Sleep, eat, taste wine and relax! – A Sony A7s camera video review

DSC05098

EDIT: New from Cinema5d!. As part of our commitment to our readers, the A7s is the first to be tested in our lab. What is the cinema5D test lab? cinema5D has established their own scientific testing facility to accurately measure and evaluate the performance of cameras. As a platform for reviews about cinematic cameras we strive to provide objective comparisons and share insights to help you choose the right camera for your projects. Test 1: Dynamic Range – Sony A7S vs. the others Test 2: Rolling Shutter – Sony A7S vs. the others

ORIGINAL POST: The Sony A7 camera family is constantly growing and the new kid on the block is dedicated for video filming. My respect to Sony for listening to professionals and advanced hobbyist alike by bringing to the market what I consider to be the best full frame HD “DSLR” camera released in a long time. Unfortunately when conducting this review no 4K external recorder was available for testing the 4K video quality but let me tell you, the HD footage coming out of this camera is shockingly impressive. For me, if it is to choose between the Panasonic GH4 or the Sony A7s, then with no doubt, it’s the A7s. The picture aesthetic in combination with full frame is simply more pleasant to my eyes then the GH4 footage. On the other hand, internal 4K recording is what we want (and sometimes need), so I guess we can consider the A7s as a “bridge camera” and it won’t be long before we will see a Sony camera that can do so for a hopefully attractive price. 

The direct competitor to this camera is naturally the Canon 5D Mark III. Personally, I think it is time to move on and say goodbye to the Mark III. The good thing is, you don’t have to invest in an all-new lens system. Simply use the excellent Metabones Sony E-mount to Canon EF adaptor (Generation III in order to cover the full frame sensor) and there you go. You now have an amazingly sharp looking video camera that records in a new robust codec (XAVC S), very small with a build in great OLED EVF and last but not least, also a lowlight king. I also have to had that the audio recorded directly to the A7s is much better then the one recorded on the Mark III because of better internal preamps. All in all, if you are looking for a working tool that is small enough to look “un-professional” yet one that records great looking video footage at a price which is not modest but affordable, look no further. The Sony A7s is your best friend. Sony also deserves compliments for its menu stricture and flexibility when it comes to assign functions to the Fn button. Simple, elegant and very useful. Almost every function you need in the tip of your finger. 

OK, it is time to take the “pink glasses” off and see some of the limitations this camera has:

– World camera. Please be aware that only the the model which intended to be shipped to PAL countries is a switchable PAL/NTSC camera. All NTSC models are only NTSC! – 30 minutes maximum recording length in all cameras regardless if they are PAL or NTSC – Sony S LOG 2. While this is not supposed to be a limitation the implementation of this feature is not entirely clear to me as the starting ISO point in this mode is 3200 (which is the native ISO). If you shoot outdoors and want to keep your aperture open you will have to look for stronger variable ND filters then the ones normally used. 

Firmware/menu improvements I would love to see:

– The ability to record higher frame rate in more then 720p – This camera has the ability to crop into the sensor (APS C mode). Assigning a short cut to this feature is a must (via the Fn button). – Another thing regarding the APS C mode of the camera: the indicator symbol which lets you know you are in this mode should not only be visible in the full “info” display, but also when “info” is turned off. It’s easy to forget that you are in this mode just to find out later it’s not what you intended to do.

Camera Settings for this review:

-Picture Profile – off -Picture style – NTRL (all settings on “0”) -Internal recording codec –  XAVC S, 1080/25,  50Mbps

About this video: By no means this video intends to be a “corporate video”. It is just me having fun for 2 days in a beautiful location together with an amazing camera. My aim was to see how it functions during real life production and see how little equipment I can take with me (in comparison to the amount of equipment I would have taken with my Canon 1DC)  and let me tell you, it is much less…

I can not even describe how dark it was inside the wine cellar. I’ve decided to leave it “as is” and add only 1 small LED light to enhance a spot I wanted. This camera can easily shoot in ISO 5000 for broadcast. Very well done Sony!

I also recommending downloading the original HD file from Vimeo for a better viewing experience!

