At NAB in April Sound Devices / Video Devices surprised us when they announced their version of a 4K disk recorder, the PIX-E5 Series. Now, a few months later, the new device is in our hands and we’re sharing a first look in this exclusive Video Devices Pix-E5 Review. Many thought this would be the best 4K recorder. But is it? In this review we will check out the Pix-E5’s most important features, see how it performs and look at its limitations. First let’s see what the Video Devices Pix-E5 has to offer: Video Devices PIX-E5 Review The Video Devices PIX-E5 is a heavy duty disk recorder with a bright 5″ display and a native 1080p resolution. While it’s capable to record 4K up to 30p and has SDI and HDMI inputs and supports numerous formats, it is at the same time designed to be compact! This compactness paired with a very low price is the PIX-E5’s main selling argument for us. The recorder is also available as a more affordable hdmi-only version called PIX-E5H. Mounting We equipped our Sony A7s with the Video Devices PIX-E5. To mount it we used one of the hot-shoes of the Varavon Armor II a7S Cage, our favourite cage in our recent cage review. With a good Novoflex ball-head and hotshoe adapter the PIX-E5 is locked to the cage well. I must admit the PIX-E5 is heavier than expected. With a weigt of 700g including the 2 batteries it’s still not ideal to mount on top of a Sony A7s that weighs a little more than half of that. But with a good ball-head it should be solid enough to work on a tripod in most cases, certainly better than larger and heavier disk recorders out there. The PIX-E5 comes without a case, battery and any other accessories. The convenient flight-case with batteries and storage has to be bought separately and costs another $1.100. The Video Devices PIX-E5 is quite affordable at only $1.395, but that accessory package can really change the perspective. Alternatively you can just get all required items separately. A basic package will cost $393 (see the end of this article for a complete list of what to get). Build Quality In terms of build quality the Video Devices PIX-E5 is the most solid disk recorder I’ve ever touched. As such I find it is definitely “fit for rentals”, meaning it can withstand some treatment. The die-cast metal chassis is robust and all other parts fit so well, it feels like the whole device is built from a single block, including the batteries and SSD that are securely locked in place. The metal jog wheel and menu buttons give this recorder the analogue edge over anything else out there in terms of build quality. Operation The Video Devices PIX-E5 has a lot of options, but feels quite easy to use in terms of operation. Once you have understood the basic concept of the system menu, alternative button assignments and audio menu, you’re basically set. It only takes a few minutes to learn. The PIX-E5 has all the important information conveniently placed at the edges of the high resolution screen. All the basic overlays like false-color, zebra, peaking, waveform, vectorscope and histogram can be activated via the function buttons at the bottom of the screen and values can be adjusted with either the jog wheel or a long press on one of the function buttons. Even though everything can be controlled via the buttons and jog wheel, the PIX-E5 also has a touchscreen that helps speed up operation even more. For example when you tap on the screen you get a 200% or 400% zoom and you can move around the picture by simply dragging your finger across the screen, much like on any mobile device nowadays. Operating the PIX-E5 is easy and intuitive, so that’s another big plus. The only thing to criticise here is that some of the overlays appear pixelated and have a stuttering motion to them which makes the whole experience less smooth. A negative thing we noticed was that triggering recording via HDMI is not possible at this time, at least with the Sony A7s in 1080p it isn’t. (Update: The PIX-E5 now also features rec-trigger with the newest firmware.) There is a dedicated menu for sound recording. Here you can record up to 8 tracks and assign each one to a different input with a dedicated gain setting. This solution is very nice and makes this recorder perfectly laid out for a more professional approach to sound recording. Of course you will only get professional XLR inputs via the optional XLR Audio Interface which wasn’t available at the time of the review. Even without the audio interface we could use one of the stereo input jacks’ channels to route our wireless mic into and assigned the camera’s HDMI audio stream to the second channel. The monitoring volume can be set via the jog wheel. It’s all really well thought through and it feels like a reliable device not only for video but for sound as well. Battery Life The PIX-E5 accessories package comes with two large L-Series batteries. We didn’t use those batteries, instead we went for the smallest and lightest Sony L-Series Batteries we had to see how long the recorder lasts. The Video Devices PIX-E5 has two battery slots, but only requires a single battery to operate. When one battery runs out it switches to the other without interruption. You can also remove either one of the batteries in the middle of the recording. That’s convenient. When a battery is about to run out you get a warning about 10 minutes before shutdown. You get a second warning 10 seconds before shutdown and at the same time all recording is stopped. So basically it’s really hard to lose a recording with this device. It all