UPDATE:] The giveaway has ended.   For more information on Music Vine, read our news coverage or go to their website.

Do you work with a DJI Mavic Pro? Then you probably know that the footage from the DJI Mavic Pro camera is not particularly nice out of the box. In our DJI Mavic Pro review we took a closer look at the camera quality and created a DJI Mavic Pro LUT that we are giving away for free. DJI Mavic Pro LUT – cinema5D instaLUT FREE Note that this LUT is not made to be used on videos shot with the D-LOG setting. Instead this basic LUT should be applied on standard picture setting. It is ideal for people who don’t want to tamper around with the drone too much and who want to see the full colors and clarity during shooting, but still get a nice and filmic look in post. 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We will send the download to your inbox. SUBMIT We hate spam! Your e-mail will be stored with cinema5D.com exclusively and you can unsubscribe from our newsletters at any time. PLEASE CHECK YOUR INBOX AND CONFIRM YOUR E-MAIL ADDRESS To get our DJI Mavic Pro LUT we ask only that you subscribe to our newsletter and in turn you will get the download link sent to your e-mail. This is a double opt-in and will not work with fake e-mails. Your e-mail address stays with us. No spam or third parties and you can of course unsubscribe if you don’t like the weekly newsletter whenever you receive one. We hope you will enjoy our future content and stay on board. Here are a few shots where you can see the LUT applied to DJI Mavic Pro footage. These shots have the look applied with a 100% intensity and no other modifications. DJI Mavic Pro LUT (right) applied to original DJI Mavic Pro footage (left). instaLUT W3010 DJI Mavic Pro LUT (right) applied to original DJI Mavic Pro footage (left). instaLUT W3035 DJI Mavic Pro LUT (right) applied to original DJI Mavic Pro footage (left). instaLUT N3010 DJI Mavic Pro LUT (right) applied to original DJI Mavic Pro footage (left). instaLUT N3035 Note that this Mavic Pro LUT is optimized for landscape and aerial photography and is not ideal for skin tones. If you like this LUT, also check out our free Inspire 1 LUT. I recommend grading in Adobe Premiere Pro CC if you are familiar with it, but these .cube LUT files can also be used in any other software that supports LUTs on Windows or Mac. In my Mavic Review I applied both LUT with an intensity of 100% and did not change any other settings. You can always play with the look intensity and other basic setting to get nice look variants as desired. Note: If you don’t receive an e-mail after submitting, please contact us.

You know the scene: it’s a Friday night, and you’re sitting slumped in the couch, beer in one hand, box of tissues in the other, the raindrops that drip down the windowpane but a reflection of your own tears. You turn to your desk where your documentary, your baby – your first, perhaps – lies abandoned as a timeline in a screen, an incomplete caterpillar of clips and transitions going nowhere. OK, so perhaps the scene is not so bleak. But you will for sure agree that it is not uncommon to see creative projects grind to a halt well into their production process. If your thing is documentaries, and you’re struggling with the final touches, then you might be in for some good news. The Tribeca Film Institute has opened its application process for the annual Gucci Tribeca Documentary Fund, an initiative to provide financial aid for the production and finishing stages of documentary film projects with a strong focus on social issues. Since its creation, the fund has supported 54 films, providing almost a million dollars in funding. The fund provides grants in the region of $10,000 to $25,000 to between 4 and 10 films each year, with an additional award providing further funding for projects focusing on youth and women around the world and their contribution to their communities. The best part? Applications to the fund are open internationally, as long as the content has English subtitles and is suitable for an American audience. So, what do you need to apply? Apart from an online application, you need to provide a 3-page treatment introducing the major characters and plot points, and include an artistic statement and total estimated budget. Also, at least 7 minutes of A-roll to illustrate the subject, tone and approach of the documentary project. There is no entry fee to the application and even projects in the earlier stages of production are eligible, provided they fulfill these criteria. Submissions are accepted until 5th February 2016. Below you can find the trailer for the 2014 fund grantee “A Flickering Truth” (read a review here), a film whose subject matter will no doubt strike a nerve with filmmakers and cinephiles. For more information, visit tribecafilminstitute.org