Edit: As of readers request, here are the different Picture Profiles as described by Sony. Those can be modified if wanted by going to MENU-PP selection-Modify. Screen Shot 2014-07-06 at 11.40.35

 

Music: Themusicbed Artis: Tiny Houses-Cerulean

A special thanks to the people at Castello di Gabbiano

Federico Cerelli – Head Wine Maker Francesco Berardinelli – Executive Chef , Ristorante Il Cavaliere (del Castello di Gabbiano) Cornelia Reali – Director of Hospitality

Johnnie Behiri is a freelance documentary cameraman/editor/producer working mostly for the BBC and other respected broadcasters. He is also co-owner of cinema5d.com

Watch it on Vimeo

Leave a Comment

You are not subscribed to this post. Follow new comments

Login to comment

Reply
Francisco July 5, 2014

hi there,

I have a question … responsive to the high iso a7s 1dc the canon?

Reply
Johnnie Behiri July 5, 2014

Hi Francisco.

We will conduct a “proper lowlight test” between the cameras soon. For now it looks for me like the Sony is way more sensitive in the sense of producing a cleaner video image in high ISO.

Thanks!

Johnnie

Reply
Bobo July 5, 2014

well done – thank you Johnny
I think I will buy one ;-)

Reply
Johnnie Behiri July 5, 2014

Thank you my dear friend, and I will buy one for sure. It is simply a great versatile camera!

Johnnie

Reply
Bruno Detante July 5, 2014

Nice work! The image quality is gorgeous. Can you tell use a little bit more about your workflow for this video? (lenses, what color grading software did you use)
Thank you!

Reply
Johnnie Behiri July 6, 2014

Hi Bruno, thanks for taking the time watching the video and commenting.

95% of the work was done with the Sony 24-70 f/4 lens.
Colour grading was done with “Filmconvert”.

Thank you!

Johnnie

Reply
Aron J Anderson July 5, 2014

Who cares about the camera this is a great piece. Love the visuals, music and edits. Great job.

Reply
Johnnie Behiri July 6, 2014

Than you Aron, Very much appreciated!.

Johnnie

Chris Gibbs Reply
Chris Gibbs July 5, 2014

That’s lovely Johnnie, many thanks!

Any chance you could give us a short blog post explaining the different profiles (S LOG etc). What settings that you’d recommend for different assignments etc?

Sony’s documentation is terrible………..

Cheers,
Chris

Reply
Johnnie Behiri July 6, 2014

Hi Chris. Thank you for the thumbs up!.

I am still trying to get my head around those picture profiles myself (and asked Sony for help too), but for now, PP7 is the S log 2 and the rest of the 6 are simply customisable PP for adjusting for your liking. I am trying to understand from Sony if those presets were chosen based on any specific shooting circumstances or no and will let you know when I get the answer.

Thanks!

Johnnie

Reply
Johnnie Behiri July 6, 2014

Chris,

I’ve updated the article with the info I got from Sony regarding the various Picture Profile.

Hope this helps.

Chris Gibbs Reply
Chris Gibbs July 6, 2014

Hi Johnnie,

Thanks for the info!

I’d landed on ITU709 (800%), no rational, just based on how it looked and how the EVF functioned. I’ve no idea “yet” about video, I’m a stills dinosaur!

A hybrid PP would be nice, one that leaves the EVF very usable for stills and offers a nice compromise for video recording. I’ve just no idea what I’m altering when inside one of those profiles? SLOG 2 appears unusable for someone shooting both stills & video.

Thanks, I’m definitely less confused today than yesterday…..(:-)

Chris

Reply
Johnnie Behiri July 6, 2014

Hi Chris.

All those PP can be manipulated or alternatively, created from scratch. I am sure that in no time we will see some unique looks being shared by some of its creators.

Thank you.

Johnnie

Reply
Oscar July 5, 2014

Really nice filming and edit.
…Thumbs up

Reply
Johnnie Behiri July 6, 2014

Oscar, as always, very much appreciated!

