Samyang released two new XEEN cinema lenses at BVE 2016; the 14mm T3.1 and 35mm T1.5, adding to the existing 24mm, 50mm, and 85mm models. These new designs bring improved optics, a full metal build, and a PL mount—expanding the possibilities of using the lenses on cinema cameras, too. Richard looked at the 24mm, 50mm and 85mm XEEN lenses in this previous post. Some of you may remember that the original Samyang VDSLR lenses hit the market at a very affordable price range. I’ve been an avid user of the 14mm, 35mm, and 85mm variants since I got the set back in 2013 and this new range shows how Samyang—a relative newcomer to the video industry—is committed to offering filmmakers top-quality glass that is now ready for 4K. I was impressed with a few things when I had a brief look at the 35mm variant. Firstly, it has a lot less bleaching when the lens is wide open while boasting sharper visuals, too. The weight of the lens surprised me also, as even with a metal body it seemed to weigh less than the Tamron 24-70 that I was shooting with at the time. Lighter kit is always a bonus for transportation—especially since it lets you fit more into your kit bag. Finally, the price point of the lenses sits at around $2,495.00 each—with a 5 piece set with a hard case available for just $9,999.00. It definitely brings the lenses in reach of those looking to invest in better optics (which we know can greatly improve picture quality), without having to splash out on Zeiss CP2’s or the Schneider Xenon’s, for example. A downside to the set of lenses was that they are of different physical lengths, which can be an inconvenience if you are changing lenses with a follow focus and matte box attached to the rig… though I guess you have to compensate somewhere for such an affordable, high-quality outfit.Read more
The Xeen cinema lenses released last year constitute the apex of Samyang’s catering towards filmmakers. Now, two new models have joined the Xeen family. A few years ago, Samyang’s affordable and all-manual photo prime lenses, became incredibly popular among budget filmmakers. Shortly after that, the Korean manufacturer built upon this initial success and continued to improve their range by featuring de-clicked aperture rings, focus gears and T-stop scales, and the Cine DS line of primes was born. Fast forward to 2015, when Samyang released their Xeen cinema lenses. Check out Richard’s article, from last August, which reveals why they are such a big deal. With an initial line-up of 24mm, 50mm and 85mm, the Xeen range offered a usable yet somewhat limited variety of focal lengths. However, promotional material on the Samyang page had been hinting at the imminent release of 2 new additions to the Xeen line. Well, they have finally been revealed. So, what new focal lengths can we expect from the new Xeen? Samyang is filling the centre gap with the standard and versatile focal length of 35mm. Landing between the 50mm—useful but potentially a little tight in certain situations—and the 24mm, which leans toward the wide angle side, the 35mm focal length will certainly be a welcome addition to the range. The other newcomer fills the gap at the ultra wide-angle end of the spectrum. With the release of a 14mm focal range rated at T3.1, we can see that Samyang’s Xeen range really reflects their previous Cine DS line rather than introducing completely new concepts, at least in what respects to focal lengths and T-stop rating. But Samyang couldn’t wait to leave us wanting for more. Upon revealing these two new additions, a new mystery lens has been added to their promotional material. Although it has been known for a while that there would be a sixth Xeen lens, initial speculation tended towards telephoto, perhaps a 100mm or 135mm. However, as you can see, we might see something quite different indeed. A strong contender for the new upcoming wide angle Samyang Xeen could be an 18mm, a focal length until now not available anywhere in the Samyang catalogue. There are of course other rectilinear wide-angle cine lenses in Samyang’s VDSLR range that they could draw inspiration from. The are, however, designed for APS-C or Micro Four Thirds sensors. All in all, considering the excellent build and image quality of the first three Xeen cinema lenses, we have nothing but high hopes for the new additions to the family. Be sure to check out Richard’s first impressions review for the low down on Samyang’s Xeen cinema lenses.Read more
Here’s a list of all the co-branded Samyang lenses and how to get the best deals on them. These lenses are a good choice for filmmakers on a budget who are looking to shoot with prime lenses that are somewhat cine-worthy.Read more
If you’ve been shopping affordable manual prime lenses for your HDSLR then you’ve probably stumbled upon or even own the famous Samyang / Rokinon lenses like the $500 35mm f/1.4 or the $400 14mm ultra-wide. [UPDATE]: cinema5D member Gumzster informed me that the 8mm fisheye already exists as a cine version. [UPDATE 2]: The Samyang 35mm T1.5 Cine lenses is now available for pre-order $549: “Rokinon 35mm T1.5 cine lens will be available in U.S in few weeks and Rokinon 24mm T1.5 & 14mm T3.1 cine lens will be available in U.S in September.”Read more
User sibero80 organized a group buy of the 35mm lenses by Polish company Samyang. We’ve reported about the Samyang 35mm 1.4 before. They are among the few lenses for EOS that have the benefits of manual primes: A wide focus throw, solid housing and a manual aperture. They are built as photo lenses so they have a click-in aperture ring and no gear ring. However at a price of $460 a 35mm prime with an f-stop of 1.4 is pretty unique.Read more
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