FUJIFILM has made an interesting announcement yesterday, unveiling the GFX 100Megapixels Concept – a mirrorless medium format camera with a strong eye for video. FUJIFILM has announced a new flagship medium format camera for their GFX lineup. The GFX 100 sports a 100 megapixel sensor (!!), first-of-its-kind IBIS, and 10 bit 4K up to 30p video recording. The price of the new camera will be around $10,000 and availability is expected during the first quarter of 2019. Also announced: The new GFX50R, the successor of the GFX50S. This new camera is noticeably smaller and lighter than its predecessor, aiming to capture the attention of street photographers. (The R stands for Rangefinder). When it comes to video capabilities, the camera is able to record in 1080p and we were told by FUJIFILM that the video quality is the same as the one found in the GFX50S. FUJIFILM GFX 50R Body Size, Sensor Size and Specs We don’t have the final specs for the GFX 100 yet, but we were told that the camera will record in 4K, 10bit, 4:2:0 internally with the ability to capture video in 4K, 10bit, 4:2:2 externally via HDMI. From the mockup we have seen, the body size of the GFX100Megapixel is rather similar to the 50S meaning, having a resembling size and weight of a large DSLR, like the Canon 1D C. Add the vertical handgrip, and the GFX 100Megapixel becomes bulkier, with its square body shape. FUJIFILM GFX 100Megapixel The sensor is roughly 1.7x the size of a full-frame sensor, creating the much wider field of view traditional in medium format cameras. But this massive sensor also comes with a few potential drawbacks: For example, we are really curious to see how FUJIFILM will handle overheating. We can only assume that recording time might be limited in order to avoid any overheating issues. Innovations in Medium Format Shooting A large, high-resolution sensor will make every shake, stutter, and movement evident when shooting handheld. At 100 megapixels, that can become a major liability. Therefore, it is very exciting that FUJIFILM has – for the first time – introduced IBIS to medium format cameras. Combined with the body size and style, FUJIFILM is clearly sending out the message that this camera won’t just be cooped up in the studio. Behold the stabilized sensor of the GFX 100 This sentiment also echoes through their switch from contrast-detect to phase-detect autofocus. The new AF system covers 100% of the image sensor, which hopefully will dramatically improve accuracy and speed when compared to the GFX 50S and 50R. FUJIFILM says that this new AF system is inspired by the well-received X series. I can’t wait to see if it performs as well. GFX 100’s Video Features This is where this camera gets interesting for us filmmakers. The GFX 100 claims to record 4K, 30p, 10bit, 4:2:0 internally with the ability to capture video in 4K, 10bit, 4:2:2 externally via HDMI. That’s all we get for now. We don’t know if this is a full sensor readout or a cropped image, we don’t know if it is capable of F-log, and we don’t know if there will be slow motion options when shooting 1080p. Personally, I am cautiously optimistic that they will make an honest effort at catering to the video crowd. Just think of what you could do with the X Processor 4 There’s no Full Frame Camera? In a year when everybody under the sun – including SIGMA, of all people – is announcing a full frame mirrorless camera, it seems that FUJIFILM has decided to skip straight to medium format. I have a few theories as to why that might be. 1 – FUJIFILM believes that the trend towards bigger and bigger sensors will continue through full frame and right on past it. (They refer to the GFX as “super full frame”). In this scenario, they are laying the groundwork for a future that they see coming over the horizon, and maybe even encouraging it by integrating medium-format sensors with familiar body styles and feature sets. 2 – FUJIFILM believes that the full frame field is too crowded and they want to be distinct from others. Lens development is expensive and time-consuming. Canon, Nikon, and Sony deal in much higher volume and can therefore invest more in development. Owners of FUJIFILM’s APS-C cameras seem to be perfectly happy with the sensor size they have (FUJIFILM believe that APS-C is the best balanced system as you save 1/3 weight compared to FF), so why invest resources in a format that is going to get crowded? So what do you think? Is Medium Format the next Full Frame? Let us know in the comments!

