by Sebastian Wöber | 26th September 2016
The Canon EOS C700 was announced last month and raised a lot of interest, but also criticism among our readers. The new flagship model for Canon’s Cinema line was on display at IBC 2016 and we took the chance to take a closer look at the new camera. A Closer Look at the Canon C700 With the C700, Canon moved on to a different form factor for the first time in quite a while. The Canon EOS C700 is reminiscent of competitor cameras such as the Panasonic Varicam, Arri Amira or the Sony F55/F5, and its features and pricing clearly target it at the higher end of filmmaking. Like with their C300 and C500 line, there will be separate EF and PL versions of the camera. Both are already available for pre-order at retailers: US: EF Version PL Version Global Shutter Version EU: EF Version PL Version Global Shutter Version The Canon EOS C700 camera offers internal 4K recording to CFast 2.0 cards at up to 59.94p in XF-AVC (10-bit 4K) and also in ProRes (even in 4K 10-bit 422HQ, or 2K in ProRes 4444 at 12 bit). Sampling from a 4.5K sensor and using the optional, specifically-developed Codex CDX-36150 recorder, the Canon EOS C700 provides 120fps 4K RAW recording, which is probably its most mind-blowing feature. 4.5K RAW recording at up to 100fps is said to be coming at a later stage via a firmware upgrade. To read the full set of features check out this extensive article: LINKRead more
by Adam Plowden | 10th September 2016
Panasonic team up with Codex to add uncompressed 4K RAW 120 FPS with HDR recording to its leading cinematography camera, the VariCam Pure. Using Codex’s integrated camera package (with no cables), the VariCam Pure outputs RAW files to the Codex Capture Drives, which are solid state recording media of up to 2TB of storage and with a bandwith of 20Gb/s. The 4K recording is offered in uncompressed RAW, at up to 120 FPS. With its 14+ stops of dynamic range in HDR and with V-LOG, the VariCam Pure is used for leading television drama and cinematography capture, offering a modular configuration at a smaller size than the original VariCam setup even when the Codex is attached. The dual base ISO remains at 800/5000. Using the Codex Production Suite, file handling and workflow are simplified to deliver not just complete dailies, but also ProRes and other deliverable files. We’ll visit Panasonic at IBC. Let us know in the comments what you think of the latest development.Read more
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