_

  • Cameras
  • Accessories
  • News
  • Partners
  • About
  • Contact

Quick Review: Varavon Pro Finder

img_5686

By: Sebastian Wöber

Since there’s a new competitor in the lcd loupes segment and I like it I thought I’d share this one with you. Here’s the Varavon Pro Finder Set (www.varavon.com)

img_5683img_0002-2img_5681

The way it works: Attach metal baseplate, attach finder to baseplate. No tools necessary. Setup is very simple and easy and you can take off the viewfinder very quickly.
If you have a 7D and a 5D you can use the same Finder, you only have to use a different baseplate. The baseplates are equipped with a small metal bolt that sticks into the right place in the dslr body. This way the plate doesn’t move. Quality is very good. At the bottom of the baseplates there’s a thread 1/4″ thread for your rig baseplate or tripod plate.
The Finder baseplate might be a problem for those people with rig baseplates that don’t have height adjustments.

While the baseplate is made of solid metal, the finder itself is made of hard non bendable plastic. Nevertheless it feels solid enough to do the job. The rubber eye part also fits a cushion if you prefer that.

The glass is good. There’s also a diopter adjustment, which can’t be locked, but instead the knob is hard to adjust. A downside is that the circular eyepiece blocks sight to the very edges of the screen depending on the way the diopter is adjusted. You have to decide for yourself if that’s a minor or huge problem.

img_5685img_5684img_56861

What comes in very handy are the two mirrors that are built into the system. You flip it open and can see the lcd from atop. The image is clear. This is very useful in numerous situations but also for example when filming people that are sitting from a tripod.

img_5687img_0008-1

The Varavon Pro Finder comes in a very handy case that can be attached to a belt with a safety strap and can also hold a backup lens instead which I find very very useful.

img_5688img_5689img_5690

+ Can’t fall off
+ Mirrors to see lcd image from above
+ case
+ quality baseplate
+ quality hinge-joints
+ quality mirrors
+ diopter

- lcd edges more or less blocked (depending on diopter setting)

For my personal work I like to use the LCDVF and the Varavon side by side. The LCDVF when I need perfect image quality. And the Varavon when it’s really stressy and I have to adapt quickly. Cheers, Sebastian

price: 363$
(through B&H)
www.varavon.com

  • Posted On: 16th September 2010
  • By: Sebastian Wöber
  • Under: Loupes, Review
Tweet