Samyang (another branding of the filmmaker’s favorite Rokinon lenses) continues to broaden their skillset with their first Nikon AF lens – the full frame AF 14mm f2.8. An Intro to Samyang For many years, Samyang and Rokinon created manual focus lenses only. They built their reputation on mid-range primes that were priced very competitively. Over the past couple of years they have slowly added electronics to their lenses, bringing focus confirmation chips and electronic aperture to their lineup. Then, last year, they began introducing autofocus lenses. Performance and Quality While we haven’t gotten our hands on one yet, we can assume it will be very close to the Canon EF version of the lens (which we previously covered here). The AF 14mm f2.8 has also been released for Sony E mount as well, where the great bulk of their AF lineup currently resides. Test results and real-world results in the Canon EF version are very positive. It is very evenly sharp once stopped down to f4, and shows fairly minimal color fringing. With any luck, the Nikon edition will perform just as well. The Autofocus on the Canon EF model was acceptable, both in speed and accuracy, but without blowing any minds or setting any records. It isn’t silent, but isn’t necessarily noisy either. Samyang claims to have updated their design for faster, quieter, more accurate autofocus with this new Nikon F mount edition, though. Time will only tell, but I see no reason to doubt it. The depth of field on a 14mm is enormous – this was taken at just an f3.5 Who is This 14mm Lens For? The light weight and weather sealing make this lens an interesting candidate for travel or street photography, although it is a little bit wider than most would usually use. I would expect it to see the most traction in landscapes, astrophotography, architecture, and real estate photography, where wider is almost always bigger. It faces some competition from SIGMA’s 14mm f/1.8 DG HSM Art, which is faster, sharper, and built like a tank. But you will pay out the nose for that extra stop and a half – the SIGMA is more than double the price of Samyang’s newest offering. The Nikkor 14mm f/2.8D ED is undoubtedly sharper and has quicker autofocus, but it again costs more than double that of the Samyang AF 14mm F2.8. For what you get, the Samyang AF 14mm f2.8 is a steal of a deal. Stats and Specs: Aperture range: F2.8 ~ 22 Lens optical construction: 15 Elements in 10 Groups Special Lens: ASP 2, ED 1, HR 4 Coating: UMC Minium Focusing Distance: 0.20m (0.66ft) Maximum Maginification Ratio: x 0.15 Filter size: N/A Number of blades: 7 Mount: Nikon F Angle of view: Full Frame – 116.6 ˚, ASP-C – 92.8 ˚ Maximum diameter: Φ 90.5mm Length: 93.1mm Weight without Lens cap, Hood: 474g Weight: 523g Weather Sealing: Yes AF/MF mode switch: Yes AF Motor: Linear stepping motor Do you have any experience shooting with Smaynag’s other 14mm lenses, are you happy with with their optical and AF performance? Share your thoughts in the comment section below!

If your jobs take you into challenging terrain from time to time you might want to keep your hands free while still being able to have your camera ready whenever you need it. Cotton Carrier just launched a new Kickstarter campaign to fund their latest product: The SKOUT is a lightweight yet pretty strong and robust camera holster. SKOUT camera holster Sure, you can put your shiny gear into a dedicated backpack and off you go. There is a vast amount of brands and models to choose from. The same is true for camera straps. And, of course, it’s also true for camera holsters. There’s one more choice in the latter category, though: The SKOUT camera holster by Cotton Carrier is a lightweight camera holster with some neat features. SKOUT Camera Holster According to the creators of this Kickstarter campaign, the SKOUT can hold quite a bit of weight securely to your body: A 50-500 Sigma lens (4.33 lb / 1.96 kg) on a Nikon D850 DSLR (2.01 lb / 915 g) doesn’t seem to be a problem. Check out the official Kickstarter campaign video here: There are two different variants available: Realtree Xtra Camo or Charcoal Grey. These are just color variants but since camo is not for everyone it’s good to have a choice. Furthermore you have to choose whether you want a camera or a binocular mount (I assume the former). Speaking of the camera mount, this is one of the aformentioned neat features of the SKOUT holster. The camera locks into place by twisting it by 90° so it won’t snap out accidentally. And if it does, there’s a short quick-release safety leash in place which prevents your gear from dropping. The holster itself sports an additional flat pocket for documents or credit cards. The benefit of using a camera holster rather than a backpack or camera strap is that it’s tight to the body. So you can even run or climb without having the camera banging against your body. And, to make this a really outdoor compatible product, a slip-over weather cover is also included if you purchase the SKOUT. Pricing and Availabity The campaign has just started and will run until August 9th. The goal of CAD 8.000  (~$6.000) is almost reached (95% by the time of writing this). If you’re quick you still can grab one of the early bird tiers. One SKOUT holster is CAD 64 (~$49). Once the early birds are gone, the regular (Kickstarter) price is CAD 77 (~$60). Bear in mind that this is a Kickstarter campaign, not an online shop. Once the campaign is over, production will be ramped up and if everything goes smoothly, shipping should start in November. Since Cotton Carrier has a reputation of being a long-term manufacturer of camera holsters and accessories, there is no reason of doubting in the success of this product but in the end every Kickstarter campaign comprises some risks. Links: Kickstarter | Cotton Carrier Website What do you think of this holster? Could it be useful on one of your jobs? Share your experiences in the comments below!

