by Tim Fok | 17th March 2014
Sony and Panasonic have teamed up to produce a new optical disc protocol that will be capable of storing up to 1TB of data. The ‘Archival Disc’ taking the same form factor as current DVDs and Blu-Rays is said to hit the market in 2015. The disc will host three layers of data per side, with and initial storage capacity of 300G; 500G and 1TB versions will follow.Read more
by Sebastian Wöber | 8th May 2011
If you haven’t yet checked out the video above please make sure you watch it in HD full screen! I dedicate this post to all those people who were denied shooting a concert on DSLR video cameras. We all know the problems that come with DSLR on a stressful live shoot like a concert. If you miss a moment you’re f….d to say it nicely and yet you have to swap cards constantly on all cameras. And did I already mention loud low base and rolling shutter., If you haven’t experienced that I’ll leave it up to your imagination. Well here’s a beautiful example of a person (James Tonkin) who dared to shoot DSLR on a concert and convinced his sponsors, wait, no, he didn’t have any sponsors. In fact Tonkin says: “It was all done without a record company: the band paid for it, and the DVD costs were funded by fans through a company called Pledge Music.” James Tonkin is also featured on the Canon website Here’s a small rip from the site: Tonkin reveals: “I’ve always adhered to trying to create a very filmic look, so when the Canon EOS 5D Mark II appeared it was a ‘light bulb moment’ for me. I was working on an album campaign for Robbie Williams and showed his management some EOS 5D Mark II footage and said, ‘look at this it’s stunning’. For the rest of that year  I filmed everything for him with an EOS 5D Mark II; a 20-minute companion DVD for his [Williams’] album, a podcast series and various ‘Making Of…’ projects. I also remember thinking, ‘wouldn’t it be great to shoot a live gig with these cameras?’.” Rate this video on the videolog page James Tonkin’s websiteRead more
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