Watch all other episodes of ON THE COUCH so far by clicking here! On the go? Subscribe to the Cinema5D ON THE COUCH audio and video podcasts on iTunes! In the 23rd episode of ON THE COUCH, I was lucky enough to sit with fellow bloggers and shooters Dan Chung, Clinton Harn from newsshooter.com and Emmanuel Pampuri from pampuri.net. In this second part of the talk, we focus on a subject that isn’t often talk about – long-term storage for data. As the discussion unfolds, it becomes clear that even professionals don’t follow a strict protocol when it comes to permanent archiving of projects that are finished. Clinton surprises us by announcing that he ends up deleting some of the stuff he is shooting for projects to save storage space. Both he and Emmanuel use LTO tape drives for permanent backup, whereas Dan Chung and I currently still store everything on slower hard drives as soon as a project is done. We also talk about how to access and actually find old projects in the stacks of hard drives and tapes that we stack in our offices. I recommend using NeoFinder, a neat little software that indexes everything from attached hard drives and can be set up to update the index automatically. When I look for something, I just enter a search query into NeoFinder and it shows me on which drive I can find the file. It also stores metadata of all files and even preview images and video clips if wanted. In the 3rd part of this episode ON THE COUCH we look at SteadXP, an very exciting new stabilizer concept that follows a different path, because it’s a combination between a hardware box and software that interprets the movement in post production – Emmanuel Pampuri was involved with developing it and will introduce the technology. Stay tuned! Please visit our sponsors’ websites to keep new episodes of ON THE COUCH coming! Thanks to G-Technology, Røde Microphones, Movidiam, FilmConvert & F&V.Read more
Watch all other episodes of ON THE COUCH so far by clicking here! On the go? Subscribe to the Cinema5D ON THE COUCH audio and video podcasts on iTunes! In the 23rd episode of ON THE COUCH, I was lucky enough to sit with fellow bloggers and shooters Dan Chung, Clinton Harn from newsshooter.com and Emmanuel Pampuri from pampuri.net. Do we really need raw video? I started off by stating an observation: These days it’s almost as if smaller cameras (like Blackmagic cameras) mean more and higher data rates, often raw – while more advanced camera systems feature more advanced codecs (e.g. XAVC I in the FS7/F5/F55). Dan pointed out that Panasonic is the manufacturer who addressed file size more than any other, because they come more from a broadcast perspective. People start to realize that RAW is not the holy grail for much work, and actually it slows you down – so now the future really is in efficient codecs, the right codec for the right job. Emmanuel mentioned that people need to think about the workflow – the camera is just the first step of a longer workflow and people often neglect to look at the whole pipeline when thinking about what camera to shoot on. Clinton talked about how he shot his first feature film recently, and they decided to shoot RED. He found working with it quite easy and loved the fact that you have different compression ratios of raw, which you can choose depending on how much post production goes into each particular scene or shot. Dan said how it’s not practical for him as a news shooter in any circumstance to shoot raw – he shoots compressed formats like XAVC, MXF and so on … only in very difficult situations where for example he knows he has the time and budget to work on a shot with a blown out window, it makes sense for him to shoot raw to get those highlights back, for example. Backup workflows on set Regarding backup workflow we talked about how everyone processes the massive amounts of news footage he is gathering and backing up. Much like me, Dan makes back-ups on set using small 2.5” drives, and makes three copies. One of those copies should be kept away from the other two for safety purposes. Emmanuel takes the G-Dock with the G-Drives ev for the shoots on the day, the third one is a larger drive at the hotel which is backed up to after the shooting. One of the G-Drives ev goes back to the studio via mail every day in the evening. I mentioned how dual slot recording for instant backup takes a little bit of pressure away from backing up on set, because you end up with an instant copy of the whole card on another card. However not all cameras support this yet, the C300 and the FS7 do though. Clinton mentioned how it makes a lot of sense to use only smaller cards in cameras – just in case something happens, you simply lose less footage. Common sense that should be applied by anyone – however it gets harder with cameras like the Sony A7s which takes 64GB SDXC cards (that take around 2.5 hours of footage) as a minimum size. Dan summed the topic of storage up concisely by saying, “have a storage plan and stick to it – because when you don’t and when you vary the plan, that’s when things get lost or missing.” In the next part of this episode we talk about permanent backup strategies for data – how can your data survive over decades? Check back in a few days for part 2 of this episode of ON THE COUCH. Please visit our sponsors’ websites to keep new episodes of ON THE COUCH coming! Thanks to G-Technology, Røde Microphones, Movidiam, FilmConvert & F&V.Read more
On the go? Subscribe to the Cinema5D ON THE COUCH audio and video podcasts on iTunes! In a new episode of our talk format ON THE COUCH, Greg Crosby from G-Technology gives us a run-down of their new storage products targeted specifically to the increasing storage needs of professional filmmakers and creatives. Their new Studio series was designed with the new Mac Pro in mind, both in looks and functionality: it supports Thunderbolt 2, uses server-grade 7200 3.5″ HDDs in a 2-bay (G-Raid Studio) and a 4-bay (G-Speed Studio) version with up to a whopping 24TB. The G-Raid Studio supports RAID-0, RAID-1 and JBOD, while the G-Speed Studio is a hardware RAID that supports RAID-0, -1, -5, -6 and -10 configurations. The Helium technology allows individual hard drives to store up to an amazing 6TB now.Read more
When we had our first 1 day no-budget Scarlet-X shoot two weeks ago (see short and field report here) we bumped into one major problem: Backing up the data on this MacBook Pro via FW800 just took too long (30 minutes for a 64GB card) and we ended up not having a second backup (!). This is a situation you simply can’t have. If that backup dies the work (and money) that went into that shooting day dies with it. Read on for the solution to this problem:Read more
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