Bridge cameras aren’t exactly the headliner topic ’round here. However, we have to make an exeption for the new Nikon COOLPIX P1000. Its massive 125x zoom range is just too impressive to ignore. So let’s dive in and explore this compact, yet powerful little camera! The COOLPIX P1000 is a so-called bridge camera. More than a pocket-sized point’n’shoot camera but less than a full blown DSLR. The Nikon sports a fixed lens but that lens is quite a piece of glass, indeed! Nikon COOLPIX P1000 The built-in lens offers a zoom range of 4,3mm – 539mm, that’s a factor of 125. Still not impressed? Well, these figures refer to the somewhat tiny sensor size of 1/2,3″. If we translate the numbers to a standard 35mm sensor, we end up with much more impressive values: 24mm – 3.000mm. That’s not a camera, that’s a telescope! There must be a catch, right? Well, there is: The F-stop drops from f/2.8 down to f/8 over the zoom range and the image circle is not the biggest since the 16MP CMOS sensor isn’t the biggest either. Such focal lengths scream for some kind of stabilization and that’s exactly what Nikon has put into the COOLPIX P1000: optical image stabilization. If you are serious about (distant) wildlife or plane spotting, you might want to add a decent tripod to your kit, though. In terms of video, this camera offers 4K (UHD – 3840 x 2160) in 30p or 25p and 1080p in up to 60 (50) frames. Effective ISO ranges from 100 – 1600. Furthermore, this little guy offers a clean video out via micro HDMI and an audio in for external microphones. But, as seen so many times before, no headphone jack can be found. That’s a pity and I really don’t understand why manufacturers continue to implement an external mic port but withhold the accompanying headphone jack. The 3.2″ screen on the back can be swiveled to your liking, just like you can with the Panasonic GH5, for example. If that’s not your thing, there is an OLED with a decent resolution of 2,36MP, too. The camera records to SD, SDHC or SDXC cards and videos are recorded as h.264 mp4 files. The camera weights around 1415g and that’s with an SD card and with a battery. That battery lasts for around 1:20 hours when filming. Pricing and Availability The Nikon COOLPIX P1000 will be ready for delivery around  September 2018. The price will be around $995. This is a pretty impressive piece of equipment. Especially if you want to get that perfect shot of a distant lion walking into the sunset but don’t want to bring tons of equipment. The image quality isn’t the very best compared to proper digital cinema cameras, obviously, but as they say: The best camera is the one you have with you. And due to its size and weight the COOLPIX P1000 might be just that camera. Links: Nikon.com What do you think of this camera? Is it worth a closer look? Share your thoughts in the comments below!

