Light Meters Vs. LUTs – with William Wages, ASC – ON THE GO – Episode 82

In this episode of cinema5D ON THE GO, we talk to cinematographer William Wages ASC about shooting on film vs. digital, light meters, and the Panasonic Lumix line!

 William Wages

William Wages, ASC

For cinematographer William Wages ASC, the main reason for shooting on film has been relegated to getting a certain aesthetic effects, such as achieving a Super 8mm look. In terms of capabilities and image quality, modern cameras far outperform the capabilities of film, which in turn has allowed for the development of a new visual and technical cinematic language. He gives us a few examples of his work in which these advantages have come in handy.

Mr. Wages also tells us about how he uses the Panasonic Lumix line of mirrorless cameras, such as the GH4 or GH5, as viewing devices during location scouts and on set. Rather than using a director’s viewfinder, the portability of these cameras – in addition to their V-Log capabilities and high ISO – allow for a quick visualisation of what the end result could be when planning to shoot with a Panasonic Varicam LT. Of course, the dynamic range may not be the same as the LT, but they certainly have a place in his arsenal for shooting high-end productions.

Please visit our sponsors’ websites to keep new episodes of ON THE GO coming!


Blackmagic Design



Watch previous episodes of ON THE GO (& On the Couch) by clicking here. Visit our Vimeo and YouTube playlists, and subscribe to the podcast on iTunes!

Please Login to comment
1 Comment threads
0 Thread replies
Most reacted comment
Hottest comment thread
1 Comment authors
Recent comment authors
newest oldest most voted
Notify of
Matthew Hartman

Meh. Show me a seasoned cinematographer willing to challenge convention and use tools that are relegated as “unprofessional” within that level of the industry, then you have a real story of interest. What happened to rooting for the underdog? Using a GH4/5 as glorified viewfinder/previx is not an exciting use of the technology. Most external monitors could acheive the same purpose. Is a 7″ screen really that immobile? Shoot the film on the damn thing and cause a real shake up in the business. Tell your clients you’re shooting with the Alexa and then secretely shoot it on a mirrorless… Read more »

Subscribe to the cinema5D + Music Vine newsletters
& get 6 tracks and licenses for commercial online projects* from
Your e-mail will be stored with cinema5D and Music Vine. You can unsubscribe from our newsletters at any time.
We will not share your information with a third party.
The licenses included in this promotion will provide Web coverage for
Music Vine´s Promotional, Branded, Advert license with a project budget up to $15k.
I agree to my personal data being stored and used to receive newsletter from and