FUJIFILM has just announced the release of a new firmware version 1.02. With this release, FUJIFILM is hoping to combat an issue that might occur when using a certain IBIS (In Body Image Stabilization) configuration. FUJIFILM X-T4. Image credit: cinema5D The FUJIFILM X-T4 is a very capable and flexible portable APS-C sensor size mirrorless camera with very useful video features. One of its main selling points (at least over the FUJIFILM X-T3), is the newly developed IBIS. Unfortunately, right after getting into the hands of customers, some users reported an issue when using the In Body Image Stabilization system when deploying some configuration. “IBIS-ON”, IS BOOST- Off, DIS-Off to be exact. The current firmware 1.02 update is dealing with this situation well, and in my experiments, I couldn’t replicate that troubling “jump” anymore. Speaking of personal experience, I have been running and gunning with the X-T4 for quite some time now and never experienced an issue when using its stabilization system. Actually, on the contrary, I was actually very impressed by it. For the sake of transparency, my settings were different from day one. I got the best results when the camera was set to “IBIS-On” and “IS BOOST-On” too. This combination allowed me to work handheld with confidence. If you haven’t done it so far, please take a moment to read my original take on the camera and also watch the short documentary I filmed with it all handheld. Other improvements related to this firmware update are: The phenomenon is fixed that images, which were erased from an SD card with SIMULTANEOUS DELETE ON, are played back The phenomenon is fixed that overexposure can happen in a certain shooting condition The phenomenon is fixed that a camera doesn’t wake up by pressing the shutter button after auto power off worked Fix of minor bugs Download link and instructions on how to update your camera can be found by clicking here. Are you an owner of the FUJIFILM X-T4? Did you experience some issues when using IBIS? If yes, what configuration/settings did you use? Please share with us your thoughts in the comment section below. 

FUJIFILM has just released a firmware update for the GFX100, its flagship 102MP large sensor camera, that enables external ProRes RAW recording onto the Atomos Ninja V. With this firmware update, it is now possible to record externally at up to UHD 4K, 29.97p in 12-bit Apple ProRes RAW via the HDMI output of the GFX100, using the entire width of the sensor. Also, this firmware update includes a new Eterna Bleach Bypass film simulation, as well as gimbal support via USB communication. We had a chance to talk to Makoto-san from FUJIFILM and discuss all the new features of this firmware update. FUJIFILM GFX100 and Atomos Ninja V. Image credit: cinema5D FUJIFILM GFX 100 – Features The FUJIFILM GFX100 is available for about a year now. If you never heard of this large format camera before, you can watch our First Impression video here. Also, if you want to learn more about the design/manufacturing process of the GFX100, you can take a look at the nice Birth Of A Camera series that my colleague Johnnie made (Part 1 and Part 2). FUJIFILM GFX100. Image credit: cinema5D In short, the GFX100 features a gigantic 102MP 43.8 x 32.9 CMOS image sensor. This sensor is around 1.7 times larger than a 35mm Full Frame sensor. There is an X-Processor 4 image-processing engine to process such huge pictures and footage, similar to the one found in the X-T3/X-T4. Also, the camera features a five-axis IBIS image stabilizer, phase-detection autofocus across the entire image sensor and two SD card slots. FUJIFILM GFX100 camera body. Image credit: FUJIFILM The camera body itself is rather big as there is a need to house such a big sensor! It is made out of magnesium alloy and for those who shoot photos, there is a built-in vertical grip. The camera body is weather-sealed at 95 points (including the electronic viewfinder), making it resistant to dust, moisture, and low temperatures. FUJIFILM GFX100. Image credit: cinema5D In terms of video recording, the FUJIFILM GFX100 can record internally up to DCI 4K 30p (4096 × 2160) with the choice of using an All Intra, 10bit, 4:2:0, H265 codec. External video recording via HDMI output can be executed too (DCI 4K, 30p in 10-bit 4:2:2)  . In 4K video mode, there is no crop, and the camera is using the full width of the sensor. If you drop down in resolution, it can record in HD at up to 120fps, but there will be a slight crop. Various film simulation picture profiles are available, or you can also shoot in F-Log or HLG settings. FUJIFILM GFX100 – Firmware Ver 2.00 Update Benefits Today, FUJIFILM released a firmware update for the GFX100 that boosts its external recording capabilities even further and adds a few other goodies to the camera. FUJIFILM GFX100 and Atomos Ninja V. Image credit: cinema5D We had