Tenba has expanded its Cooper bag collection. The bags-that-don’t-look-like-camera-bags lineup has expanded with two new backpacks, a smaller over the shoulder plus a slimmer 15” laptop shoulder bag. Tenba bill their Cooper line as a collection of luxury – fine materials including leather accents and trim are used to construct them. It seems something of a right of passage for all bag manufacturers – functional bags with more focus on stylish aesthetics; we did a whole article on the very subject back in November 2016. The Tenba Cooper line originally existed as a select few different-sized shoulder bags. The newly announced products are a more compact shoulder bag, a slim 15” laptop compatible shoulder bag and two backpacks. The Cooper 6 is now the smallest in line – it’s designed for mirrorless/rangefinder cameras with 2-3 lenses. Designed primarily for stills but really compact video systems could work with this. Like all the Cooper shoulder bags the Copper 6 features the prominent front designer zip. The Cooper 15 Slim is self explanatory – a slimmer version of the Copper 15. “An exterior built with military-grade CORDURA® canvas and waterproof leather delivers serious protection. CORDURA® canvas blends INVISTA nylon fibers with cotton to achieve an abrasion resistance four times greater than 100% cotton canvas. This gives the bags a long-term, allweather durability that is critically important to photographers and filmmakers. Hand-riveted leather zipper pulls add a distinctive touch.” Perhaps more importantly is announcement of the Cooper Slim Backpack and Cooper DSLR Backpack. The difference between the two is size – the Cooper Slim is designed for mirrorless/compact DSLR systems with 2-3 lenses. The Cooper DSLR Backpack is 20-30% bigger. Other than that the feature list is very much like for like. Both Backpacks are a split design – compartment at the bottom with dividers for camera kit plus a personal compartment at the top for everything else. The top compartment has the aforementioned Cooper designer zip; the bottom compartment is a single leather-look piece, overall contributing to quite a stylish look. What’s nice about the camera compartment (as with many Tenba bags) is that the dividers are removable, meaning in seconds you can take out your entire camera section to place in another bag, or make room for something else. The top compartment has built-in top access pockets, great for small accessories (pens, glasses, phone etc.); there is also space on both models for a 10” tablet. Specifications on all 4 new Tenba Cooper bags: Cooper 6 Weight: 1.1 lbs(0.5 kg) Exterior Dimensions: 9.75W X 6.5H X 4.5D in. (25 X 17 X 11 cm) Interior Dimensions: 9W X 5.5H X 4D in. (23 X 14 X 10 cm) Cooper 15 Slim Weight: 3.5 lbs(1.6 kg) Exterior Dimensions: 16W X 11.5H X 5.5D in. (41 X 29 X 14 cm) Interior Dimensions: 15W X 11H X 4D in. (38 X 28 X 10 cm) Fits a laptop up to 15 inches Cooper Slim Backpack Weight:2.4 lbs(1.1 kg) Exterior Dimensions: 10.5W X 17H X 5D in. (27 X 43 X 13 cm) Interior Dimensions: 9W X 5.5H X 4D in. (23 X 14 X 10 cm) Laptop Compartment: 10W X 8.5H X 0.25D in. (25W X 22H X 1D cm) Fits iPad or similar tablet up to 10 inches Cooper DSLR Backpack Weight: 3 lbs(1.4 kg) Exterior Dimensions: 11,5W X 19H X 6D in. (29 X 48 X 15 cm) Interior Dimensions: 10.5W X 8.5H X 4.5D in. (27 X 22 X 11 cm) Laptop Compartment: 10W X 10H X 0.25D in. (25W X 25H X 1D cm) Fits iPad or similar tablet up to 10 inches All these products are ready to ship, prices below.

