by Johnnie Behiri | 27th October 2016
A bit over a week ago I was kindly invited along with other respected journalists to a Sony Europe press event for the presentation of the new Sony RX100 V and Sony a6500. Although we were not allowed to insert an SD card inside the a6500, we gained full access to the RX100 V. To be honest, though, the actual time I could spend with the camera was rather limited, so I asked Sony to send me this little state-of-the-art piece of equipment in order to closely inspect the one feature that interested me most: its “High Speed Continuous Shooting mode”. Before diving into my experience with this mode, I would like to state that the video functionality and quality of the new model is very similar to the RX100 IV (but a faster auto focus which is truly nice to have!), and as such, most if not all of the concerns I wrote about in my previous review still stand for the new model, so I’ve decided NOT to fully review the normal video functionality of the new camera. For those of you who prefer a short summary of my mentioned review, here it is: “It is only when starting to use the camera, that one will notice the RX100 IV will function best as a “home shooting device”. The advanced user will suffer the shortcomings and limitations as soon as the shooting requirements get a bit more demanding”. So instead of using the video mode, I chose to concentrate in exploring the Continuous Shooting mode, and of course there isn’t a better way to do so but producing a short home video… In the above video you can see a mixture of short clips shot in two modes. The slow motion (fun) clips were shot in HFR “High Quality 250fps” mode (shutter at 1/500), while the normal speed clips were shot in “Hi Speed Continuous Shooting Mode”. So, why on Earth was I so interested in this function? During Sony’s press event, I learned that RAW and JPEGs can be captured simultaneously in manual photo mode with the current specification: 5.5K resolution. Up to 6 seconds in 24fps (150 continuous shoots). If needed, S-log is also available (important for JPEGs and irrelevant for RAW). Obviously no sound is recorded in this photo mode. Needless to say that with those kind of specifications and the 1″ sensor on the Sony RX100 V, my imagination got busy thinking if and how this mode could be deployed to do some creative professional work. It was only when I got back from the event and sat down to edit my footage that I found out that my photo burst mode clips were not actually recorded at 24fps but rather at somewhere between 18-20fps, and in addition, I couldn’t open the RAW photos I took with any of the software I usually use. (RX100 V RAW is currently not supported by Adobe Lighroom/Photoshop). So after receiving the Sony RX100 V and having a second chance to explore, here is what I learned about this Hi Speed Continuous Shooting Photo mode: One should always use a minimum of 1/250 shutter speed in order to capture all 24fps. Because of the higher shutter speed, be prepared for a stuttering look. Check your focus setting BEFORE starting to shoot (a good piece of advice in any case). If working in autofocus mode, make sure you choose a setting that does not breathe otherwise the sequence will become unusable. Battery life is reduced in this Hi Speed Photo Burst mode. The buffer time after taking 150 shots (equivalent to 6 seconds of video) is very long. There is no way to shoot spontaneous video in this mode. The high resolution JPEGs are noisy and not as clean as I needed them to be. (in this particular photo mode and its bace 1600 ISO). This was very evident in the skin tones. Maybe when shooting with a different picture profile other then S-log 2, better results can be achieved. (not tested). At times, I got a “multiple frame effect”, causing the video to momentarily freeze. Even to my small hands, the Sony RX100 V felt extremely small . Secure it to your hand or better yet, put it on a tripod. Once imported to Premiere as a sequence, it is very easy to export as a movie clip and manipulate in post. While on the subject of operating the Sony RX100 V, please note the following: No charger is supplied with the camera. You will need to charge the battery inside your camera, which will prevent you from shooting unless you have an additional battery pack. In video mode, the minimum aperture possible with the attached lens is f11. In a sunny day when shooting S-log 2 at the minimum 1600 ISO with the internal ND engaged, it won’t be enough to expose correctly. Attaching an external ND filter to the lens is possible by using Sony’s filter adapter The menu structure is not the advanced one that was introduced with the a6500 and a99II. Sony RX 100 V. Max aperture, f11 