a chance to talk to Makoto-san from FUJIFILM and talk about this new FUJIFILM GFX100 firmware update. One of the new feature highlights is the possibility to record Apple ProRes RAW externally to the Atomos Ninja V. Less than a week after the release of the SIGMA fp firmware 2.0 that enables ProRes RAW external recording, this is now the FUJIFILM GFX100 turn to join the party. However, if you want to record ProRes RAW externally on the GFX100, there are some things to consider: The sensor output will always be 16:9, which means it is not possible to record DCI 4K or even HD in ProRes RAW. As of now, the maximum you can get is UHD 4K, 29.97p in 12-bit Apple ProRes RAW. Also, you can record internally and externally simultaneously, but the internal recording can’t be a lower-resolution proxy file: the internal recording will be 4K 16:9. You can select a different picture profile/film simulation for internal recordings like FUJIFILM’s ETERNA film simulation, F-Log or HLG while recording externally to Apple’s ProRes RAW. Simultaneous output of RAW with Film Simulation / F-Log / Hybrid Log Gamma (HLG) is also available. In addition, this firmware update for the FUJIFILM GFX100 also includes: A new “ETERNA Bleach Bypass” and “CLASSIC Neg” film simulation modes, Autofocus performance improvement. Finally, similar to the X-T4 firmware update, this GFX100 update enables controls for video recording from gimbals via USB communications. Makoto-san told us that FUJIFILM is currently discussing with several gimbal manufacturers like DJI, Gudsen, FeiYu and ZHIYUN to implement this feature. For the full list of GFX100 improvements, please head to FUJFILM’s site by clicking here. FUJIFILM GFX100 and Atomos Ninja V. Image credit: cinema5D Availability The FUJIFILM GFX100 firmware update is available now, and it is a free update. You can download it on FUJIFILM’s website here. To get access to external ProRes RAW recording options, you’ll also need a firmware update for the Atomos Ninja V. However, at the moment, there is no information about when the firmware update for the external recorder/monitor will be available. We’ll let you know once we have more information. What do you think about this firmware update for the FUJIFILM GFX100? Do you already use the GFX100 to shoot videos? Don’t hesitate to let us know in the comments down below!

FUJIFILM released a new firmware update for the X-T200 and X-A7 mirrorless cameras. The update brings USB WEBCAM capabilities via USB-C connector and is available for download free of charge. The company further announced that the macOS version of its FUJIFILM X Webcam will come in mid-July 2020.  FUJIFILM X Webcam now for X-A7 and X-T200 as well. Source: FUJIFILM In previous months we have seen many camera manufacturers releasing firmware updates and special software to make it easier to use their camera models as webcams without the need for any third-party devices. Canon, FUJIFILM, and Panasonic are at the forefront of these efforts. Roughly a month ago, FUJIFILM X Webcam app enabled selected GFX medium format cameras and X-Mount cameras to act as a webcam only via connecting it to the computer via USB. FUJIFILM, however, initially only included its top X-Mount cameras (X-Pro2 & X-Pro3, X-T2, X-T3 & X-T4) to be compatible with the X Webcam. Now, there is a new firmware update that adds this functionality to the X-T200 and X-A7 “entry-level” cameras. FUJIFILM X-T200 and X-A7 Firmware Update Both cameras are relatively affordable and very similar. They both feature flip-out screens, 24.2MP APS-C sensor, and they are capable of 4K video recording with up to 30p (with a 15-minutes time limit) or 1080p video with up to 60p. The main difference is that the X-A7 does not have a built-in viewfinder. For more information about the FUJIFILM X-T200, you can check this article. FUJIFILM X-A7. Source: FUJIFILM The new firmware (version 1.30 for the X-A7 and version 1.10 for the X-T200) will make it possible to use either the X-A7 or the X-T200 as webcams for online meetings/conversations by connecting the camera to the computer via a single USB-C cable and without an additional app or software. FUJIFILM X-T200. Source: FUJIFILM The new firmware can be downloaded free of charge here: FUJIFILM X-A7 – Ver. 1.30 FUJIFILM X-T200 – Ver. 1.10 FUJIFILM X Webcam for macOS Comes Soon FUJIFILM further announced that the FUJIFILM X Webcam software, which is now only available for Windows computers, will also come for macOS Apple machines. According to FUJIFILM, the macOS version is due to be released in mid-July 2020. System requirements are Windows 10 (x64), macOS 10.14 (Mojave), or macOS 10.15 (Catalina). Do you use FUJIFILM cameras for your filmmaking work? Did you try the FUJIFILM X Webcam app already? What do you think about the new firmware update? Let us know in the comment section underneath the article.