The already very versatile Passport Silder from RigWheels just got better. With the introduction of the Passport 2 slider, which comes as a complete and travel-friendly system, RigWheels implemented lots of improvements based on user feedback. The RigWheels Passport 2 slider. The tracks are included! (but the AMIRA isn’t) They also introduced a so-called Magnetic Windshield Mounting Kit, which is exactly that: Mount any modestly sized camera to your car’s windshield, fuss-free. RigWheels Passport 2 Slider If you’re a working professional and thus travelling a lot with your gear, you’ll know the dilemma: A) Bring all the gear and risk unjustifiably high cost at the airport or B) Reduce your equipment to only the bare necessities but that way you might miss some of those nice shots on location.. So what do you do? When it come to tracking shots, the RigWheels Pasport 2 slider might be a reasonable compromise between cost/bulk and versatility. The whole system, 6.3″ (1,95m) of tracks, the slider carriage itself, end-brackets and ball-head adapters, comes neatly packed in a custom Pelican 1610 case. Shoving it onto an airport scale will result in a 50lbs (23kg) readout and happy faces on both sides of the counter. The new Passport 2 slider now sports a new baseplate, called the RigPlate Pro which enables easy mounting of dedicated 75mm and 100mm bowl adapters, as well as a mitchell adapter plate. This makes the whole system much more versatile in terms of mounting different types of tripod heads to the baseplate. It also reduces the footprint and lowers the center of gravity since the tripod head now sits directly on the baseplate itself. The new RigPlate Pro with various mounting plates for different tripod heads. If you need your camera to be at a certain height, just two tripods and mount the Passport 2 onto these. Otherwise you can use 2 cases (maybe another Pelicase 1610?) or just put the slider on the ground. As a bonus, the way the Passport 2 slider carriage is designed, it can double as a high-hat stand for your camera. Magnetic Windshield Mounting Kit Another neat addition to your kit might be this mounting kit. It enables you to mount your DSLR or other small(ish) camera to a car’s windshield with ease. No suction cups involved here.. and these can be nasty fellows from time to time! The whole system works with strong (and rubber coated) magnets in order to keep your valuable gear in place. These magnets, called RigMount 100, can hold up to 100lbs to a solid steel surface but this is the strength that was necessary to hold a DSLR through glass. The Kit contains several neat components such as the cold shoe adapter with a tiny version of a standard grip head attached to it. That grip head lets you position the camera where it needs to be and then it locks down to the windshield with one magnet inside and another one outside the car. To strengthen the whole setup and keep it in place even on the bumpiest road, another set of magnets attach to the 1/4″ thread underneth the camera using a small magic arm. Now you have to rock-solid mounting points which is enough to hold your camera in place, backlash-free. Originally this mounting kit was announced at NAB 2016 but according to RigWheels CEO Lance Lundstrom they were too busy developing the Cloud Mount and had to delay the production of the Magnetic Windshield Mounting Kit until now. Pricing and Availability Both, the Passport 2 slider system and the Magnetic Windshiled Mounting Kit are expected to ship early-mid April. The Passport 2 is $2.500 including everything you need (expect tripods) and it comes in a neatly customized Pelicase 1610. If you want to upgrade your existing Passport slider you can do so for $599. That upgrade kit includes the new RigPlate Pro, a 75mm, a 100mm bowl adapter, a mitchell adapter and a set of 4 3″ stand offs. The Magnetic Windshield Mounting Kit is $250 and includes 2 sets of magnets, a cold shoe adpater, a mini grip head and a magic arm. Links: RigWheels Passport 2 | Magnetic Windshield Mounting Kit What do think? Would one (or both) of these neat products be worth a closer look? Share your thoughts in the commetns below!

The annual Japan BCN rankings are in and Canon emerges as the winner of some major categories, including DSLRs. Canon also wins the 2nd place in the category “mirrorless” and thus points Sony to 3rd place. Photograph credit: Jakob Owens | unsplash.com What are the annual BCN rankings, you might ask. The winners of one of the many categories are determined by multiple factors, as the Japanese company behind it, BCN (Business Computer News), explains: The “BCN AWARD” is an annual (January 1st – December 31st) sales comparison of BCN, which collects the current sales data of large electronics wholesalers nationwide, PC specialty stores and Internet shops. It is a system for rewarding a manufacturer’s cumulative numbers. These awards can be seen as an indicator of the (Japanese) market situation regarding all kinds of electronic goods, including digital cameras and lenses which renders the outcome interesting for us. The 2018 BCN Awards This year the big winner is: Canon! In both categories, “digital camera (with integrated lens)” and “digital camera (DSLR)” Canon can grab the first place. In regard to the DSLR category, the numbers are pretty impressive: 61.1% market share secures Canon’s triumph. Nikon is ranked second, with only 34.4%. What’s really interesting is the “digital camera (mirrorless)” category: Canon tops Sony by 0.9%, bumping them down to second place in that market. Olympus is the overall winner with 27.7% for mirrorless shooters. Different Markets Mind you, these numbers only reflect the Japanese market! Still, the results are pretty impressive and Canon is certainly happy about them. Companies such as Casio, which ranks third in “digital cameras (with integrated lens)” are not really present on the European or US market. To flip it around, FUJIFILM – quite poular in the US – doesn’t have a real impact on the Japanese numbers. Another interesting category is the one labeled “interchangeable lenses”, from which, again, Canon emerges victorious. As a close second, Sigma comes in. The astonishing fact here is this: Nikon is not on the list! Canon’s market share dropped from last year’s 24% down to this year’s 21.9%, while Sigma’s share rose from 14.3% to 16.2%, and for 2018 Tamron replaces Nikon with a 12.5% market share (link). Of course, these figures can’t be translated 1:1 to other markets such as European or US ones. However, it’s really interesting how well Canon is doing over in Japan, especially in the mirrorless devision, despite the fact that they still don’t have a pro camera line in their mirrorless repertoire. Still, their lineup of full-sized DSLRs are their crowd-puller in terms of market share, but let’s see if they have some surprises ready for one of the upcoming shows! And don’t forget: most buyers are mainly still buying Canon for the photo functions alone, which means that the lack of pro video functionality (compared to the competition) sometimes doesn’t matter so much. Links: BCN awards (jp) | Google translated version What do you think about Canon’s lineup of DSLRs, mirrorless cameras and lenses? Share your thoughts in the comments below!

