_

  • Cameras
  • Accessories
  • News
  • Partners
  • About
  • Contact

NAB 2012 – PrimeCircle: affordable EF cine prime lenses

We thank our sponsor B&H who
has made cinema5D’s news
coverage of NAB 2012 possible.

Get your gear through B&H to support this platform: www.bhphotovideo.com

Here’s one of the most intriguing new products we’ve seen at NAB 2012: The PrimeCircle cine EF lenses.

Italian based product designer and lens modifier Dante Cecchin had been working in cinematography for a long time when the HDSLR revolution changed the way we looked at cinema. Driven by the need for HDSLR cine primes Dante modified high quality Zeiss ZF glass into cinema lenses and started a production.

History
After starting his project in 2011 Dante has further advanced and perfected his lens modifications and produced some other renown products along the way like a hdmi cable locker, a designer aluminum body cap or a DIY cine lens modification kit for stills glass, to bring cinestyle closer to the indie filmmaker.

How it’s done
Basically the original Zeiss ZF lenses stay fully intact, Dante only adds an additional housing, a front cover, a new tighter EF mount, a gear and decklicks the aperture ring. The quality of these modified lenses is truly remarkable. Certainly they will have to be tested in a real life environment which cinema5D will undertake soon.

Pricing
The PrimeCircle lenses cost 20-30% more than the original stills lenses. Compared to other compact cine prime lenses this is very affordable.

Advantages over stills lenses:
- tighter locked lens mounting
- 90° orientation twist so scales are on side instead of top
- correctly sized and locked gear
- large focal length display on lens sides
- reflection free front
- unified front barrel/mount size for use with matteboxes
- declicked and fluid aperture ring

Dante says his modifications can only get you 90% to where dedicated cine primes take you. Here are the
disadvantages over other cine primes:
- no gear on aperture (because stills lens aperture ring
_isn’t strong enough for geared force)
- shorter aperture travel
- Stills lenses often tend to expand or retract during focus
_changes (where Dante’s mattebox as seen in the video
_comes in very handy)
- slightly shorter focus travel
(if there’s anything I missed here let me know)

The PrimeCircle website

  • Posted On: 2nd May 2012
  • By: Sebastian Wöber
  • Under: Announcements, HDSLR, Lenses, Mattebox, NAB 2012
 