Johnnie

Reply
Leo July 16, 2014

The image is very detailed, indoor scenes are great, the outdoor scenes not so much due to poor color correction. Image has no dynamic rage, 0 detailes in the shadows. And for God’s sake, do not edit the music. Is amateurish.

Reply
Johnnie Behiri July 16, 2014

Hi Leo.

How about sharing some of your professional work or camera test reviews with the cinema5d community?

Thanks

Johnnie

Simon Bailey Reply
Simon Bailey July 27, 2014

Hi Johnnie,

Great work, beautifully shot, edited and graded. Every bit and I loved the grapes shot.

Cheers,

Simon

Reply
Johnnie Behiri July 28, 2014

Hi Simon.

Thanks for your thumb up!

Johnnie

Reply
Alex July 28, 2014

I agree for the outdoor scenes. I’d the same feeling with shadows.

Reply
Graham Parker July 5, 2014

I know they’re not quite the same beasts and there wasn’t a way to test 4K yet, but can I ask how you think it will compare it to the Blackmagic 4K Camera? In particular the dynamic range. Thanks very much!

Reply
Johnnie Behiri July 6, 2014

Hi Graham.

Hard to compare to the BM4K, but soon we will have our “cinema 5d lab” up and running so it will be very easy for anyone to compare and have the answer for those sorts of questions. As a side note, with a limitation of 800 ISO the BM4K is not a real option for the type of work I am doing.

Thanks!

Johnnie

Reply
Graham Parker July 6, 2014

Thanks! I look forward to seeing the cinema 5d lab :)

Reply
Andreas July 5, 2014

What about rolling shutter?
And how dows the dynamic range compare to the bmcc raw?

Reply
Johnnie Behiri July 6, 2014

Hi Andreas.

Rolling shutter is there and visible!.

Soon we will have our “cinema 5d lab” up and running so it will be very easy for anyone to compare and have the answers for those sorts of questions.

Thanks!

Johnnie

Reply
Seamus Foley July 8, 2014

Beautiful work. Thanks for posting. On the rolling shutter you can see it clearly in the shot where he swirls the glass, which seems to indicate its quite an issue with this camera. I was wondering if you could comment on how limiting has the rolling shutter has been in practise?

Reply
Johnnie Behiri July 14, 2014

Hi Seamus, sorry, missed your comment!

I am so used working with DSLRs for video so rolling shutter is “not a great issue”. They all have it!. It is one of those things we should “not accept but learn to live with)…:)

Thanks.

Johnnie

 Daniel Ridicki Reply
Daniel Ridicki July 6, 2014

Great job, as usual Johnnie.
Image looks impressive and I am surely switching from my old Mk II.
This Canon adapter you mentioned in the text – I have seen quite a few bad comments on the quality of it. Would be good though to keep Canon lenses…

Reply
Johnnie Behiri July 6, 2014

My dear friend. Long time no talk. Hope all is well!.

Indeed time to say goodbye to the Canon mII (and III)…

Personally I had no problem with the mentioned adaptor but Metabones just released a new version (number IV). Hope this one is addressing some of the short comings people are experiencing. (http://www.bhphotovideo.com/c/product/1054790-REG/metabones_mb_ef_e_bm4_canon_ef_lens_to.htmlBI/7953/KBID/8488)

Take care and hope to talk soon.

Johnnie

Reply
Will Hazell July 6, 2014

Thanks for the video. So if I buy this camera in America there will be no PAL mode? (and no 25fps)?

Reply
Johnnie Behiri July 6, 2014

Hi Will.

Indeed. No 25p in the American model :(.

Thanks.

Johnnie

Reply
Chongnuo Ji July 13, 2014

Hi Johnnie.

My A7 can change PAL to NTSC, in somewhere of the menu. Please ensure this, maybe you just miss that funtion.

Reply
Johnnie Behiri July 14, 2014

Hi Chongnuo Ji

Thanks for your advice.

Unfortunately the A7s is a regional camera. That was confirmed by Sony too.

Thanks!