seems rock solid. The single small Sony L-Series Battery ran a 1080p recording in ProRes 422 for 35 minutes. So with two batteries you should be able to do more than an hour of recording. Not too convincing battery life, the Atomos Shogun is a little less energy hungry there. Storage The PIX-E5 comes without any storage out of the box. You can either get a Video Devices Speed Drive 240GB for $250 or only buy the Speed Drive Enclosure for $59 and a Samsung 850 EVO mSATA drive 250GB for $99. The enclosure comes with a small screwdriver so you can upgrade the storage capacity at any time. These Speed Drives are the most ingenious storage solution I’ve seen. As you can see they are quite affordable, upgradable and at the same time they are compact and offer high speeds. Another advantage of this Video Devices invention is that the Speed Drive becomes a USB 3.0 stick once it’s unplugged from the PIX-E5. So there’s no need for a card reader or disk reader. You just record and then plug that drive into your computer and that’s it. It’s fast, it’s affordable and it’s as easy to use as it gets. Fantastic. Fan & Heat The PIX-E5 has a fan and it’s not exactly silent. It’s not annoying either, but it’s certainly too loud for shoots where audio is critical. That said the fan turns off during recording unless you disable that feature in the system menu, so it’s not an issue. The recorder itself produces a lot of heat. After a few minutes the device is so hot that you can’t touch it for too long. Video Devices explained that the recorder dissipates the heat through its metal case and that’s why it’s getting so hot, but users shouldn’t be concerned. Ok, so it gets hot. This could be a downside in some situations, but I guess it’s the trade-off for it being so compact and silent during recording and it’s something most people will simply accept, even though it is a little irritating to be honest. Recording Options The Video Devices PIX-E5 offers all flavours of Apple ProRes. You can get the lowest quality and smallest files with Apple ProRes Proxy (8-bit), but also work with the new Apple ProRes 4444 XQ (12-bit) codec for the highest data-rate (500 Mbit/s at 1080p). In terms of formats the PIX-E5 can do: HD 720p, 1080i, 1080p: up to 60 fps [UPDATE firmware Dec. 2015] up to 120fps in 1080p (HDMI Only) UHD 3840 x 2160 (HDMI Only): up to 30 fps 4K 4096 x 2160 (HDMI Only): up to 30 fps [UPDATE firmware Dec. 2015] 4K via 6G-SDI (currently only supported by Blackmagic URSA) Here we can see the limitations of the device. There’s no 4K via 3G-SDI, and no high frame-rates. Last week the Odyssey 7Q got an update and is now capable to record 4K ProRes files in 60p via SDI and even does 240fps at 1080p. This is where the PIX-E5 falls behind. [UPDATE firmware Dec. 2015] With the new firmware update there is now 120p slow motion for cameras like the Sony a7S. Another limitation in terms of recording options is that the PIX-E5 can only record the formats it receives. So if a 4K HDMI signal comes in, you cannot record it in 1080p. There is no internal format conversion. And talking of limitations at this time the Video Devices PIX-E5 unfortunately cannot handle the 12-bit (RAW) streams coming from the Sony FS700 and Sony FS7 (with the extension unit). All this might change with future firmware updates. Video Devices is known to take good care of their products and to add more features down the road. They do not disclose future firmware features and told us they prefer to take time to get things right and then surprise people. [UPDATE firmware Dec. 2015] By now Video Devices has released several updates for the PIX-E5 and PIX-E5H recorders to make them more feature rich. Other noteworthy improvements include: rec trigger anamorphic desqueeze for cameras like the Panasonic GH4 120fps slow motion via hdmi custom LUT support in .cube format and many more. You can see a list of all firmware related advancements here Which accessories do I need for the PIX-E5? As mentioned earlier the Video Devices accessories package is a little expensive. Instead I’d recommend to buy all items separately. Here’s a basic package you could get: Speed Drive Enclosure $59 Samsung 850 EVO mSATA drive 250GB $99 PIX-E Flight Case $145 2x Sony L-Series Batteries $70 Battery Charger $20 This is really the basic stuff. This package costs $393 on top of the recorder itself. If you want to be prepared you should get at least: A second Battery Charger $20 2 more Sony L-Series Batteries $70 A second Speed Drive Enclosure $59 A second Samsung 850 EVO mSATA drive 250GB $99 If you don’t already own it also get a good mounting solution like the Novoflex ball-head and hotshoe adapter we used, or even a larger ball-head and 1/4″ solid mounting point. Also a good HDMI cable and larger batteries could come in handy. For a list of other mSATA drives compatible with the Speed Drive Enclosure, check Video Devices’ approved media page. Conclusion In this Video Devices PIX-E5 review we took a close look at the new 4K disk recorder on the block and we found it comes with some very nice features that we wouldn’t want to miss anymore. The rock solid build quality and design ideas, the perfect storage solution and convenient operation all make this recorder a top recommendation. Unfortunately there are still some limitations in terms of recording formats that we hope Video Devices will address in the future. At this time you cannot record 4K via 3G-SDI or tap into the 12-bit RAW outputs on the Sony FS7 and FS700. For people looking for a great