Sony a6300 vs. Sony a7S II Image Quality – How Good is it Really?

Sony a6300 Review

The Sony Alpha a6300 is a new pocket-sized mirrorless camera that has some serious video potential on a budget. Johnnie reviewed the camera a few days ago and earlier today Nino published a lowlight test video.  We’re currently looking at the strengths and weaknesses of the camera in our test lab and have decided to compare the Sony a6300 vs. Sony a7S II.

For less than $1,000, we definitely weren’t sure what to expect from this camera. For the price range, decent 4K recording and an acceptable low light performance would have been great. However, numerous reviewers—ourselves included—have actually found that the Sony a6300 is performing brilliantly; in fact, it plays in the realm of cameras like the a7S II!

Comparison: Sony a6300 vs. Sony a7S II

Of course, no camera is without its flaws. That’s why we decided it is time to take a look at what the tradeoffs are when choosing to use the a6300, in an attempt to get an idea of just how good it is. For that, we needed a comparison point. Time for an exclusive a6300 vs. Sony a7S II article!

Dynamic Range

An often overlooked and a difficult attribute to quantify, I’ve decided to start by looking at the dynamic ranges at play in the a6300 vs. Sony a7S II debate. More often than not, we find that this is where many camera sensors fail to amaze—after all, a good dynamic range rating allows us to capture more shadows and highlights in hgh-contrast scenes.
We’re testing with a DSC labs XYLA-21 transmissive test chart (more on how we test HERE).

a6300 vs. Sony a7S II dynamic range

Our software measured about 11 stops on the Sony a6300, compared to about 12 stops on the Sony a7S II. Above you can observe the two shots subjectively. 11 stops is a good rating for a camera. Most professional cinema cameras nowadays get between 10-13 stops in our tests.

Additionally, we see that the two cameras have very different noise characteristics. The Sony a6300 was shot at iso 800 (native) and there a stronger base noise than on the very clean A7S II. In this a6300 vs. Sony a7S II test, it is apparent just how clean the A7s II is, giving it the edge over the a6300. [Update:] However, the noise at base ISO on the Sony a6300 is no reason for concern. You should simply know, that you have less room for pushing the dark areas during grading.

Another point to note is that, unlike the A7S II, the Sony a6300 has no difference in dynamic range between S-log2 and S-log3. However, the a6300 uses an 8-bit codec so we’d recommend avoiding S-log3 altogether; use S-log2.

Lowlight and Noise

Before we go any further, I have top say that we were very impressed during this stage of the test. So far, the a7S II is the camera which has shown the best low light capabilities of any camera that we have tested—and the Sony a6300 gets surprisingly close!

The shots below are 100% crops from a dark area in our subjective test chart. We can see that both cameras retain detail at high ISOs. While the Sony a6300 is a bit grainy and has some minimal noise reduction artefacts, there is actually very little noise in the traditional sense—especially when the price is taken into consideration!

a6300 vs. Sony a7S II low light performance

Left: Sony a6300 Slog 2 | Right: Sony a7S II Slog 3

It seems as though there is intense noise reduction going on in the Sony a6300. Maybe this is how they managed to get such good lowlight results with this camera, even though the super35mm sensor used is much smaller than the Sony a7S II full-frame sensor and should be much more noisy.

When we look at a moving image, the noise reminds me of the results of temporal noise reduction, which can be found in software like DaVinci Resolve. This algorithm calculates the difference in noise between adjacent frames. I’m not saying this is what’s happening here, but lowlight images show a kind of unnaturally slow moving noise, which might be an issue for some. Overall the lowlight behaviour is really impressive on this camera. It gets close to the performance of the Sony a7S II, though at ISO 25600 the Sony a7S II clearly retains more detail than the Sony a6300.

Keep in mind that due to the sensor size you can use a Metabones Speed Booster and a full-frame lens with the Sony a6300 and win another stop in lowlight. This is what Nino did during his Sony a6300 lowlight test.

Image Quality

a6300 vs. Sony a7S II image quality

Here is a blown up shot of a tube test chart. On this chart fine lines get closer and closer together. This way we can see when aliasing kicks in or, in other words, when detail can no longer be correctly resolved on the vertical axis. What we see is that the Sony a6300 resolves similar fine detail as the Sony a7S II. The Sony FS7 obviously produces a cleaner image in terms of aliasing but that is to be expected.

a6300 vs. Sony a7S II resolution

Codec Compression Artefacts on the Sony a7S II

What we also noticed in this chart, however, is that the codec compression on the Sony a6300 is much better than on the Sony a7S II which eventually leads to a much cleaner image on the a6300 (look at the number “25” above).

The Sony a7S II image falls apart and doesn’t resolve contrast details very well. Images like the one above look mushy and clouded due to some problem in the compression algorithm of the camera. The Sony a6300 doesn’t have this problem and is the winner in the a6300 vs. Sony a7S II comparison in this regard.