FUJIFILM has released several minor firmware updates for seven of its XC/XF lenses. These lenses include the popular FUJIFILM XF10-24mm F/4 R OIS, XC16-50mm F/3.5-5.6 OIS II, and XF80mm F/2.8 R LM OIS WR Macro, for example. Let’s take a closer look at it! Image credit: unsplash “Math” FUJIFILM Firmware Updates for XC/XF Lenses FUJIFILM is continuously improving their products by releasing firmware updates, and they just released seven firmware updates for XC/XF lenses. These firmware are pretty “minor,” and FUJIFILM is staying vague by just saying that these FW updates contain “fixes of minor bugs.” Here is the entire list of the lenses that can be upgraded now: XC15–45mm F/3.5–5.6 OIS PZ — Download firmware version 1.03. XC16–50mm F/3.5–5.6 OIS II — Download firmware version 1.12. XC50–230mm F/4.5–6.7 OIS II — Download firmware version 1.11. XF10–24mm F/4 R OIS — Download firmware version 1.13. XF18–55mm F/2.8–4 R LM OIS — Download firmware version 3.23. XF18–135mm F/3.5–5.6 R LM OIS WR — Download firmware version 1.12. XF80mm F/2.8 R LM OIS WR Macro — Download firmware version 1.12. All these FUJIFILM updates are available now, for free. While this might not be a significant update, it is always good to keep your camera equipment up to date with the latest firmware update available from the manufacturer. Do you have some of these lenses? Did you ever face firmware issues with lenses? Let us know in the comments below!

Blackmagic has announced a free firmware update for the original URSA Mini Pro G1. The initial Blackmagic Camera Setup update had a patch number of 6.9.3. However Blackmagic reported a problem with this firmware batch causing noise in the highlights. Firmware update 6.9.4 has addressed this bug, and provides all of the same features listed below: Add language localization support. Add slider and 1/3rd stop increments when adjusting ISO. Add common off-speed frame rate options above slider. Add ability to embed custom LUTs in Blackmagic RAW clips. Add sidetone level adjustment. Add improved ballistics and scaling of audio meters. Add choice of -18 or -20dB reference levels for audio meters. Add ability to remap the HFR button. Add ability to disable function and HFR buttons. Add ability to remap VTR and Ret buttons on B4 lenses. Add quick media switching from the heads up display. Add support for HDR metadata in SDI output. Add ‘LUT’ icon to status text overlays. Add ‘PRE’ icon to status text overlays for preset timecode. Add 2:1, 1:1 and 4:5 monitoring frame guides. Add customizable frame guides. Add ability to lock timecode to SDI Input. Retain jam synced timecode after power cycle. Improved jam sync timecode accuracy after playback. Improved stability when using external or program reference. Improved compatibility for embedded audio on SDI outputs. Improved accuracy of status text on SDI outputs. Improved ND filter status text. Improved auto exposure speed and performance. Improved media formatting user interface. What’s new in Blackmagic RAW 1.7 Added support for Panasonic EVA1 Blackmagic RAW clips captured by Blackmagic Video Assist. Added support for Canon EOS C300 Mark II Blackmagic RAW clips captured by Blackmagic Video Assist. Blackmagic RAW Adobe Premiere Pro plugin general performance and stability improvements.   So to confirm – anybody who did update to the 6.9.3 must update to 6.9.4 to fix the noisy highlight bug, all other features of the updates remain the same. Updates are valid for the original Blackmagic URSA Mini Pro G1 only; it’s always nice to see camera manufacturers keeping older camera bodies up to date. Installation notes and further info can be found on the Blackmagic website. Related Articles: Blackmagic Design URSA Mini Pro Review – Hands-On Video Blackmagic URSA Mini Pro – Real World Video Samples and First Impressions URSA Mini Pro 4.6K G2 vs. G1 Dynamic Range and Latitude Test