HDMI disk recorder to get 4K out of the Sony A7s, look no further. At this time the Video Devices PIX-E5 and PIX-E5H (that only does HDMI and costs $200 less) seems to be the best option to get 4K out of the A7s conveniently. But in terms of its SDI functionality the PIX-E5 certainly needs improvement. Check out PART 2 of this review, a comparison to the Atomos Shogun HERE. Pro’s: High quality bright 1080p screen Silent (fan is disabled during recording) Rock solid build quality Great ergonomics, design and operation Great sound controls and input options Affordable storage media Good battery life Essential monitoring overlays are there (histogram, zebras, etc…) Modest price Cons: No 4K via 3G-SDI Doesn’t recognise 12-bit SDI outputs (FS7 & FS700) Gets very hot Monitoring overlays aren’t “smooth” and a bit pixelated (see detailed explanation under Operation) Avid DNxHD codec missingRead more
Convergent Design has released a recorder that will compete nicely with the Atomos Shogun. The Odyssey 7Q+ is a 4K raw recorder, with the addition of a HDMI input for direct compatibly with cameras like the Panasonic GH4 and Sony A7S. The Odyssey 7Q is a compact solution combining advanced recording abilities over SDI with a 7.7″ OLED screen for monitoring. The Odyssey 7Q+ offers exactly this, but with a HDMI input also. Check out the below video released by Convergent Design discussing the wide capability of Odyssey 7Q+. The down conversion of a signal is a nice touch; on smaller budget shoots sometimes not every component is 4K compatible. Having the ability to record in 4K but output FullHD will help in these workflows, a perfect example of this is displayed in the above video where you want to record drone footage in 4K, but send a wireless signal in 1920X1080. The ability to apply LUTs to your image whilst recording in raw/log is great; not everyone on set will know how to determine a log image, having the ability to supply an image in the ballpark of a finished result is much more pleasing to clients. The Odyssey 7Q+ has the ability to record 4K images up to 60p, and 2K images up to 120p. The purchase of the device includes ProRes capture of up to 30p in 4K, and 60P 2k/1080. The former mentioned higher frame rates are unlocked with an additional software purchase/hire. This is worth noting with the 7Q+, like all Odyssey recorders only certain features are included in the initial purchase, this along with proprietary media can significantly add to the overall cost of your package, so factor this into your purchase. Here is a list of the included features and available paid upgrades: Included Recording Options Compressed Formats: 4K/UHD 10-bit YCC 4:2:2 up to 30fps in Apple ProRes 422 HQ 2K/1080p 10-bit YCC 4:2:2 up to 60fps in Apple ProRes 422 HQ 1080i 10-bit YCC 4:2:2 up to 60i in Apple ProRes 422 HQ 720p 10-bit YCC 4:2:2 up to 60fps in Apple ProRes 422 HQ Uncompressed Formats: 2K/1080p RGB 10/12-bit 4:4:4 up to 30fps in DPX file format 1080p RGB 10-bit 4:4:4 up to 60fps in DPX file format Record Options for Purchase or Rental ARRI ALEXA ARRIRAW (16:9) up to 60fpsCanon C500 4K (4096×2160) RAW up to 60fps UHD (3840×2160) RAW up to 60fps 4K “Half-RAW” up to 120fpsSony FS RAW 4K RAW up to 60fps 4K RAW 120fps burst 2K RAW up to 240fps “4K24K” 4K RAW to 4K Apple ProRes 422 HQ up to 30fps “4K2HD” 4K RAW to HD Apple ProRes 422 HQ up to 60fps POV RAW POV 2K 10-bit RAW POV HD 10-bit RAW POV HD 12-bit RAW Note: ARRIRAW above 30fps, Canon RAW 50/60fps, and Sony FS 2K RAW 200fps and 240fps require two SSDs And here is a list of the key features of the Odyssey 7Q+ 7.7″, OLED, 8-bit, touchscreen panel 1280×800 resolution Intuitive touchscreen interface 3400:1 contrast ratio, true blacks HD/2K/UHD/4K recording over HDMI or SDI 2x 3G-SDI inputs, 2x 3G-SDI outputs, 2x bi-directional inputs Supports Single, Dual, and Quad Link formats HDMI input: up to 1080p60 4:2:2, up to 30 fps in UHD (3840×2160), and up to 24 fps in 4K (4096×2160) HDMI output: up to 1080p30 Output downscaling 2 channels of embedded audio, 48kHz, 24-bit ARRI, Canon, and Sony LUT Support Image analysis tools (Waveform, Histogram, False Color, Focus Assist, Zebras, Pixel Zoom) The Odyssey 7Q+ is available for pre-order now, and is likely to ship before the end of the year. At $2295.00 it is more or less in the ballpark of the Atomos Shogun. Although as stated earlier, media and additional firmware support will significantly up the price (albeit with more peripherals, so pick the package that suits you best).Read more
Convergent Design has announced a significant firmware upgrade to the Odyssey 7Q raw recorder enabling 4K ProRes 422 HQ recording for a variety of camera formats. The update will bring the Odyssey 7Q 4K ProRes support for cameras such as the Sony F5, Panasonic GH4 and Phantom Flex4K. It will also enable a new 4K raw mode for the C500 and FS700. This new record mode will take the 4K raw output of your respective camera setup, and convert it to an Apple ProRes 422 HQ at 4K resolution. Whilst raw is great in many regards, in certain workflows the large file sizes can be detrimental. Apple ProRes comparatively will offer a much more compact size whilst maintaining a high quality image and robust codec. The new update for converting 4K raw into Apple ProRes 422 HQ will be a free update to users whom have already paid for the standard 4K raw feature (or just a paid update for first time buyers/upgraders), and will be available later in the month.Read more
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