Johnnie

Reply
Satva July 6, 2014

Wow, nice video Johnnie! I want to both eat pasta and buy a A7s! 1080 footage looks quite amazing, and I can’t wait to see the 4K with the Shogun.

What is your viewpoint on 8bit vs 10bit? Even though this camera is only 8 bit the footage looks really pleasing to the eye.

Do you think it is possible for Sony to release a firmware to allow 10 bit out of the HDMI for Shogun?

Reply
Johnnie Behiri July 6, 2014

Hi Satva.

I will definitely re-review the camera when the Shogun is out.

I can check with Sony if they have any plans for 10 bit firmware update though I suspect the answer will be “no”..

Here is the “bit info” taken from Sony site for anyone interested.:

1080 60i compatible device
1080 50i compatible device
3840 × 2160(30p/24p) / 1920 × 1080(60p/24p) / 1920 × 1080(60i),YCbCr 4:2:2 8bit/ RGB 8bit
3840 × 2160(25p) / 1920 × 1080(50p) / 1920 × 1080(50i),YCbCr 4:2:2 8bit/ RGB 8bit

Thanks!

Johnnie

Reply
Alessandro July 6, 2014

Hi Johnnie and thank you for your review and for your availability to answer our questions.
I’d like to ask you a few things, first of all the sound i hear in your video is taken directly from the camera? I guess there are manual controls for audio and vu meter is it right? Then I”d like to ask you if the “crop mode” allows the use of lenses (with an adaptor) like a EF-S, and in particular the sigma 18-35.
And finally, when you talk about the use of filters ND stronger than normal, do you have any suggest for us? I use the rodenstock variable nd 2-400…

Thank you in advance for the answers!

Alessandro.

Reply
Johnnie Behiri July 6, 2014

Hi Alessandro.
Will do my best answering your questions…

-Yes, there is full manual control during internal audio recording and an easy to read VU meters.

-No problem using the cropped mode together with the adapter and Canon EF lenses. Did not try EF-S.

-Will try the Sigma tomorrow and let you know

-Regarding the variable ND. I will have to research more. My “super duper” new Heliopan was definitely to weak for the Tuscan sun in S log 2 mode.

Thanks!

Johnnie

Tim Pek Reply
Tim July 7, 2014

So you don’t like 4K and fast frame rate as ur main features then?

Reply
Johnnie Behiri July 7, 2014

Hi Tim.

Sure I do but those features you mentioned will not stop me from not buying this camera.

As we all know by now, the sad truth is, no manufacturer will give us everything we need/want wrapped in one package. Not only that, but I am sure the A7s is a “bridge camera” meaning, the next model might feature an internal 4K recording.

The rule is always the same. If you need a specific working tool now, then buy it otherwise wait till the next best thing comes or the one you wanted get cheaper…:)

Thanks!

Johnnie

Tim Pek Reply
Tim July 8, 2014

Johnnie, There’s no doubt its the king of lowlight, thats all the i like about this camera. I wish the GH4 can have same low light capability as the A7s. Sure they will release the 4K soon.

Reply
Vania Rebel July 7, 2014

I sincerely hope that this SONY 4K is not equal to what I’ve been fooled by Sony with the FS700. They said it would suffice small update, which I later found out was a hardware update that cost US12.000 and the camera doubled in size. As Phillip Bloom said a Bazuka! This time I will not be deceived. I’ll wait and see

Reply
Vania Rebel July 7, 2014

look at that film https://www.youtube.com/watch?v=YXBFb9gScms
That’s the way that SONY cheats his customers. Same aperture, same shutter speed, increments in ISO … the shadows open like magic and the highlight in the fire looks almost the same ! the movie is like a note of $ 3.

Reply
Johnnie Behiri July 7, 2014

Vania.

What ever money you’ve spent on a camera update, no one was forcing you to do so.

Let keep the conversation A7s one.

Thanks.

Johnnie

 Daniel Ridicki Reply
Daniel Ridicki July 8, 2014

So, where can we buy 25fps version? B&H only carry NTSC model. And at what price will it be available in Europe? I came across info that it will be round 2500 GBP in UK. Quite a difference…

Reply
Johnnie Behiri July 8, 2014

Hey..