Atomos has just announced that the Atomos Ninja V 5″ HDR monitor-recorder will support ProRes RAW recording from the Z CAM E2. The Ninja V will be able to record 12-bit Apple ProRes RAW at up to 4K60p. We caught up with Dan Chung from Atomos to learn more about it. Image credit: Atomos Z CAM E2 Features The Z CAM E2 is a very compact and lightweight cinema camera that we discovered during NAB 2018. Here is a quick summary of the features and what this small camera is capable of: The Z CAM E2 features a micro 4/3″ WDR CMOS sensor (19mm x 13mm). There is a Micro Four-Thirds lens mount. Up to 13 stops of dynamic range. Internally, it can record to CFAST 2.0 cards in C4K and 4K UHD at up to 160 fps in H.265. In HD resolution, you can go at up to 240 fps in H.265. In Apple ProRes 4:2:2 10-bit, you can go at up to 60 fps. Finally, in ZRAW (partial-debayer), it supports C4K at up to 30 fps internally. Dual native ISO: 500 and 2500 ISO. Various picture profiles available including Rec.709 / Z-Log2 / FLAT / HLG. You can power it via Sony NP-F style batteries, or the DC 12V 5A 4-pin LEMO connector. There is a little built-in screen on top of the camera but no “proper” display. You need to add your monitor via the HDMI/SDI ports. If you want, you can read the in-depth review of the Z CAM E2 by my colleague Gunther here. Image credit: Atomos Atomos Unleashes ProRes RAW for the Z CAM E2 During our cinema5D Virtual Show, we caught up with Dan Chung from Atomos to discuss the upcoming Atomos Ninja V and Z CAM E2 firmware updates that will allow ProRes RAW recording over HDMI. The Atomos Ninja V 5″ HDR monitor-recorder has been very popular for Z CAM E2 users because the camera doesn’t have a proper screen to monitor what you’re shooting. Image credit: Atomos With these upcoming firmware updates, the Ninja V will be capable of recording ProRes RAW HQ/ProRes RAW at up to 4K60P from the HDMI port of the E2. According to Atomos, “additional frame rates will be added in the future.” Your footage will be recorded onto affordable AtomX SSD mini SATA drives in the Ninja V. At the moment, ProRes RAW is supported in Final Cut Pro X along with a collection of other apps, including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight, and Grass Valley Edius. Adobe and Avid have announced that Adobe Premiere Pro and Avid Media Composer will support ProRes RAW this year. Image credit: Atomos Also, Atomos announced the development of a touch-screen camera control on the Ninja V for ALL Z CAM cameras. This control function is similar to what the PortKeys BM5 can already do.  When it comes to the E2, the added benefit of this connection, is the ability to record ProRes RAW directly on the Atomos Ninja V. (At this stage, there is no word from Atomos if ProRes RAW recording will be implemented on other members of the E2 family of cameras). I think that this smart move from Atomos will allow the E2 to become even more popular amongst independent filmmakers looking for a lightweight camera package capable of shooting high-quality images. Image credit: Atomos Price and Availability The E2 already received a firmware update version 0.95 that you can download here. The Atomos Ninja V will receive a firmware update later in June 2020. Both of these firmware updates are free. This update makes the Z CAM E2/Atomos a very capable lightweight combo capable of shooting 4K60P ProRes RAW for just under $2500.00, which is incredible. (Our friend and colleague Philip Bloom shot a short piece with this new setup. You can view it by clicking here). What do you think about this firmware update for the Z CAM E2 and the Atomos Ninja V? Did you already shoot content in Apple ProRes RAW? Let us know in the comments below!