Sony a6300 image quality

One thing to note though is that there is a slight in-camera sharpening on the Sony a6300 even though “detail” was set all the way to the lowest number and there is a slight magenta tint in all shots.

Rolling Shutter

As mentioned in our initial review, unfortunately the rolling shutter effect (also referred to as “jello”) is quite terrible on the Sony a6300. In fact, with a readout speed of about 34 milliseconds from top to bottom, it is the most severe rolling shutter we have ever measured on a camera! Even worse than the Samsung NX1’s 30ms. In comparison, the Sony a7S II has about 25 milliseconds and the Sony FS7 has 14. Less is better.

HD Images and Slow Motion


100% crop | Image Resolution in Full HD

Sadly, this is another point where the Sony a6300 fails. The camera can shoot in full HD resolution, but the image is very soft and dirty in terms of aliasing. The Sony a7S II is much closer to the quality of the original a7S.

The Sony a6300 can shoot slow motion up to 120fps in full HD. A crop of about 80% of the sensor is used in this mode. Unfortunately, the quality is almost identical to the one observed in HD mode at normal recording speeds—and in both modes, low light performance isn’t great.

Sony a6300 vs. Sony a7S II Conclusion


All in all, the Sony a6300 is a truly surprising camera. Who would have thought that a budget camera would perform so well when compared to the quality of the highly recommended Sony A7S II?

When we compare the Sony a6300 vs. Sony a7S II, we see that the latter has slightly better quality in terms of dynamic range and low light capabilities, but the Sony a6300 certainly excels when it comes to fine image details and sharpness.

Only the rolling shutter of this camera is below expectations and the HD quality is, for all intents and purposes, not recommended which makes the camera less suited for broadcast use.

Overall, we’d say: Stay away from this camera if you are looking for a good HD mode and if you do lots of fast handheld shots, as the rolling shutter may become too apparent.

Besides those two points, if you are looking for a camera that shoots great 4K with a quality that matches the Sony a7S II, at a much lower price-point and the form-factor of a small pocket camera, then the a6300 is a great pick. In combination with a Metabones Speed Booster, this is probably the best affordable 4K camera on the market right now—highly recommended!

[UPDATE:] Note that we have not tested NTSC 30p mode. Other testers report that in 30p the camera will crop the image and give you more noise and worse lowlight performance, but better rolling shutter. If you require 30p we recommend you test the camera before you buy.

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Canon 1D X Mark II vs. Canon 1D C: Which Shoots Better Video? Damian DoddSony A6300 - test trybu filmowego w aparacie - videodslr.plБитва беззеркалок: Fujifilm X-T2 против Sony a7S II — СМИ. Дагестан. 2015Dee Gee Recent comment authors
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Rephael Catap

Looks like I’ll be sticking with my GH4 for a while.

Marc-Ferdinand Körner

I guess the GH4 looses in every part of that test. But it was my awesome A-Cam for 2 Years now. Only really big GH4 issue: Reliability. Hadnt had that much freezes on ANY other camera before.

 Erwin Hart
Erwin Hart

I have shot with the GH4 for two years (4K and 2K) and I never had any “freeze-ups”. This could be caused by your SD memory cards by the way. Never had any reliability issues.

 Yves Soglo
Yves Soglo

Same here Marc-Ferdinand. It happened to me too many times. Hoping the GH5 will be better later this year. This makes me want to stop using DSLRs or mirrorless cameras and just go back to video cameras.

 Damian Dodd

Me too, stick of all the attachments when shooting, looking at the JVC LS300

George Bruce Wilson

yeah. i have the a7s and for the last few shoots i’ve had i borrowed a GH4 for a B cam and I basically hate it. sucks in low light. Its soft and freezes up a ton.

Rephael Catap

What kind of freeze? What d you do to trigger it or does it just happen randomly?

 Kenneth Chan

I’ve also experienced this with a couple GH4s in the past. It’s so annoying, every system has their drawbacks. Canon not doing 4K/slowmo, GH4 I call them more lags and hiccups rather than full on freezing. Mainly delays with stopping recording. These were on fast cards as well so it can’t be a card issue. Have seen overheating on long outdoor shoots, it isn’t as robust as Canon or Sony. My A7Sii interface definitely sucks and lags worse than either GH4 or 5D3. I’m hoping in the next generation Sony will improve their interface and it will almost be perfect.

Marc-Ferdinand Körner

it happens randomly. But mostly during focusing – or zooming.

 Steven Galvano
Steven Galvano

Very interesting. We’ve really been loving our A7sii cameras. These will be a valuable addition for us given their size. I love the a6000 form factor.
It seems, on typical gimbal work at 4K on a well lit set, the a6300 image will be at least on par with the a7sii
My one concern is your comment on noise at its naive ISO. Looking at Johnnie’s native footage from a few days ago… it does not seem like a huge problem. Can you clarify?

Ram Sarup

Ermm, so the A6300 resolves better 4K images than A7SII, and both have similar dynamic range and low light capabilities? April is next month….

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