I can recommend Marcotec our European sponsor. The camera will cost €2.387.
It will be nice if you consider buying it through our site. The link to the product is above on the right side of the equipment list.

Thanks!

Johnnie

Reply
Dmitry July 8, 2014

Hello,
Thank you for sharing this beautiful video. Would you be so kind to tell few words about moire on this camera? I’m planning to buy this camera for one of the upcoming projects, but still hesitate, because sony 7r had problems with moire. And this characteristic is the most important for my shooting project.
Thank you in advance

Reply
Johnnie Behiri July 9, 2014

Hi Dmitry.

You can not compare the A7r to the A7s when it comes to video. The A7s is currently the best full frame camera that shoot video on the market.

Regarding moire, it is still there in some rare occasions. (or is it my old eye)….

In any case, we at cinema5d will start very soon publishing our “lab tests”. Those will be the “scientific side” of our review. The A7s will be the first to be checked and I hope that by early next week the lab test will be on-line.
You will get a “proper” answer and not just my impression.

Thank you!

Johnnie

Reply
Dmitry July 10, 2014

Hi Johnnie!
Thank you very much for the answer!

Reply
MartinDoersch July 8, 2014

Great review!
I totally looking forward to use this camera.
In my case I will use the high ISO for reportage work. 12MP are totally enough for most of the work – also for full bleed magazine images.

Thanks again.
Greetings from Austria
Martin

Reply
Johnnie Behiri July 9, 2014

Dear Martin, thanks for watching the video and commenting!

Johnnie

Clayton Moore Reply
Clayton July 9, 2014

Cameras that shoot pretty pictures are becoming very ubiquitous. This camera, along with the Black Magic, and the GH4, represents yet another “affordable” camera that is narrowing the gap between a $60,000 camera body and a $2,000 camera body. We are about 90% there to when (image quality wise) it wont matter much what camera you choose, they will all be just fine in the pretty picture category.

Reply
Justin Arwood July 10, 2014

Such a beautiful piece! Excellent work Johnnie and very informative. How do you feel the A7s 1080p holds up against the GH4 4k (downscaled to 1080)? And did you have any overheating issues with the A7s?

Reply
Johnnie Behiri July 14, 2014

Hi Justin.

Personally I like the A7s aesthetics MUCH more then the GH4 picture.

No overheating issues with the camera what so ever in the little story I shot.

Thanks!

Johnnie

Reply
Phil July 10, 2014

Johnnie, When they’re hiring for the studio remake of ‘Eat Pray Love’ you’ll be on the short list. And, are you sure you got your money’s worth out of that slider?

Kidding aside, great work! Always appreciate that you put a camera through the paces while telling a story. Gives your comments greater weight (at least with me).

I see you credit ‘FilmConvert’. How light/heavy was the grade? The skin tones in the fluorescent lit kitchen were impressive.

If it’s not too late, when you get to the more lab related parts of the test, if possible, could we see/hear:

A. A high gain audio sample in a very quite room. For example making tea, pouring water, stirring, settling the spoon. Would like to hear those preamps. (nicely hidden here by the music)

B. Skin tones under various color temperature light

C. Faces, with decreasing levels of fill (-1 to -4 stops)

D. Talking head on camera (no technical reason, just would be nice to experience)

Never hurts to ask. :-)

Was planning to upgrade from D800+PIX220 to C100+PIX220, but your work here has really challenged my thinking.

Thanks again for the sharing your work.

– Phil

Reply
Johnnie Behiri July 11, 2014

Hi Phil. Thank you for taking the time watching the video and commenting. Appreciated. (and sorry for my late response. Already working on the next camera test)….

FilmConvert usage was “moderate” I gave the F55 preset and took it from there.

Regarding audio. I can send you an original audio file from the wine seller. Can’t get quieter then that. (Well can, but we don’t want to go there)….

Unfortunately there is no time to do what you’ve requested but during next week we will launch our new “lab rest project” and the A7s will be the first camera to star there.

Hope you will find the information useful.