Canon has just released a firmware update version 1.1.0 for its flagship EOS-1D X Mark III camera that fixes an issue that would cause the camera to freeze. For filmmakers, this firmware update adds 23.98P frame rate in 4K UHD and FullHD recording modes. Let’s take a closer look. Image credit: Canon Canon EOS-1D X Mark III Firmware Update Version 1.1.0 Canon just released a firmware update version 1.1.0 for its Canon EOS-1D X Mark III that fixes an issue users started to report in March 2020. Indeed, the camera could freeze when the electronic level was set to “Show” in the viewfinder display, and you pressed the shutter button or the AF-ON button. The 1D X Mark III is a high-end (and expensive) camera, and the last thing you want to see is a bug that locks it up. Below is a video that explains the issue. The firmware update version 1.1.0  also adds a couple of features, including: The option to capture full HD movies and 4K UHD movies in 23.98p frame rate has been added. The communication speed has been improved when connected via wired LAN. Corrects the phenomenon in which, when the electronic level is set to “Show” in the viewfinder display, in rare cases, the camera may freeze when operating the AF-ON button or shutter button. Corrects the phenomenon in which the Custom Shooting Mode settings may change when the shooting mode is switched. The “Browser Remote” function has been added. The function to transfer only protected images has been added. The addition of the 23.98P frame rate in FullHD and 4K UHD recording modes is a useful addition for filmmakers. This 23.98P frame rate is something that Canon also added back to most of their cameras. Free Update, Available Now The firmware update version 1.1.0 for the Canon EOS-1D X Mark III is available now. It is a free update, and you can download it directly on Canon’s website. What do you think of this firmware update for the 1D X Mark III? Did you face this issue that causes the camera to freeze? Let us know in the comments below!

Blackmagic Design just announced a new ATEM Mini Pro and new firmware updates for both Hyperdeck Studio Mini and Blackmagic Pocket Cinema cameras. The new ATEM Mini Pro adds a new hardware streaming engine via Ethernet, recording to USB flash disks and new multiview for monitoring all cameras. Hyperdeck Studio Mini gets a new v7.1 free software update which adds new H.264 codec, new AAC audio, codec, longer single file record durations and faster file transfers using Ethernet. Blackmagic Camera 6.9 update adds studio camera features such as remote control, tally and DaVinci color corrector to Blackmagic Pocket Cinema Camera. New ATEM Mini Pro. Source: Blackmagic Design Blackmagic Design ATEM Mini Pro ATEM Mini made it easy to create multi-camera productions for live streaming to YouTube and innovative business presentations using Skype or Zoom. It offers up to 4 video camera inputs for dramatically better quality images. ATEM Mini also has a USB port that works like a webcam so customers can use any streaming software. Blackmagic Design today announced new ATEM Mini Pro, which should be a new affordable live production switcher with all the features of ATEM Mini but now with extra features for recording, streaming and monitoring. ATEM Mini Pro includes a new hardware streaming engine to allow direct streaming via its Ethernet connection to YouTube Live, Facebook and Twitch. New ATEM Mini Pro versus ATEM Mini. Source: Blackmagic Design There is also support for recording the stream direct to USB flash disks in H.264 with AAC audio, plus support for recording to multiple disks for continuous recording. The new model also includes a multiview on the HDMI video output that allows all inputs to be monitored on a single monitor, as well as the live status of recording, streaming and the audio mixer. Each of the 4 HDMI inputs features their own dedicated standards converter. That means ATEM Mini will automatically convert 1080p, 1080i and 720p sources to the video standard of the switcher. The HDMI output is a true “aux” output so customers can clean switch each HDMI input or program to this output. If users are