Conclusion: In my opinion, the Sony RX100 V remains a camera with a split identity. On the one hand, it is a technological wonder which integrates the same engine as Sony’s a99II flagship camera in a tiny space. Additionally, it offers a feature-rich video manual control options including some that are hard to find in even more expensive and advanced devices from other respected manufacturers. Also, the improved autofocus in video mode is a pleasure to work with. On the other hand, many functions are “almost there”. A body with a mic interface but no headphone jack, HFR with almost HD quality and continuous shooting mode that might be great for photographers but almost useful to videographers. I’m fully aware that this is not a professional shooting device, and for now it can serve as a great family companion and second camera to just throw in the bag and keep handy for any production. But with a little extra attention and open ear to video enthusiasts, (especially when sales graphs are proving that video professionals would like to use that type of equipment), this camera could have become a real gem! Camera settings for the above video: HFR “high quality, 250fps” mode (shutter 1/500), Photo mode: M, Drive Mode: Continuous Shooting (Hi), Image size: L17M, Aspect Ration: 16×9, Quality: Extra Fine. Editing and colour correction: Adobe Premiere Pro CC latest edition. Material was edited on a 1080 timeline. Transition effect: by Chung Dha. Music: Art-list, Elevating Burst by Ian Post – Made in EuropeRead more
by Johnnie Behiri | 14th October 2016
Yesterday’s press event at Sony’s European headquarters was very informative. We were given the possibility to record with the new RX100V but not with the a6500 as this camera was not yet ready for primetime, although we did get a A6500 Hands-On too. Sony RX100V, Sony a6500 Here are, in short, the new features that these cameras have to offer: On both cameras: The Sony RX100V and Sony a6500 both share the same BIONZ X image processor and front-end LSI chip as the new Sony a99II, which allows for high volumes of data to be processed. The buffer has been increased, which allows for capture of more photos per second and longer slow-motion videos. Sony RX100V – Better rolling shutter effect control Sony RX100V: Video image quality has been slightly improved. Rolling shutter effect has been greatly improved because of better processing. Autofocus is now faster and more accurate than before. Photo mode allows up to six seconds of 24fps in RAW, theoretically allowing to create short 5.5K video clips. New underwater housing (Marine pack MPK-URX100A, up to 40m/130ft). RX100V Marine Pack Sony a6500: The autofocus function has been improved over the a6300 and you can now lock your subject in the frame and the camera will follow it nicely, which is great for single gimbal operators. Additionally, the touch screen will allow a “tap to focus” function at 3 different speeds, giving you a nice and easy way to change focus points while shooting. Alternatively, you can use the camera’s EVF and use your thumb to glide on the screen and change to your desired focus point as you would have done with a touch pad. The overheating problem that was a major issue with the a6300 is hopefully a thing of the past. In the camera menu you can now change the “Auto power off temp” setting from Standard to High. As a result, the camera will get warmer to the touch, but the recording time before switching off will be longer. How much longer depends on many factors, but future user experience will determine how good it is. Sony a6500. Overheating a thing of the past? The 5-axis stabilization for camera shake compensation looks to be working nicely, but as we were not permitted to record, it is yet to be seen how effective it is. The menu structure has been improved and you can find all the video related functions – plus some photo functions that sneaked in – under one main button. Low light performance over the a6300 has been improved. Sony a6500 – Lock autofocus function Conclusion: It seems like Sony has done well in improving both cameras when it comes to video quality and functionality, although it is still a pity that none of these models have a headphone jack for direct audio monitoring. In regards to how well the rolling shutter effect is controlled on the a6500, I would prefer to wait for the final version before making a verdict. Stay tuned for our full camera reviews coming soon. Disclaimer: cinema5D was a guest of Sony’s at this European press event, and covered flight and travel costs.Read more
by Adam Plowden | 6th October 2016