Not that it matters, I’ve ordered the A7s and hope to get it soon. The camera will become my primary one for run and gun shooting. The Canon 5d mIII is for sale and my Canon 1DC will be used for 4K shooting.

If there is anything else I can help with, please don’t hesitate (Never hurts to ask)…:)

Johnnie

Reply
Phil July 11, 2014

Thanks for the reply. Looking forward to your group’s ‘lab test’.

If you could send the audio sample to ‘4info’ at ‘hainline’ dot org, that would be greatly appreciated. (or a link to DropBox, etc.)

Never had to worry about audio with the PIX220 using the Sound Devices pre-amps & phantom power. With A7s the rig could go smaller, but still need something like my USBpre2 when using condenser shotguns (25% of the time, 75% wireless lav.).

Given James Miller’s early results with the 4K scaler, may still end up using PIX220 for ProRes capture.

For run-and-gun do you have a should rig for DSLR/mirrorless? What will you use for a EVF with the A7s? I currently use a 5″ loupe over the PIX220 (Finder Grid — http://www.gridsuportes.com/produtos/findergrid/) but the A7s EVF would be much better, but really need to change the rig config. Any early thoughts?

Thanks again,
– Phil

Reply
Johnnie Behiri July 14, 2014

Hi Phil, files were sent. Sorry it took long.

Regarding DSLR run&gun:

With my Canon 1DC I am using a combination of Shape rigs/cage, Wooden camera EVF holder, Cineroid retina EVF, Ninja 2 (soon to be replaced with the smaller “Star”) and Tascam DR60d. You can watch a video I made and get a general idea to how it looks. (I don’t use the Ikan controller as its build quality is not good enough for professional work. Front handles are from Shape too). https://www.cinema5d.com/minute-review-experimental-advanced-vdslr-rig/

Regarding the A7s. I was BBCing the all day yesterday (news) with the camera only, no rig. Very easy and small…..Quality is simply great!. No need for external EVF. What I will try and do is find a “viewfinder eye loupe” to protect better from the surrounding light but otherwise, it’s working for me. As I am about to start manufacturing some of my crazy documentary equipment ideas, I might be tempted doing a “mini rig line” dedicated to mirrorless cameras…:)

Thanks!

Johnnie

Reply
Vivek Anand July 11, 2014

Great video as usual! Your DI is exemplary and therefore difficult to decide between this one and GH4 (Devine?).
The Panasonic film was better in content for me.But to ask again, I take it you prefer the A7S to GH4?
I am looking at both although my instinct always goes towards fullframe.
Is this also your opinion?

Reply
Johnnie Behiri July 11, 2014

Hi Vivek

For me the A7s is superior in picture quality (HD) and I will not be surprised if the 4K files are also better. In terms of operation, it is just a better camera. OLED, lowlight performance, internal audio recording, just better then the GH4.

Hopes it helps.

Thank you!

Johnnie

Reply
V. Anand July 11, 2014

Hi Johnnie
Thank you for your considerate reply, and yes it always helps to get the opinion of someone professional who has used both cameras. All the best for your new endevours!

Reply
Edm July 13, 2014

Hello Johnnie,
As for broadcast purposes, how would you consider the in-camera codec (XAVC S, 50 Mbps and full-frame)? Not for feature-length documentary of course, but news or intermittent documentary scenes.
I’m really interested in this camera, so small, unobstrusive and sees in the dark, it would allow you to “go where no cameracrew has gone before”.
Any thoughts? Thanx in advance.
Eric

Reply
Johnnie Behiri July 14, 2014

Hi Edm.

The codec is very good!.
The camera is highly recommended.

Thank you

Johnnie

Reply
Colin July 15, 2014

Hey Johnnie,

I’ve been able to shoot a couple of different times now with the A7s and have been roundly unimpressed with the dynamic range in bright situations. The highlights are so easy to blow out and there’s no bringing them back in post. I have shot with PP3 and PP5 to the same result. In the same situation, my Canon C100 has performed much better. Any suggestions?