For different camera manufacturers, there are different “gurus” who have emerged over the years, or often decades. Those are users who dived deep into the technology of cameras early on, and have loyally stuck with one manufacturers over all those years, and thereby becoming the go-to-guys for that brand. For example, you might know Alister Chapman (and his amazing blog XDCAM-User), who’s name is directly linked to Sony camera technology – he’s the one who always knows first and best about everything Sony. Alister’s equivalent on the Panasonic side of things is Barry Green, the man who gained prominence through Jarred Land’s DVXUSER.com, an amazing forum site that emerged when the original Panasonic DVX100 was released in the early 2000’s. The DVX100A was my personal first “professional” camera, spending a good chunk of my student savings at the time on that MiniDV camcorder (which was one of the first ones to be able to record progressive frames – in SD, of course). Barry became the go-to-guy for anyone who was using this camera, which became a smash hit – all the DVX100 users were on there, sharing tips and tricks. As the world moved into DSLR filmmaking and later other higher-end professional affordable video cameras, forums like DVXUSER have managed to stay relevant to a degree as one of the most civilized and useful forums in our industry. To make a long story short – when Panasonic release the “rebirth” of the legendary DVX100 in form of the DVX200 (a 4K solid-state camcorder with a fixed lens) earlier this year (here’s our news post), it was clear that it’s only a matter of time before Barry releases his thoughts and tips for the usage of this newly developed and quite feature-packed camera to the world. And now, excitingly, Panasonic released a 279-page Panasonic DVX200 book by Barry Green, available as a free download from the Panasonic website (click here). Whether you’re in the market for this camera or own it already, it’s certainly the best and most comprehensive resource for this still very new camera.   From Panasonic’s Press Release: NEWARK, NJ (December 10, 2015) – Panasonic has announced the immediate availability of Barry Green’s A Guide to the Panasonic AG-DVX200 Camera, a comprehensive reference e-book for customers and users of the new  AG-DVX200PJ  4K large-sensor, 4/3” handheld camcorder. The book can be downloaded free at http://info.panasonic.com/dvx200-ebook.html.   A Guide to the Panasonic AG-DVX200 Camera is an interactive digital book examining all the DVX200PJ’s features, settings and modes, as well as tutorials on some of the most common situations users will face. The book demystifies the functionality of all the DVX200PJ’s features, and explains when and why to use specific settings for best results. An extensive section of tutorials and essays covers a range of subjects from the simple to the advanced, including explanations on the benefits of 4K, working with the camcorder’s variable frame rates, using its VLOG-L mode, and how to use the waveform monitor and vectorscope. The full-color, 260+-page book has an abundance of photos, screen-shots and video examples of menu functions.   Barry Green is an Emmy®-award-winning producer with four Emmy nominations for writing and producing television commercials and public service announcements. His technical background includes 13 years as a professional computer programmer and producer for Westwood Studios, creating some of the most popular video games in history. Green writes and produces award-winning corporate and industrial films, commercials, screenplays and films for Fiercely Independent Films Inc. and tours extensively as a public speaker and instructor. He also serves as partner and moderator for www.DVXUser.com, one of the world’s largest online communities for filmmakers, shooters, and content producers of all types.