Comments
Tweet

Leave a Comment Cancel reply

Connect with:
Facebook Google Twitter LinkedIn

Your email address will not be published. Required fields are marked *

  • Latest Video Reviews
    • 5D3 post processing OSX Workflow video: Simple post processing of 5D Mark III RAW footage in OSX You have probably seen our extensive written guide on how to get Magic Lantern's 24p ...
    • scr_5d3_bmcc Canon 5D mark III RAW vs. Blackmagic Cinema Camera RAW Today we already published a test video of the impressive Canon 5D mark III RAW ...
    • scr_5d3 Canon 5D mark III 24p RAW test – A RAW in the park Yes, the source for the video above is a 1080p 14bit RAW shot with the ...
  • Subscribe to our Newsletter
  • Categories
    • Accessories
    • Announcements
    • Camera Bodies
      • Apertus
        • Axiom Camera
      • Arri
        • Arri Alexa XT
      • Blackmagic Design
        • Blackmagic Cinema Camera
        • Blackmagic Pocket Cinema Camera
        • Blackmagic Production Camera 4K
      • Canon
        • Canon 1100D
        • Canon EOS 100D
        • Canon EOS 1D
        • Canon EOS 1D X
        • Canon EOS 1DC
        • Canon EOS 5D mk2
        • Canon EOS 5D mk3
        • Canon EOS 60D
        • Canon EOS 6D
        • Canon EOS 70D
        • Canon EOS 7D
        • Canon EOS 7D mk2
        • Canon EOS C100
        • Canon EOS C300
        • Canon EOS C50
        • Canon EOS C500
        • Canon EOS M
        • Canon EOS T2i / 550D
        • Canon EOS T3i / 600D
        • Canon EOS T4i / 650D
        • Canon EOS T5i / 700D
        • Canon Powershot G1 X
      • Concept Cameras
      • GoPro
        • GoPro Hero 3
      • Ikonoskop
      • JVC
        • JVC PX100
      • KineRAW
        • KineRAW MINI
      • Leica M type 240
      • Nikon
        • Nikon A99
        • Nikon Coolpix A
        • Nikon D3200
        • Nikon D4
        • Nikon D7000
        • Nikon D800
      • Panasonic
        • Panasonic AF100
        • Panasonic GH2
        • Panasonic GH3
        • Panasonic Lumix
      • Pentax
      • RED
        • Dragon
        • RED One
        • RED Scarlet-X
      • Samsung
      • Sony
        • Sony A65
        • Sony A77
        • Sony F3
        • Sony F5
        • Sony F55
        • Sony HX9v
        • Sony NEX-5N
        • Sony NEX-6
        • Sony NEX-7
        • Sony NEX-EA50
        • Sony NEX-FS100
        • Sony NEX-FS700
        • Sony NEX-VG30
        • Sony NEX-VG900
        • Sony RX100
        • Sony VG-20
    • Camera Movement
      • Aerial
      • Crane
      • Sliders
      • Steadycam
    • Cameras
    • cinema5D news
    • Contests
    • Distribution
    • Editing & Field Recording
      • Color Correction
      • Disk Recorders
      • Editing on a Mac
      • Music
      • Software
        • Final Cut Pro
        • Premiere Pro
    • Events
      • IBC 2011
      • IBC 2012
      • NAB 2011
      • NAB 2012
      • NAB 2013
    • Filmmakers
    • Firmware
      • Firmware Update
      • hacking
      • Picture Styles
    • Follow Focus
    • Gear
      • Audio
        • Microphones
      • Bags
      • Baseplates
      • Battery
      • DIY
      • Handheld Rigs
      • Lenses
        • Filters
        • Mounts / Adapters
      • Mattebox
      • Memory
      • Storage
      • Tripod & Mounting
    • HDSLR
    • Interviews
    • Kickstarter
    • Lighting
      • Greenscreen
      • LED
    • Monitoring
      • EVF's
      • Field Monitors
      • Loupes
      • Streaming
    • News
    • Rebates
    • Review
      • video review
    • Rumors
    • Technology
      • 4K
      • 6K
      • Aliasing / Moiré
      • Global Shutter
      • Highspeed
      • Lowlight
      • RAW
      • Slow Motion
      • Timelapse
      • Very Small Cameras
    • The Art
      • Video Picks
      • Workshops
    • Uncategorized
  • Twitter
    • Recreating the 'Bullet Time' Effect from The Matrix with 1 GoPro - http://t.co/AIP5u7f4E2
      about 12 hours ago
    • RT @NinoLeitner: Looking for knowledgable Wordpress developer who can code adjustments for cinema5D at reasonable rates. email nino[at]http…
      1 day ago
    • 'Relentless' - the 'MoVi' for the rest of us?, part 2 ... - http://t.co/owbJtWSzi6
      1 day ago
CINEMA5D

cinema5D is a website that specializes in video reviews of cinema capable new cameras and accessories.
We are an independent group of camera professionals who have been at the forefront of the HDSLR revolution.
Our reviews are our personal opinion yet we try to provide an objective view at every tool we test.

Recent Posts
  • Recreating the ‘Bullet Time’ Effect from The Matrix with 1 GoPro
  • ‘Relentless’ – the ‘MoVi’ for the rest of us?, part 2
  • The 5D mark III can now do 25fps in RAW 1080p
  • Workflow video: Simple post processing of 5D Mark III RAW footage in OSX
  • No need to worry: 5D Mark III RAW hack takes what’s already there
Archives
  • May 2013
  • April 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012