The new Sony Alpha A6500 with superior image quality, touchscreen, 4K over sampling with no pixel binning and 425 AF points was just announced alongside the updated Sony Cyber-Shot DMC- RX100 V. With a growing number of professional photographers and videographers using Sony’s mirrorless line, plenty of updated features have been included in these new flagship models. The Alpha A6500 The Sony Alpha A6500 sports a 24.2 MP sensor with redesigned front end processing, allowing for over sampling with no pixel binning from it’s 6K sensor (20MP equivalent) to achieve a sharp 4K image. It can record UHD (3840×2160) in 24/25/30p at 100mbps, as well as HD slow motion in 120fps at 100mbps also. Still images can be pulled from video clips too like we’ve seen in the GH4, in 8MP from a 4K video clip and 2MP from a HD video clip. It has a whopping 425 AF points, as well as 0.05s autofocus speed that can be controlled using the touchscreen at bursts of up to 11fps for 20 seconds. This is ideal for video, where users can ‘lock focus’ on a subject and track it through the frame. Auto focusing technology has got much better recently, so it will be interesting to see tests tracking and following subjects while recording. A new buffer has been added for long bursts of continuous shooting, as well as play back of photos and video clips. A new feature for the A6500 is the Slow & Quick mode that can capture frame rates from 1fps to 120fps in 8 steps, offering 60x quick motion and 5x slow motion. Slow and Quick is also included in the FS5, so it’s great to see Sony adapting the tech for cameras that videographers are using. The recorded clips can also be played back in camera, without the need for post processing. Sony has also included 5-axis in-camera stabilization like the one found in the a7S II and a7R II, optimized for the APS-C sensor and compatible with both E-mount and A-mount adapted lenses. The stabilization claims to compensate the equivalent of 5.0 stops of a faster shutter speed. The A6500 would be an ideal camera for gimbal use, or as a B-camera for those shooting with an a7S II, a7R II or FS5. Detailed specs of the Sony Alpha A6500 – 24.2MP APS-C sensor (1.5x crop factor). E-mount 5-axis in-camera stabilization (compatible with E-mount and A-mount lenses). 4K up to 30p at 100Mbps HD up to 120fps at 100Mbps 425-point auto focusing Slow & Quick frame rate control. 4K and HD photo pull from video clips. Touchscreen controls 0.05 second auto focus speed High density focus tracking New buffer for faster continuous photo bursts and quicker image playback. ISO range from 100-25600 (up to 51200 expanded). No headphone out. Menu redesign with grouped features. Check out our real world review and first impressions of the A6300 here, but how will the A6500 fare in low light? Our lab tests will show that in the coming future, but for now, check out our previous article on how the A6300 copes in low light scenarios. Also, if you’re undecided about getting an a7S II over the new A6500, check out this article on how the a7S II compares to the A6300. The Sony Alpha A6500 can be pre-ordered now from B&H for $1399.00, and will be available in the USA and Canada from November, and in Europe from December. The Cyber-Shot DMC-RX100 V The RX100 V is a 21MP, 1 inch sensor compact camera, with a 2.9x optical zoom and aperture of f/1.8 – 2.8. It has a built-in 3-stop ND filter which is fantastic for keeping the shallow depth of field in high brightness, and can record in 4K UHD up to 30p at 100Mbps. It has a full sensor readout with no pixel binning when recording 4K, for sharp images and minimized moire. It will be interesting to see if this produces an ‘overly sharp’ image though. Slow motion frame rates of up to 960fps can also be recorded, as well as up to 120fps in HD. Like with the A6500, you can pull stills from video clips at 8MP from 4K video and 2MP from HD video. The RX100 V also has similar fast auto focusing capabilities as the A6500, with a 0.05 second AF speed and 315 AF points. The auto focusing can track a subject, another handy feature for filming. Detailed specs of the Sony DMC-RX100 V: 21MP 1 inch sensor Fixed 2.9x optical zoom lens Variable aperture from f/1.8 – 2.8 No pixel binning when recording 4K 4K video recording in 24/25/30p at 100mbps. HD video recording up to 120fps XAVC and AVCHD video formats with varying frame rates. No headphone out. We took at look at how the RX100 IV fares for filming, here are the first impressions and review article. The Sony Cyber-Shot DMC-RX100 V can be pre-ordered now from B&H for $998.00, and will be shipping this month. A new underwater housing model, the MPK-URX100A, will also be available in November for around $350 in the USA and in Canada, $450 CA.Read more
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