Do you work with a DJI Inspire 1? Then you probably know that the footage from the Inspire 1 camera is not so nice out of the box. Following the success of the Mastering Drone Footage tutorial series we’re giving away the LUT I used. Many people asked for the LUT I made as a help to grade their drone footage, so here it is. But first here are a few shots where you can see the LUT applied to DJI Inspire 1 footage. These shots have the look applied with a 100% intensity and no other modifications. DJI Inspire 1 LUT (right) applied to ungraded DJI Inspire 1 footage (left). Note that this LUT is optimized to boost green and blue colors and to neutralise clouds and sky magenta/yellow shift. It is not ideal for skin tones. I recommend grading in Adobe Premiere Pro CC if you are familiar with it. Import the LUT directly in the Lumetri Color Panel (Creative –> Look) and then adjust your settings for each shot as needed. For my film I usually applied the LUT with an intensity of about 50% and did the rest directly in the Lumetri Panel’s basic settings. This way you can get nice variants of intensity as desired. It will look great and filmic when saturation is lowered. To get my DJI Inspire 1 LUT we ask only that you subscribe to our newsletter and in turn you will get the download link sent to your e-mail. This is a double opt-in and will not work with fake e-mails. Your e-mail address stays with us. 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Philadelphia-based director of photography Mitch Martinez has made more than 1,500 4K clips available for download for free on his website – including commercial use. All of the clips were shot on RED Epic Dragon, Epic MX and RED One cameras. The clips can be downloaded for free on a per-clip basis in MP4 format from archive.org servers, or alternatively as a whole multi-part .ZIP package with 120GB for $99, or sent on a hard drive. The clips are well organized into 35 categories, and he shot the footage all across the US. Clicking through a number of clips, I have to say that he has a great eye and talent for composition, so these are definitely very, very good stock footage clips that can be used in all kinds of productions. To prevent people from reselling his footage, Mitch requires people to fill out a license form just to tell him what the clips are being used for, if they are commercial projects. He reserves the right to decline but says he hardly ever does. We reached out to Mitch, asking him why he is giving away all these clips for free. His reply: For the commercial usage, the footage is still free (often a concern).  How it works:  the commercial use license agreements forms are requested by users on a per project basis through a page on my website.  It’s a quick form to fill out.  If a user has multiple projects, just fill out multiple forms.  I’ve seen a person submit ten different request forms in one day – and then a handful more the following day; all of those forms were approved.  I’m really easy going about the license agreement stuff but have it in place to make sure people aren’t trying to resell my content, trying get a blanket release form, or wanting to use every single clip I’ve ever created for every commercial project they’ll do in the future.  That’s pretty much why the license agreements I issue are per project – the issued license agreement grants usage of every single clip in the free 4K library for that specific project.  That’s a lot of content – I’ve seen music videos created solely from my stock content…  Since it’s free, the license agreements also help me keep track of how my footage is being used (thus the notable stock footage usage section).  Officially, no payment is ever required for the free 4K content – although donations are accepted and greatly appreciated.  :) I tried to set up a system that is user friendly.  The downloads are easy.  There are video previews for all of the clips.  The format for the free 4K content is mp4 files.  For those with needs for ProRes or RED files, I’ve made that format content available for available for the fraction of most industry stock prices.   The overall goal is to help the film community by sharing my footage with the world.  It evolved really organically – starting with just two clips of fire that I uploaded to my website in January 2013 and shared with my Facebook friends.  After time, Google search results led more and more people to my website so I needed to develop official license agreements due to the volume of clips and number of users.  Originally, each release form I issued was created manually in Microsoft Word to create the pdf, so it wasn’t long before I needed software development to help generate approved release forms for users.  A year ago, it would take me five or six minutes to issue one license agreement manually; now I can approve a license agreement and send it to the user in a matter of seconds.  This allows me to get the release forms to users promptly.  The latest addition has been purchasing/licensing options of ProRes and original R3D files for larger projects that need that extra quality (ProRes/RED clips aren’t free for various reasons including bandwidth issues). It’s very rewarding to contribute to the film community, the entertainment of people, and educational applications (I love issuing release forms to museums, orchestras, and other cultural resources).   All of the footage in the free 4K stock footage resource was filmed by me throughout the past 5 or 6 years.  I’ve had assistants for some of the shots – but there aren’t any outside DP contributors to the 4K content in terms of filming – nothing along the lines “John Smith filmed this category of content – or clips X/Y/Z”.  All of the footage was captured on RED Epic Dragon, RED Epic MX, or RED One MX for the earliest clips. A little about Mitch Martinez I’m a Philadelphia-area based DP and have been filming since 2003.  I started filming on RED in 2008 back in the original RED One days (pre-MX sensor).  I’ve filmed internationally for commercials and documentaries in four different countries; shot about 40 or 50 music videos to date (give or take); worked on a handful of features; and countless other miscellaneous projects (commercials/industrials/etc).  I have a very exciting project that will be released in a few weeks (more on that later).  :)  I love to work with advanced cinematography systems including motion control systems, moco time lapse, and other crazy stuff to push the limits of what I can do visually.  Overall, I love filming and creating imagery.