Reply
Johnnie Behiri July 15, 2014

Hi Colin.

We will be publishing very soon our new “lab test” figures, comparing different cameras while preforming different tests. One of those will be “usable dynamic range”. The C100 was not tested yet but the Sony A7s, the Canon 1DC, 5D mIII, C300 and Panasonic GH4 did.

I wonder if working in Slog 2 (PP7) or any other PP like number 4 which is relatively “flat” ,would have helped retrieving the highlights in your video.

The other creative idea is simply work with graduated ND. Those “tend to over expose” objects like white clouds could have benefit from such a solution.

Thanks!

Johnnie

Reply
Pascal Payant July 16, 2014

Hi. Great video.
I’m preparing my low budget feature film. I’m debating to use the RED DRAGON but it cost me 6k in the budget or to go with the sony a7s. I save 6k.
would you recommend it for a feature film? the output will be for festivals and web ( itunes, VOD)

Reply
Johnnie Behiri July 17, 2014

Hi Pascal.

The answer is absolutely YES!

As always, I do recommend testing the equipment before you start such a big project and see if the camera is preforming the way you are expecting it to preform.

Thanks!

Johnnie

Reply
Erik July 17, 2014

Hi Johnnie,
Thank you for this beautiful piece of work. No doubt the camera is great for video. But I would also be using it for stills, mainly because of the completely silent shutter in combination with full frame. I take pictures of classical concerts. Do you know if it is indeed completely silent? Can you please post a some raw stills for download?
Thanks,
Erik

Reply
Johnnie Behiri July 17, 2014

Hi Erik. Thanks for your your kind warm words!.

I am not a photographer but can confirm the camera will take pictures completely silently if this function is turned on (MENU-Silent shooting-on-off). Mind you that this function will not work in “Automatic mode”. Then the camera is always “loud”.

Thank you!

Johnnie

Reply
James July 18, 2014

Excellent work Johnnie! Looks like the Sony A7S is a very capable camera.

Reply
Johnnie Behiri July 28, 2014

Thank you James. Much appreciated!!

Johnnie

(and indeed it is a very capable camera)!

Reply
Colin July 20, 2014

Hey Johnnie,

Can you recommend a program that can transcode the XVACs codec? For those of us that still edit occasionally in FCP 7, we need to be able to work with ProRes clips and unfortunately none of the old ways work (log and transfer, compressor, mpeg streamclip). I can’t find anything that will do the trick, except for the spammy apps PavTube, BroSoft, etc that clog up the forums.

Thanks!

Reply
Johnnie Behiri July 21, 2014

Hi Colin.

Wish I could help! My guess (or google search) will be as good as yours!

I can confirm that compressor stand alone latest version does not support the codec.
Quick search showed people are able to convert with FFMPEG (https://www.ffmpeg.org/download.html)

Sorry I can not help further !

Johnnie

Reply
Finn Schäuble August 27, 2014

Wow, this is so weird, I came here so see A7s footage and then I remebered:

I was at that Hotel before, it was AWESOME!!

Its so weird seeing that!

Reply
Carl September 30, 2014

Thanks for the article!

I’m reading a lot about the A7s, and the more I see/read the more I like it. One thing, though, still I’m not sure about is the compression. Forgetting for a moment about the HDMI & the shogun, internally can only record a 4:2:0 file. No matter how good the codec can be, my concern banding and patterns must be still a discrete issue.
If there’s something that I love about shooting videos is doing editing and CC later on. Therefore I’m wondering if even with the good quality the camera seems to deliver, there’s enough room left to play with CC.
Any thoughts about this?
Would be nice to have the chance to play with a xavc sample coming straight out from the camera.

Reply
Johnnie Behiri September 30, 2014

Hi Carl.

You can download an mp4 version of another small I did here: https://vimeo.com/105570424

If not sufficient, I can send you a ProRes version when back home later next week if you allow me sending it to your mail.

Thanks!

Johnnie

Reply
Carl September 30, 2014

That was fast! Thank you so much Johnnie.
I’ll look at the mp4, in case I’ll ask you the ProRes.
From your point of view, does the A7s and the xavc holds up banding better than other DSLR? (I currently have a 7D…)

Thanks again.

