Archive for May, 2013
Recently, Canon announced the availability of the long-awaited 25p 4K firmware for its filmmaking-focused DSLR, the Canon 1DC (watch my Canon 1DC review video here and our comparison to the Sony F55 here). So far, the camera was only able to record 24p in 4K, basically making it irrelevant for any TV production in Europe and other PAL countries around the world (which rely on 25p/50i workflows and broadcasting).
This makes the camera a whole lot more interesting to filmmakers and production companies in said countries. However, if you think you can download the firmware update and install it yourself, you are mistaken: Canon requires you to hand your 1DC over to a Canon-certified service center to perform the upgrade....
We feel honored that Premiumbeat.com, a leading site for royalty free music and sound effects, has named cinema5D as on of the ’10 Filmmaking Sites You Should Be Reading”. Premiumbeat.com is not also known for its production music and effects, but also their very frequently updated blog section that also covers a lot of video news and also features a lot of insightful blog posts of how to survive in our industry of filmmaking and media professionals.
Go check out the entire list by clicking here!...
Lens adapter manufacturer Metabones surprised and intrigued us when they introduced the “Speedbooster” adapter that boosts your lenses speed by 1 f-stop and widens the field of view. What a perfect device that would solve some of the major problems of the Blackmagic Cinema Camera. If only the camera were shipping yet....
You certainly remember 1999′s iconic feature film “The Matrix” which has certainly had a profound impact on a lot of science fiction films in the decade that followed and on me personally. Apart from its content it established a number of styles that were unknown in filmmaking before, among them what became known as the “Bullet Time effect”.
Everyone and their mum knows about Freefly’s MoVi now, the gimbal-stabilized handheld camera rig made famous by Vincent Laforet with his demo film right before NAB in April, where it was introduced.
At $15,000, the MoVi M10 isn’t exactly affordable for indie filmmakers....
It’s a revolutionary time for indie filmmakers: A RAW module for Magic Lantern was enabled last Sunday that hacks your Canon EOS 5D mark III to shoot 14bit RAW video in 24p and we just found out it also works in 25p.
The Magic Lantern people told us how the hack works and that the process is probably non destructive. ...
You have probably seen our extensive written guide on how to get Magic Lantern’s 24p working on the 5D Mark III, which also includes a step-by-step instruction on how to end up with usable ProRes 4444 files.
Well, as it turns out, Sebastian here has found a much more straightforward way to post process the raw files from the 5D Mark III which allows us to skip the relatively cumbersome After Effects conversion...
Since the RAW hack for the 5D Mark III came out, there’s been a lot of speculation as to how Magic Lantern did manage to do it. Understandably, many people are hesitant to hack their 5D Mark III’s and use it with an alternative firmware that is not thoroughly tested yet. And Magic Lantern also recommends to be hesitant:...
Latest Video Reviews
- Sony RX10 – first look Italy. Nov 13th. In my hands I have a camera that can change the news/...
- Resolution / Aliasing / Comparison: Sony A7 vs. A7r vs. Canon 5D mark III We've been testing the new mirrorless Sony alpha a7 and Sony alpha a7R cameras that ...
- Sony A7 – first look The new Sony A7 mirrorless camera will soon be here and we had a chance ...
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