Here are some useful facts and figures that may shed new light on your understanding of illumination.Read more
After Leica first entered the video market last year, the Leica SL is their second attempt at a 4K camera that is aimed at filmmakers. But is this camera ready for primetime filmmaking? Just like many other cinema cameras currently on the market we have assessed its qualities in our test lab and in this part 2 of our Leica SL review we will show you how it performed.Read more
The Inter BEE 2015 technology exhibition that took place near Tokyo ended earlier this week, but during my visit two topics where very evident. HDR and 8K! While I intend to dedicate a separate news post to 8K, HDR is the more “relevant and upcoming technology” that might affect our professional lives soon.Read more
The Sony a7S II is shipping and many filmmakers rejoice as it is one of the best low cost video cameras out there right now. Last week we took a really close look at the differences between the Sony a7S II and the old Sony a7S. But how does this new camera compare to the Sony a7R II that was introduced just a few months ago? Here is the ultimate Sony a7S II vs. a7R II Test.Read more
The Canon C300 Mark II is here and comes with a lot of high expectations by customers and a hefty price tag of $16,000. Many are willing to put down the investment as they anticipate superb image quality in return and a new flagship cinema camera that has been several years in development by Canon. In our test lab we took a closer look at the C300 Mark II’s performance and found it less powerful than expected.Read more
We all love to joke that we’ll fix it in post, but it doesn’t have to be that way. It does require a coherent thread of understanding from set lighting and perfect exposure, all the way to color correction. In this article we will take a close look at each step to remind us how to create a perfect picture and have less to worry about afterwards.Read more
This is a dynamic range test and comparison between the Sony A7S, Arri Amira, Panasonic GH4, Canon C300, Canon 5D mark III and Canon 1D C.
The dynamic range is the range in luminance any given camera can capture. More range allows for more flexibility in post production and usually provides a more natural and hence more cinematic end result.