Yes, the source for the still above is a 1080p 14bit RAW shot with the 5D mark III with Magic Lantern!!! And here’s a test video showing you how that looks in motion with an article elaborating the work with the camera: LINK.
The developers working on the Magic Lantern hack for the Canon 5D mark III have enabled continuous 14bit RAW recording last year. We tested it and it works great. The resulting images are totally breathtaking for a DSLR. The installation procedure has now been strongly simplified.
Please follow our complete dummies guide to squeeze the RAW bits out of a Canon EOS 5D mark III.
NOTE: We take no responsibility for what happens when you follow our guide. Do it at your own risk and research on your own if you want to make sure.
NOTE: When installing Magic Lantern your camera will start up 2 seconds slower (this can now be undone by simply uninstalling Magic Lantern)...
Get your gear through B&H to support this platform: Read more
We’ve seen many grading apps and plugins made to take our footage that extra step towards the film look many of us are so keen to achieve: To make our films look cinematic, organic and nice. But none of them is quite as easy to use and gives you as spot on beautiful results as FilmConvert.
Does it work? Yes it does. I’ve been using FilmConvert for the past several weeks now and I’m very pleased with everything it has done. On any other software doing a quick film grade takes time and I have to smear up my footage with numerous looks, most of them being way to exaggerated. FilmConvert applies just the subtle changes needed to get digital footage where film would be.
The people from FilmConvert measured the exact differences from certain cameras to certain analogue film stocks. The software detects which camera your footage was shot with and alters it accordingly. The result is always right and each of the included 8 (light version) or 19 (pro version) stocks looks very nice. There’s also an exposure and colour temperature tab to do primary corrections and a 3-way colour correction and levels tab to do some rough grading.
FilmConvert has become an essential asset for colour correction workflow. From now on every digital material will go through FilmConvert in one way or another. ...
The Sony EA50 was announced two months ago (LINK) and impressed us with its very interesting and ergonomic looking design, the zoom rocker functionality and a good price-point.
What we didn’t know was how it performed before we got a chance to see it and play with it (LINK)
Now Johnnie Behiri got a chance to test the Sony NEX-EA50 large sensor camera and shared these nice clips and some insightful thoughts with us.
In Johnnie Behiri’s own words: ...
Get your gear through B&H to support this platform: www.bhphotovideo.com
We had a chance to have a quick playtime with the new Sony NEX-EA50 here at IBC. A very interesting camera at first sight, as it has a very nice and ergonomic form factor and a digital zoomrocker, ideal for the newsgathering kind of work, all built around a large sensor.
We felt the camera also had some downsides to it. ...
The basic kit lacks HD-SDI and WiFi (these are added extras) but you won’t be facing the kind of additional expense that a Red Scarlet body entails. 3 XLR audio jacks, HDMI for monitoring and standard generic SSD drives are the order of the day for the basic Kineraw kit.
This was shot with the lenses stopped down to around f4.0, some shots show some fringing though and others reveal something that looks like lens softness to me and I would think more open apertures were used at times. I think this suggests that the small sensor will probably bring out the worse parts in your large lenses. It would make sense as a much smaller portion of the glass is used on the Blackmagic Cinema Camera’s small sensor, but is blown up to HD resolution as we’re used to. ...
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