Leave a Comment Cancel reply

Connect with:
Facebook Google Twitter LinkedIn

Your email address will not be published. Required fields are marked *

  • Latest Video Reviews
    • 5D3 post processing OSX Workflow video: Simple post processing of 5D Mark III RAW footage in OSX You have probably seen our extensive written guide on how to get Magic Lantern's 24p ...
    • scr_5d3_bmcc Canon 5D mark III RAW vs. Blackmagic Cinema Camera RAW Today we already published a test video of the impressive Canon 5D mark III RAW ...
    • scr_5d3 Canon 5D mark III 24p RAW test – A RAW in the park Yes, the source for the video above is a 1080p 14bit RAW shot with the ...
  • Subscribe to our Newsletter
  • Categories
    • Accessories
    • Announcements
    • Camera Bodies
      • Apertus
        • Axiom Camera
      • Arri
        • Arri Alexa XT
      • Blackmagic Design
        • Blackmagic Cinema Camera
        • Blackmagic Pocket Cinema Camera
        • Blackmagic Production Camera 4K
      • Canon
        • Canon 1100D
        • Canon EOS 100D
        • Canon EOS 1D
        • Canon EOS 1D X
        • Canon EOS 1DC
        • Canon EOS 5D mk2
        • Canon EOS 5D mk3
        • Canon EOS 60D
        • Canon EOS 6D
        • Canon EOS 70D
        • Canon EOS 7D
        • Canon EOS 7D mk2
        • Canon EOS C100
        • Canon EOS C300
        • Canon EOS C50
        • Canon EOS C500
        • Canon EOS M
        • Canon EOS T2i / 550D
        • Canon EOS T3i / 600D
        • Canon EOS T4i / 650D
        • Canon EOS T5i / 700D
        • Canon Powershot G1 X
      • Concept Cameras
      • GoPro
        • GoPro Hero 3
      • Ikonoskop
      • JVC
        • JVC PX100
      • KineRAW
        • KineRAW MINI
      • Leica M type 240
      • Nikon
        • Nikon A99
        • Nikon Coolpix A
        • Nikon D3200
        • Nikon D4
        • Nikon D7000
        • Nikon D800
      • Panasonic
        • Panasonic AF100
        • Panasonic GH2
        • Panasonic GH3
        • Panasonic Lumix
      • Pentax
      • RED
        • Dragon
        • RED One
        • RED Scarlet-X
      • Samsung
      • Sony
        • Sony A65
        • Sony A77
        • Sony F3
        • Sony F5
        • Sony F55
        • Sony HX9v
        • Sony NEX-5N
        • Sony NEX-6
        • Sony NEX-7
        • Sony NEX-EA50
        • Sony NEX-FS100
        • Sony NEX-FS700
        • Sony NEX-VG30
        • Sony NEX-VG900
        • Sony RX100
        • Sony VG-20
    • Camera Movement
      • Aerial
      • Crane
      • Sliders
      • Steadycam
    • Cameras
    • cinema5D news
    • Contests
    • Distribution
    • Editing & Field Recording
      • Color Correction
      • Disk Recorders
      • Editing on a Mac
      • Music
      • Software
        • Final Cut Pro
        • Premiere Pro
    • Events
      • IBC 2011
      • IBC 2012
      • NAB 2011
      • NAB 2012
      • NAB 2013
    • Filmmakers
    • Firmware
      • Firmware Update
      • hacking
      • Picture Styles
    • Follow Focus
    • Gear
      • Audio
        • Microphones
      • Bags
      • Baseplates
      • Battery
      • DIY
      • Handheld Rigs
      • Lenses
        • Filters
        • Mounts / Adapters
      • Mattebox
      • Memory
      • Storage
      • Tripod & Mounting
    • HDSLR
    • Interviews
    • Kickstarter
    • Lighting
      • Greenscreen
      • LED
    • Monitoring
      • EVF's
      • Field Monitors
      • Loupes
      • Streaming
    • News
    • Rebates
    • Review
      • video review
    • Rumors
    • Technology
      • 4K
      • 6K
      • Aliasing / Moiré
      • Global Shutter
      • Highspeed
      • Lowlight
      • RAW
      • Slow Motion
      • Timelapse
      • Very Small Cameras
    • The Art
      • Video Picks
      • Workshops
    • Uncategorized
  • Twitter
    • Recreating the 'Bullet Time' Effect from The Matrix with 1 GoPro - http://t.co/AIP5u7f4E2
      about 4 hours ago
    • RT @NinoLeitner: Looking for knowledgable Wordpress developer who can code adjustments for cinema5D at reasonable rates. email nino[at]http…
      1 day ago
    • 'Relentless' - the 'MoVi' for the rest of us?, part 2 ... - http://t.co/owbJtWSzi6
      1 day ago
CINEMA5D

cinema5D is a website that specializes in video reviews of cinema capable new cameras and accessories.
We are an independent group of camera professionals who have been at the forefront of the HDSLR revolution.
Our reviews are our personal opinion yet we try to provide an objective view at every tool we test.

Recent Posts
  • Recreating the ‘Bullet Time’ Effect from The Matrix with 1 GoPro
  • ‘Relentless’ – the ‘MoVi’ for the rest of us?, part 2
  • The 5D mark III can now do 25fps in RAW 1080p
  • Workflow video: Simple post processing of 5D Mark III RAW footage in OSX
  • No need to worry: 5D Mark III RAW hack takes what’s already there
Archives
  • May 2013
  • April 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012