Quick Tip: DaVinci Resolve White Balancing

Music Courtesy of MusicVine.com Get 25% off your next music license with code C5D25 (valid for one use per customer)

Circumstances don‘t always allow to properly white balance the camera on-set. There are many reasons for that like mixed lighting, discrete increments in the camera‘s Kelvin adjustments — like when shooting in Cine EI mode on a Sony camera — color casts from windows or streetlights or even an incompetent cameraperson.

White Balance with curves

Image credit. cinema5D

Even when everybody did their job right on-set, it’s often necessary to properly white balance material.

It does not matter whether you are just slapping a creative LUT on your footage to create a look or if you carefully color-grade manually — if you don’t start with a correctly white balanced image you are wasting time. For example, if you want to design Powergrades you need to make them in a way so that they are based on a correctly balanced image or you will be getting inconsistent results.

When I started using DaVinci Resolve I struggled a bit to get my shots white-balanced quickly. I frantically twisted colorwheels, and rolled Gain, Gamma and Highlight balls, guided by nothing more than a gut-feeling and an occasional glance at the vectorscope.

The built-in color temperature/tint parameters do work in some cases — like the first one I show in the tutorial — but sometimes they are just not precise enough and/or introduce color casts in darker or brighter parts of the image.

Getting the White Balance right

It was frustrating and time-consuming, so I looked for a more methodical approach. In this video, I share two of the techniques I found and most frequently use to take the guesswork out of whiterbalancing.

The first one is suited for situations when the image has a uniform color cast like the one that happens when the cameras Kelvin (color temperature) settings are off.

The second approach is useful when different tonal areas of the image have different color casts, for example, warm highlights, correct mids, and blue darks.

I hope this saves you frantically twisting colorwheels, and rolling Gain, Gamma, and Highlight balls.

If you have questions, ideas, suggestions or maybe have a little gem of knowledge to share, please put them in the comments!

Summary

12
Leave a Reply

Please Login to comment
avatar
5 Comment threads
7 Thread replies
0 Followers
 
Most reacted comment
Hottest comment thread
7 Comment authors
TimCrimson SonFlorian GintenreiterJonJim Recent comment authors
newest oldest most voted
Frank
Guest
Frank

Good video. I knew about using the curves for white balance, but I didn’t know you can use the waveform too. Isn’t the ideal to use a white/grey/black card in the scenes so every clip will be white balanced the same?

Member
Steve Davis

Such a simple method… thanks for the tip.

Jon
Guest

Thank you so much for the tips, Florian. May I ask what project and render settings you are using? When I upload to YT/Chrome, my videos are washed out. :(

DOWNLOAD OUR MAVIC PRO LUT
Please enter a valid e-mail address. We will send the download to your inbox.
We hate spam! Your e-mail will be stored with cinema5D.com exclusively and you can unsubscribe from our newsletters at any time.
c5d-logo
PLEASE CHECK YOUR INBOX AND CONFIRM YOUR E-MAIL ADDRESS
THANK YOU
Please check your inbox and confirm your e-mail address.
c5d-logo
DOWNLOAD OUR DJI INSPIRE 1 LUT
Please enter a valid e-mail address. We will send the download to your inbox.
We hate spam! Your e-mail will be stored with cinema5D.com exclusively and you can unsubscribe from our newsletters at any time.
c5d-logo
PLEASE CHECK YOUR INBOX AND CONFIRM YOUR E-MAIL ADDRESS
DOWNLOAD OUR PANASONIC GH5 instaLUT B1010
Please enter a valid e-mail address. We will send the download to your inbox.
We hate spam! Your e-mail will be stored with cinema5D.com exclusively and you can unsubscribe from our newsletters at any time.
c5d-logo