The upcoming Rhino ROV is a sleek and portable motorised slider designed for the smartphone age, with a Pro version also aimed at DSLR users. Their Kickstarter campaign is now live with very affordable pledge levels. The concepts of “motorised” and “portable” don’t usually go very well together when it comes to sliders, but the new Rhino ROV aims to change this. Built around a sleek aluminium unibody design with an internal motor and battery, it brings professional features via a dedicated app. Rhino ROV and ROV Pro The Rhino ROV is being marketed for smartphone filmmaking on the go due its portability and surprisingly low cost of $229: at only 2lbs or around 1kg and a very small footprint, the ROV can easily be transported in a regular backpack. While most motorised sliders in the market make use of bulky external units that house the motor, controller or batteries, the Rhino ROV does away with all the excess – all necessary components are housed right inside the unibody aluminium housing/rail. Making use of a coreless DC motor, the ROV promises to be very quiet at low speeds, yet strong enough to carry a payload of up to 5lbs, or around 2.5kg. The Rhino ROV makes use of an internal built-in battery, which further helps reduce its overall size. While the lack of exchangeable batteries may seem like a disadvantage, the ROV uses a Li-Po battery that promises around 24 hours of power, or even up to 48 in time-lapse mode, so more than enough to get you through your shooting day on a single charge. The slider uses a low-profile iPhone mount with an integrated ball head, so you can angle your shot just right. In addition, the Rhino ROV makes use of the kind of folding, all-terrain feet found in other Rhino sliders, so you can easily go from tripod to ground level without needing to install extra supports. For a slightly higher price of $299, there is a Rhino ROV Pro version that also includes a ball head with quick release plate for use with a DSLR or mirrorless camera. The strong coreless motor comes in handy, as it is capable of pulling this kind of weight even at an incline thanks to its 5lbs payload capacity. Both models come in Everyday (8 inches) or Traveler (16 inches) lengths, or approximately 20cm and 40cm respectively. Rhino Storyteller and ROV Motion Apps To further streamline the smartphone-filmmaking experience, the Rhino Storyteller app gives you full manual control over camera settings such as focus, exposure, ISO and white balance. Additionally, it gives you the tools to fine-tune your slow-motion and time-lapse shots to get your desired results. Not only that, the Rhino Storyteller app also connects directly to the Rhino ROV, so you can both shoot and control the slider movement from a single device. The Storyteller app also includes a video NLE tool to easily edit your captured video using a vertical-style interface, making it easy and quick to work on your footage. Alternatively, if you’re using a DSLR or GoPro on the Pro version of the Rhino ROV, or simply want to use a different filmmaking app on your phone, you can still get full control of your slider with the ROV Motion app. Both apps are designed for iOS, with Android versions currently in the works. The Rhino ROV campaign is already live on Kickstarter with an expected delivery date around April 2018, so head over to look at their various pledge levels, including $229 for the ROV, $299 for the ROV Pro, and various other packages with extra accessories.  Could this be the portable slider you’ve been waiting for? Let us know in the comments below!