using program/preview switching, the HDMI out can be selected to preview, or on the ATEM Mini Pro model, it can be selected to display a full multiview. New ATEM Mini Pro. Source: Blackmagic Design Blackmagic Pocket Cinema Camera 4K and 6K models can work as studio cameras with control sent via the HDMI connection to ATEM Mini. That means customers can control the camera settings as well as the camera’s color corrector from ATEM Software Control. There are two types of control interface, CCU layout for traditional tint color control and a DaVinci color corrector interface allowing the camera’s built-in DaVinci color corrector to add “looks” to their live production. New BMPCC Update for live productions. Source: Blackmagic Design The most important features of the ATEM Mini Pro: Features miniaturized control panel based design. Supports connecting up to 4 cameras or computers. USB output operates as a webcam and supports all video software. Live streaming via Ethernet supported on ATEM Mini Pro. Recording to USB flash disks in H.264 supported on ATEM Mini Pro. Two stereo audio inputs for connecting desktop or lapel microphones. Automatically standards converts and re-syncs all HDMI inputs. Includes free ATEM Software Control for Mac and Windows. Internal media for 20 RGBA graphics for titles, opening plates and logos. Includes ATEM Advanced Chroma Key for green/blue screen work. Multiview allows monitoring of all cameras on ATEM Mini Pro. Audio mixer supports limiter, compressor, 6 bands EQ and more. Supports remote HDMI control with Blackmagic Pocket Cinema Cameras. HyperDeck Studio Mini – Update V7.1 HyperDeck Studio Mini is a compact broadcast deck that is capable of H.264, ProRes or DNx codecs recorded to SD or UHS-II card media in either QuickTime or MXF file formats. HyperDeck Studio Mini has features such as 6G-SDI for all formats up to 2160p30, HDMI for monitoring, dual SD card slots for non-stop recording and built-in sync generator that lets customers daisy chain and synchronize multiple decks together. New Hyperdeck Studio Mini Update. Source: Blackmagic Design The Hyperdeck Studio Mini now gets a new free firmware update version 7.1. It adds multiple new features to HyperDeck Studio Mini broadcast recorders. The new updates include a new H.264 codec that supports true interlaced HD formats, a new AAC audio codec allowing uploading files direct to YouTube, much faster Ethernet transfers of 110 MB/s and support for longer duration in a single file of at least 3 hours. HyperDeck Studio Mini V7.1 Features: Longer single file record times of at least 3 hours. New H.264 codec with interlaced video support. New AAC audio codec allows H.264 file uploads direct to YouTube. Dramatically faster Ethernet file transfers up to 110 MB/s. Supports QuickTime and MXF file wrappers. Blackmagic Camera Update 6.9 New software update 6.9 for Blackmagic Pocket Cinema Camera 4K and 6K models includes studio camera features. Now customers can connect to an ATEM Mini switcher and get control of the camera parameters, lens, and tally light. ATEM Mini can control up to 4 cameras via the HDMI video connection and ensure all cameras are matched for a professional live studio workflow. New BMPCC Update. Source: Blackmagic Design Blackmagic Camera Update 6.9 features: Works as a studio camera when connected to ATEM Mini. Designed from carbon fiber polycarbonate composite. Wide 13 stops of dynamic range for the film looks. Up to 25600 ISO for incredible low light performance. Features high-quality Blackmagic RAW recording. Built-in 5″ touchscreen allows accurate focus when shooting 6K. Blackmagic OS as used in URSA Mini and URSA Broadcast cameras. Supports remote tally, lens and color corrector with ATEM Mini. Pricing and Availability ATEM Mini Pro is available now for $595. Both HyperDeck Studio Mini v7.1 and Blackmagic Camera Update 6.9 are free updates and they are available now for download from the Blackmagic Design website. What do you think of the new Blackmagic Design ATEM Mini Pro and the new software updates? Are you doing live productions often? Let us know in the comments underneath the article.