Reply
Johnnie Behiri September 30, 2014

Hi Carl,

To my opinion, yes, but please “play” the file. Very hard outdoor contrast light conditions, so you might have to push CC to the limit which of course will help you to determine if the codec is good enough for those kind of work.

Thanks!

Johnnie

Reply
Carl September 30, 2014

Thank you Johnnie,

that’s really encouraging!
I’ll drop your sample into Resolve tonight.

It seems a confusing moment to change gear, this A7s seems so promising but it might be the beginning of a better series (then better to wait).
Just wish Sony would fix a couple of quirks in a firmware update, then would be a simpler choice to make :)

Reply
Johnnie Behiri September 30, 2014

Hi Carl.

As far as I am concern the rule is always the same. Buy when you need the camera or when its advantage over the competitors in very clear.

Thanks!

Johnnie

Reply
Carl September 30, 2014

Thank you for the wise advice Johnnie!

I played with your video, quality is really great!!
I didn’t push the CC too much actually, the thing is it looked already so pleasant with just some little contrast…

I’m almost thinking there must be something wrong with my 7D because the difference is huge! It makes one realize how much DSLRs have evolved. Of course nothing wrong with my camera, I guess it just shows signs of aging.

Reply
J F October 26, 2014

Beautiful work, Im looking into getting an A7s too. To be sincere when I was watching I was thinking: “looks a little like video, but I can always use Filmcovert to make it look more like film” but the I saw Filmconvert was used.. Can it be made to look a bit more like 35mm or red footage ?

Reply
Johnnie Behiri October 26, 2014

Hi J F.

First, thank you for watching the video and commenting.

Now, the video was shot before I got to know that camera (very) well so I took no chance using the S log 2 with its 3200 native ISO. That’s the reason I chose shooting this video in “PP off” mode.

Current work looks to my eye more filmic using S log 2 and film convert.

Hope this help.

Thank you!

Johnnie

Johannes Derkannes Reply
Johannes Derkannes December 13, 2014

Hi,

here is your german Friend with the bad english.

Im searching for the best settings for clubs.

I dont like to shoot with a led-light because without a led light the videos have more club-atmosphere.

i am aware, that s-log has the best dynamic range but for the best results s-log must overexpose about 1-2 stops and that ist nearly impossible with so bad club-light (except i go to ISO 80.000).

so i need a picture profile that works good for me in ISO 6400 – 12800 with a high dynamic range and good for postproduction. a profile where i can a little bit underexposed without much noise.

i hope so much that you understand what i mean

thank you so much!

best wishes
johannes

Reply
Johnnie Behiri December 15, 2014

Hi Johannes.

For me personally, if not working with S-LOG, it’s the “Picture Profile Off” mode. I am not sure how it is going to preform in dark clubs, but it’s worth a try.

Good luck and please share with us “how it was shooting in those lowlight clubs”.

Johnnie

Reply
Arturo March 30, 2015

Hello Johnnie useful test because I´m selling my GH4 and going into a7s.
I would like to know main differences between Sony XLRK2M XLR Adapter and Sony XLRK1M XLR Adapter.
I´m not able to see anything difference at first glance, just the obvious, the price tag, K2M cheaper than K1M.
But, in regard it tech specs, wich to choose?

Reply
Johnnie Behiri March 30, 2015

Hi Arturo

The XLRK1M and XLRK2M are the same technically speaking.

The different is in the way they are being attached to the camera.
The XLRK1M can be based “anywhere” on your camera cage and then be connected to the camera hot shoe via the build-in cable, while the XLRK2M can be attached ONLY on your A7s hot shoe.

Hope that helps.

Thank you!

Johnnie

Keith Williams Reply
Keith Williams July 2, 2015

Great work! I shoot on this great camera too.

I must ask do you use the on board metering for exposure, even if its just as a guide? I want to know if you shoot a little higher in the highlights to lower the noise floor in the shadows as I’ve found this works well for me.

Thanks