It seems this lens was announced towards the end of last year, but hasn’t received much coverage within the film making industry. The Samyang 24mm f/3.5 T-S brings tilt shift capabilities to the budget friendly filmmaker for the first time. It’s actually the second time, if you consider post production a viable option. But anyone who’s used a tilt shift lens will confirm that you can’t get the same effects in post, there’s just nothing like the real thing.Read more
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